Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Il Tutore E La Pupilla"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
2801 results for: Title - Il Tutore E La Pupilla

126
26 May 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Soldato

Dance: End I: Divertisement, as17780207; with a Minuet-Mons and Mme Simonet; End II: L'Amour dans la Vendange, as17780519; End Opera: La Serenade Interrompuee, as17780224

127
28 May 1778 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: L'Amour dans la Vendange, as17780519; End II: The Masquerade Ballet-; in which a Minuet-Mme Simonet en homme, or in man's dress,, Mlle Baccelli; End Opera: La Serenade Interrompuee, as17780224; in which the Minuet Dauphin-Mme Simonet in man's dress, Mlle Banti

128
30 May 1778 @ King's Theatre

Performances

Mainpiece Title: Il Re Pastore

Dance: End I: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: Les Amans unis par l'Hymen, as17780404

Ballet: End II: La Surprize de Daphnis et Cephise. As17780331

129
02 June 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Soldato

Dance: End I: Divertisement, as17780526; End II: L'Amour dans la Vendange, as17780519; End Opera: La Serenade Interrompuee, as17780224

130
09 June 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Soldato

Dance: End I: Divertisement, as17780207; End II: L'Amour dans la Vendange, as17780519; End Opera: La Clochette, as17771115

131
13 June 1778 @ King's Theatre

Performances

Mainpiece Title: Creso

Dance: End I: La Polonaise Favourite, as17771104; End Opera: La Serenade Interrompuee, as17780224

Ballet: End II: La Surprize de Daphnis et Cephise. As17780331

132
23 October 1778 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Apprentice

Dance: End: La Soiree a la Mode-Dagueville, Mast. Holland, Harris, Sga Tinte

133
10 November 1778 @ Covent Garden

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Invasion

Dance: End: La Soiree a la Mode, as17781023, but Mast. Dagueville, Miss +Simonet, _Harris

134
09 May 1780 @ King's Theatre

Performances

Mainpiece Title: Il Duca D'atene

Dance: End I: new ballet, Il Filosofo (composed by Zuchelli)-Sg Zuchelli, Sga Zuchelli, Sga Tantini, Slingsby; End II: La Serenata Spagnola Interrota [see17800420]-Sg and Sga Zuchelli, Sga Baccelli, Henry, Guiardele; [with a Pas de Deux-; accompanied on the guitar-Noferi; End III: New Serious Ballet (composed by Guiardele) [in which-Mme Simonet,[will dance in Men's Cloaths with Sga Baccelli, Sga Tantini, Guiardele; to conclude with: a Grand Chaconne [of Jomelli-

135
16 May 1780 @ King's Theatre

Performances

Mainpiece Title: Il Duca D'atene

Dance: End I: Il Filosofo, as17800509; End II: La Serenata Spagnola Interrota, as17800509; End Opera: New Serious Ballet, as17800509, but Slingsby

136
21 March 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: L'allegro, Il Penseroso, Il Moderato; Alexander's Feast

Music: As17810307

137
23 March 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: L'allegro, Il Penseroso, Il Moderato; Alexander's Feast

Music: As17810302

138
11 December 1782 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Positive Man

Dance: End of mainpiece Diversion a-la-Mode (performers not listed, but see17821206, in which The Minuet de la Cour by Harris and Miss Besford

139
13 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

140
20 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Il Riposo del Campo, as17830313End of Act II La Bigueule, as17830313but omitted: Mlle Theodore, Mme Simonet

141
22 March 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act I Il Riposo del Campo, as17830313but omitted: Slingsby; End of Act II La Bigueule, as17830320athi

142
29 March 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act I La Begueule, as17830320End of Act II Il Riposo del Campo, as17830322athi

143
10 May 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Il Riposo del Campo, as17830424; End of Act II La Bigueule, as17830313but omitted: Slingsby, Mme Simonet

144
13 May 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I Il Riposo del Campo, as17830506; End of Act II La Begueule, as17830510

145
03 June 1783 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Il Riposo del Campo, as17830313but omitted: Slingsby, Mlle Theodore, La Recrue par Force; End of Act III he Tuteur Trompe, as17830506, with a Pas de Deux by Slingsby and Mme Simonet

146
05 April 1785 @ King's Theatre

Performances

Mainpiece Title: La Finta Principessa

Dance: End of Act I A La Plus Sage, as17850303End of Opera Il Convitato di Pietra, as17850312athi

147
28 April 1785 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I A la Plus Sage [performers not listed, but see17850303 End of Opera Il Convitato di Pietra [performers not listed, but see17850312

148
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

149
13 June 1786 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I La Fete Marine, as17860516; End of Opera Ninette d la Cour, as17860601

150
04 July 1786 @ King's Theatre

Performances

Mainpiece Title: Il Marchese Tulipano

Dance: End of Act I La Fete Marine, as17860427; End of Opera Ninette } la Cour, as17860701

Accessibility Report a Concern Careers Privacy Policy About Find People
© University of Oregon. All Rights Reserved.

UO prohibits discrimination on the basis of race, color, sex, national or ethnic origin, age, religion, marital status, disability, veteran status, sexual orientation, gender identity, and gender expression in all programs, activities and employment practices as required by Title IX, other applicable laws, and policies. Retaliation is prohibited by UO policy. Questions may be referred to the Title IX Coordinator, Office of Affirmative Action and Equal Opportunity, or to the Office for Civil Rights. Contact information, related policies, and complaint procedures are listed on the statement of non-discrimination.