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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Ode"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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93 results for: Title - The Ode

76
19 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast; Or, The Power Of Music; Messiah

Afterpiece Title: Acis and Galatea; Messiah

Music: End Ode: As17900219

77
15 February 1791 @ Covent Garden

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Farmer

Entertainment: Monologue End: (for that night only) Collins's Ode on the Passions-Mrs Esten

78
28 April 1792 @ Covent Garden

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Robin Hood

Entertainment: Monologues Preceding: [a New Address, She Couldn't Help It-[by Harley]; End: Collins's Ode on the Passions-Mrs Esten; [Imitations End II: Dramatic Imitations [Comic, Vocal and Tragic,-Mrs Wells

79
17 April 1793 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: True Blue

Afterpiece Title: The Sultan

Dance: In 3rd piece: As17921003; In 2nd piece: Hornpipe, as17930411

Entertainment: Monologue End 2nd piece: Collins's Ode on the Passions-Mrs Esten

80
30 August 1794 @ Haymarket Theatre

Performances

Mainpiece Title: Britain's Glory

Afterpiece Title: THE SURRENDER OF CALAIS

Afterpiece Title: THE CHILDREN IN THE WOOD

Monologue: 1794 08 30 End of Act I of 3rd piece Collins's Ode on the Passions by Palmer

81
30 May 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Quaker

Entertainment: MonologueEnd I afterpiece: Collins's Ode on the Passions-Palmer

82
12 February 1796 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

83
17 May 1796 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Netley Abbey

Dance: In I: Grand Masquerade-; with the Minuet de la Cour and Allemande, as17950921

Song: End IV: Elegy-; Solemn Dirge-; Vocal Parts, as17950921, but Miss _Stuart, Miss _Kirton; After entertainment: Black@ey'd Susan-Incledon; My Mother had a Maid called Barbara, as17960314but _Bowden; Old Towler-Incledon

Entertainment: End: Monsieur Tonson, as17960426; After which Recitation and Music, as performed last Season with universal Applause at Freemason's Hall, in which Errors of the Press-Holman; Dryden's Ode of Alexander's Feast-Middleton; The Story of the Dog (written by Whitehead)-Pope

84
19 May 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Harlequin's Treasure 0

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

Song: End: An Ode, selected from Ben Jonson, as17960516

85
16 September 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Mock Doctor

Dance: End 2nd piece: Pas Russe, as17960907

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer

86
15 March 1797 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast 0; Or, the Power Of Music Messiah 0

Afterpiece Title: Alexander's Feast 3

Music: Preceding II: concerto for two violins and violoncello obligato- , as originally composed for this Ode by Handel, and performed under his Direction in the year 1736; End II: concerto on the Grand Piano Forte-Dussek

87
15 June 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Devil to Pay

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer

88
24 January 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Messiah

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

89
22 February 1799 @ Covent Garden

Performances

Mainpiece Title: Acis And Galatea; Grand Selection 0

Music: End I: Ode on St. Cecilia's Day-[(never before performed text by the Rev. Samuel Wesley]), set to music by Samuel Wesley; Introductory to the Ode: [Handel's 3rd organ concerto-Samuel Wesley

90
16 May 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Deserter

Entertainment: Monologues End: Collins's Ode on the Passions (1st time)-Miss Heard; Epilogue in the Character of Cupid-Master Chatterley

91
19 April 1800 @ Covent Garden

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Saturday Night at Sea

Afterpiece Title: Lock and Key

Entertainment: Monologue End: Collins's Ode on the Passions-Mrs Pope

92
25 August 1772 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: La Serva Padrona

Song: Several songs-Mrs Forbes; Musical Imitations-Bannister; An Odecomposed by Arnold will be sung in the manner of an Oratorio-Reinhold, Bannister, Mrs Forbes, Mrs Cartwright, Mrs Thompson, with a number of the best Chorus Singers

93
07 September 1772 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: The Magnet

Entertainment: Odeby Arnold for Prince's Birthday,-Bannister, Culver, Mrs Forbes, Mrs Cartwright, Mrs Thompson