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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Choleric Man"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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1410 results for: Title - The Choleric Man

1351
10 December 1793 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Harlequin's Chaplet

1352
14 May 1794 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: FATAL EXTRAVAGANCE

Afterpiece Title: THE SPRIGS OF LAUREL

Song: End of 1st piece Old Towler by Incledon

1353
28 March 1795 @ Covent Garden

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The British Recruit

Afterpiece Title: The Absent Man

Song: As17950316

1354
08 May 1795 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Sailor's Prize

Afterpiece Title: Who's the Dupe

Dance: As17950501

Song: In course: The Storm-Incledon; Admiral Benbow-Incledon; Four and Twenty Fidlers-Munden; In 2nd piece: Battle Song, as17950501; Let us love and let us drink, as17950501; Teddy O'Shaughnessey's History, as17950501; Now landed from the Ocean, as17950501

1355
23 January 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Man Of Ten Thousand

Afterpiece Title: Harlequin Captive

1356
26 January 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Man Of Ten Thousand

Afterpiece Title: Harlequin Captive

1357
27 January 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Man Of Ten Thousand

Afterpiece Title: Harlequin Captive

1358
02 February 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Man Of Ten Thousand

Afterpiece Title: Harlequin Captive

1359
04 February 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Man Of Ten Thousand

Afterpiece Title: Harlequin Captive

1360
06 February 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Man Of Ten Thousand

Afterpiece Title: Harlequin Captive

1361
09 February 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Man Of Ten Thousand

Afterpiece Title: Harlequin Captive

1362
20 May 1796 @ Covent Garden

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Positive Man

Song: End: an Interlude of Songs, Glees-Incledon, Johnstone, Fawcett, Bowden, Townsend, Richardson, Linton

Entertainment: In course Evening: Imitations, The Beggar (from Merry Sherwood)-Townsend

1363
10 May 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Battle Of Eddington

Afterpiece Title: The Romance of an Hour

Song: Mainpiece: Vocal Parts, as17970123, but Master _Willoughby, Master Paul, A Young _Lady, Miss +Jones; End: +Ye Gentleman of England-; and the Companion, To all you Ladies now at Land-; A Sea Song, The Muffin Man-Master Sincock

1364
11 May 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Dance: End I: Le Rendez@vous (1st time; composed by Gallet)-Mme Hilligsberg [will perform in Man's Cloaths]

Ballet: End Opera: Sapho et Phaon. As17970406

1365
16 May 1797 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: An Entremets

Afterpiece Title: Peeping Tom

1366
17 May 1797 @ Covent Garden

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Rival Soldiers

Afterpiece Title: The Positive Man

Song: In the course of the Evening: The Life of Poor Jack (composed by Dibdin), Admiral Benbow-Incledon; Honesty in Tatters-Townsend; Arthur O'Bradley (1st time, written by O'Keeffe)-Munden

1367
25 May 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: The Positive Man

1368
26 May 1797 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin and Oberon

1369
12 June 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Spoil'd Child

Song: End I: When on board our trim Vessel-Cooke (composed by Carter); End IV: Chelsea Quarters (composed by Schroeder)-Cooke

Entertainment: Imitations. End: a Variety of Imitations-Caulfield

Ballet: Following Imitations: The Scotch Ghost. As17961221

1370
10 July 1797 @ Haymarket Theatre

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Peeping Tom

1371
15 May 1798 @ Covent Garden

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: High Life below Stairs

Dance: In afterpiece: Mock Minuet-Mr and Mrs Knight

Entertainment: Singing and Monologues.End: a Dialogue Duet (1st time), The Pledge of Love; or, British Tar's Farewell-Incledon, Mrs Mountain (the Music entirely New); The Barber's Petition, with a song in character, Wigs (including his Own Wig, The Doctor's Wig, Counsellor's Wig, The Lover's Wig, Coachman's Wig, etc.)-Knight; Ode on the Passions-Mrs Pope; Old Towler-Incledon

1372
25 May 1798 @ Covent Garden

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Reformed in Time

Song: In course of Evening: The Bells of Aberdovy-Townsend; accompanied on the harp-Weippert; The Mid Watch-Incledon; The Beggar, in character,-Townsend; The Pledge of Love, as17980515; a favorite Comic Song-Fawcett

Entertainment: Imitations.An Exhibition of Theatrical Portraits-Townsend

1373
19 December 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

1374
26 December 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Blue-Beard

1375
21 January 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Feudal Times