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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "A Musical Olio"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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152 results for: Title - A Musical Olio

126
29 July 1773 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: Il Dilletante

Music: Musical imitations of the French, Italian, and German Style of singing will be introduc'd-Reinhold

127
22 September 1773 @ Covent Garden

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Musical Lady

128
10 November 1773 @ Covent Garden

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Musical Lady

Dance: II: The Irish Lilt-, as17731005, but Miss _Twist, Miss Valois; End: +New Dance, as17731021

129
31 December 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Musical Lady

130
23 December 1775 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Musical Lady

Dance: End Opera: La Soiree A@la@mode, as17751207

131
10 February 1776 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Musical Lady

132
22 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: the Feast Of Thalia; Or, A Dramatic Olio

Afterpiece Title: First Course, a substantial Dish from: Henry IV

Afterpiece Title: Second Courae, a Comic Dish, never serv'd up before: Kensington Gardens; or, The Walking Jockey

Afterpiece Title: Third Course, an Operatic Dish: The Son-in-Law

Afterpiece Title: Also by way of Entremet: Ripe Fruit; or, The Marriage Act

Afterpiece Title: Desert: Tom Thumb

Song: In Second Course: Auld Robin Gray-Miss Harper

133
07 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: Musical Miscellanies

Afterpiece Title: The Elopement

134
20 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: A Musical Oglio

Afterpiece Title: The Double Disguise

135
24 September 1784 @ Covent Garden

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Musical Lady

136
29 September 1784 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Musical Lady

137
01 October 1784 @ Covent Garden

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Musical Lady

Dance: End of mainpiece Pastoral Sports, as17840922

Song: In Act II of mainpiece a song by Brett

138
06 October 1784 @ Covent Garden

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Musical Lady

Dance: End of Act II of mainpiece The Rival Nympbs by Harris, Byrne, Ratchford, Mrs Goodwin, Miss Matthews

139
25 October 1784 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Musical Lady

Song: End of Act IV of mainpiece Juliet's Funeral Procession, with the Solemn Dirge. Vocal Parts by Johnstone, Brett, Baker, Cubitt, Gaudry, Pemberton, Whitaker, Darley, Doyle; Mrs Bannister, Miss Wheeler, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Kennedy

140
20 January 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Caldron; or, Pantomimical Olio

Dance: In afterpiece, by Mr and Miss Hamoir, Mills, Miss Stageldoir. [The dances were included, as here assigned, in all subsequent performances.]

141
10 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

142
06 April 1785 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Musical Lady

Dance: In Act III of mainpiece Hornpipe by Miss Besford; After 2nd song, The Mountaineers, as17841201

Song: End of Act I of mainpiece The Sorrows of Charlotte at the Tomb of Werter (the music composed by Percy, and never before sung in public) sung in character by Miss Wheeler; End of mainpiece The Soldier tir'd of War's Alarms by Miss Wheeler

143
16 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Feast Of Thalia; Or, A Dramatic Olio

Afterpiece Title: First Course, an Operatic Dish: The Dead Alive

Afterpiece Title: Second Course, a Comic Dish: More Frighten'd than Hurt

Afterpiece Title: a Desert: The Honest Yorkshireman

Monologue: 1785 08 16 End of Second Course, by way of Entremet, Joe Haynes's Epilogue, riding on an Ass, by Wilson

144
27 September 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Caldron; or, Pantomimical Olio

Dance: In afterpiece, by Mills, Miss J. Stageldoir, and others

145
30 April 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Taste; or, Lady Pentweazel sitting for her Picture

Afterpiece Title: The Musical Lady

Song: End III: Bow wow wow (from Patrick in Prussia [i.e. Love in a Camp])-the Gentleman who plays Maw-Worm; In 3rd piece: a duet, The Hermit[, taken from part of Goldsmith's Hermit,-the Young Lady, the Gentleman who performs Maw-Worm

146
06 May 1791 @ Covent Garden

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Midas

Afterpiece Title: The Dreamer Awake; or, The Pugilist Matched

Song: End I 1st piece: Say Bonny Lass: Highland Lad-Mrs Martyr, Highland Lassie- Mrs Mountain; End I 3rd piece: The Musical Courtship-Incledon, Mrs Martyr

147
27 May 1791 @ Covent Garden

Performances

Mainpiece Title: Rosina

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: Comus

Song: End I: The Musical Courtship, as17910506; End II 2nd piece: Say Bonny Lass, as17910506; In 3rd piece: Sweet Echo-Mrs Mountain; accompanied on the hautboy-W. Parke; Nor on beds of fading flowers (1st time these 7 years)-Incledon; O! thou wert born to please me (1st time at this theatre)-Incledon, Mrs Mountain

148
23 November 1793 @ Haymarket Theatre

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: WIVES IN PLENTY

Afterpiece Title: THE DEAF LOVER

Song: 2nd piece: To conclude with a Musical Medley by Bannister Jun. and Sga Storace

149
09 May 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Miser

Song: In IV 1st piece: Masquerade Scene-; Orphan Bess the Beggar Girl (the Musick by Hook)-; End 1st piece: A Musical Address (accompanied on the harp by Weippert, the Musick by Dr Arnold)-Miss Leak; In 2nd piece: The Country Club-Bannister Jun

150
16 September 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Tars at Torbay

Afterpiece Title: Peeping Tom

Entertainment: Vaudeville End: Satan's Address to the Sun , from Milton's Paradise Lost-the Young Gentleman who last year (see17980917) recited a portion of Gray's Bard; Musical Pasticcio, The Cryer-Suett; My mother bids me bind my hair (Haydn)-Master Suett; a Comic Song descriptive of Bartholomew Fair-Wathen; Mad Tom (Purcell)-Story; The Irish Newsman-Clarke; Crazy Jane (Miss Abrams)-Mrs Bland; Imitations-Caulfield