SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Roman Father"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: Harlequin Junior

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: High Life below Stairs

Dance: As17841002

Song: End of mainpiece Bright Phoebus has mounted the chariot of Day by Dignum

Performances

Mainpiece Title: The Choleric Fathers

Afterpiece Title: Appearance is against Them

Dance: End of Act II of mainpiece The Recruiting Serjeant [performers not listed (see17851007)]; End of mainpiece new dance, The Piping Pedlar, by Byrn and Mrs Goodwin

Performances

Mainpiece Title: The Choleric Fathers

Afterpiece Title: Barataria

Dance: End of mainpiece The Piping Pedlar, as17851110

Performances

Mainpiece Title: The Choleric Fathers

Afterpiece Title: Appearance is against Them

Dance: End of mainpiece The Piping Pedlar, as17851110, but added: Ratchford

Performances

Mainpiece Title: The Choleric Fathers

Afterpiece Title: Appearance is against Them

Dance: As17851112

Performances

Mainpiece Title: The Choleric Fathers

Afterpiece Title: Appearance is against Them

Dance: As17851112

Performances

Mainpiece Title: The Choleric Fathers

Afterpiece Title: Appearance is against Them

Dance: As17851103

Performances

Mainpiece Title: The Choleric Fathers

Afterpiece Title: Barnaby Brittle

Dance: As17851112

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The First Floor

Song: [Kelly introduced a song by Giuseppe Sarti with English words by Richard Tickell, and a duet composed by himself and Stephen Storace with words by French Laurence (Kelly, I, 296). Neither one of these is listed on the playbill]

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The Humourist

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Afterpiece Title: The Waterman

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The Humourist; or, Who's Who

Performances

Mainpiece Title: Lionel And Clarissa; Or, The School For Fathers

Afterpiece Title: Catherine and Petruchio

Song: In: Sweet Passion of Love-Mrs Mountain; End I afterpiece: Hark the Lark at Heaven's Gate (with accompaniments by Dr Arnold)-Johnstone, Blanchard, Bannister, Mrs Mountain

Music: Mainpiece: With a new Overture (for that night only)-Pleyel; End I: (for that night only) a duet on the violin and tenor-Mme Gautherot, Mountain; End: a concerto on the violin-Mme Gautherot

Performances

Mainpiece Title: The School For Fathers

Afterpiece Title: Katharine and Petruchio

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Love And Madness

Afterpiece Title: 'Tis a Wise Child Knows its Father

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Roman Actor

Afterpiece Title: Celadon and Florimel; or, The Happy Counterplot

Afterpiece Title: No Song No Supper

Entertainment: Monologue.End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Afterpiece Title: The Virgin Unmask'd

Ballet: The Triumph of Love. As17961001

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Rendezvous

Afterpiece Title: The Irishman in London

Song: End I: The Storm-Incledon; End II: Shakespeare's Loadsters (1st time in public; composed by Shield)-Incledon, Gray, Bowden; In 3rd piece: the Planxty, descriptive of Ireland, In my Father's Mud Cabin-Johnstone; End I 3rd piece: Old Towler-Incledon

Performances

Mainpiece Title: Lionel And Clarissa; Or, The School For Fathers

Afterpiece Title: The Honest Thieves

Song: "A new duet, composed by Kelly, was introduced." (Monthly Mirror, July 1798, p. 51), for which see17980711