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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Fine Ladys Airs"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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278 results for: Title - The Fine Lady's Airs

76
03 September 1771 @ Grotto Gardens, St. George's Fields

Performances

Mainpiece Title: The Gamester

Entertainment: Overture-; Favourite Hunting Song-Barnshaw; A favourite Scot's air-Miss Dowson; An Overture-Abel; O What a Charming Thing's a Battle-Barnshaw; Sweet Echo-Mas. Lyon; Act II: Soldier Tir'd-Miss Dowson; New Song-Barnshaw; Overture in Otho-; Water Parted from the Sea-Mas. Lyon; Trumpet Concerto-Mas. Green (pupil of Jones); British Wives-A. Smith; Concerto on Violin-Smart. After which will be displayed a grand Transparent Painting 40 feet wide and 30 feet high

77
18 March 1773 @ King's Theatre

Performances

Mainpiece Title: Artaxerxes

Song: In the Above Opera, four new airs-Sga Girelli; one of which, at the end of Act II, will be accompanied on the French Horn-the celebrated M Spandau

Dance: I: Grand Serious Ballet-; in which the favourite Entree of last season-Mlle Heinel; II: A Grand Ballet, with a new Pas de Cinq-Slingsby, Mlle Grenier, Sga Crispi, Leppy, Mlle Lafond; End Opera: A Grand Ballet, New Grand Chacone-Mlle Heinel, Fierville

78
25 February 1774 @ Haymarket Theatre

Performances

Mainpiece Title: Omnipotence

Song: After Part I: A New Italian Song- (Barthelemon) Mrs Barthelemon; accompanied by the Violin Obligato-

Music: After Part II: By Particular Desire, a Concerto on the Violin-Barthelemon; in which will be introduced a favourite Scotch Air, Lochaber-

79
13 April 1774 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Cross Purposes

Dance: End: The Old Ground Young, as17731208; After which: New Poetical Interlude, Henry and Emma: Parts-Smith, Hull, Miss Brown, Mrs Hartley; To conclude with: a New Air and Chorus by Dr Arne-

80
23 October 1776 @ Covent Garden

Performances

Mainpiece Title: Comus

Afterpiece Title: The Golden Pippin

Dance: End: a New Rural Ballet-Palladini, Sga Tinte (their 1st appearance on this stage); End I afterpiece: As17761015

Song: A favouriteScotch Air of Dr Arne's, Hunting Song-Miss Catley

Music: End I: a Solo on the violin-Fisher

81
28 February 1777 @ Covent Garden

Performances

Mainpiece Title: The Prodigal Son; Judas Maccabaeus

Song: With additional airs-

Music: End Part I: solo on the German flute-DeCamp; End Part II: concerto on the violin, as17770214

82
13 May 1777 @ Covent Garden

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: True-Blue

Afterpiece Title: Three Weeks after Marriage

Dance: End III: As17761123; In interlude: Langrish

Song: End I: a favourite air (composed by Dr Arne)-Mrs Farrell

83
14 May 1777 @ Covent Garden

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Country Mad-Cap

Dance: End: As17770218

Song: End I: a new air in the Scotch Taste (composed by Dr Arne)-Mrs Farrell

84
17 January 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Deuce is in Him

Dance: [the following new Dances composed] by Gallet:I: [a Dance of Cupids-; IV: [a Dance of Daemons-; to conclude: Grand Ballet-Henry, Miss Armstrong, Mlle Dupre. [These were danced, as here assigned, in all subsequent performances.

Music: Mainpiece: With a New Overture, and additional Airs, Chorusses-; the whole of the Music composed by Michael Arne

85
07 February 1778 @ King's Theatre

Performances

Mainpiece Title: Erifile

Dance: End I: La Polonaise Favourite, as17780131; End II: Les Bohemiens, as17771216; End Opera: Divertisement-Mons and Mlle Banti, Vallouy@le@cadet, Mlle Baccelli

Song: In II: Air-Sga Danzi; accompanied on the Hautboy-LeBrun. [This was sung, as here assigned, in all subsequent performances.

86
04 April 1778 @ King's Theatre

Performances

Mainpiece Title: La Clemenza Di Scipione

Dance: End I: Divertisement, as17780207; End Opera: new grand Serious Ballet, Les Amans unis par l'Hymen-Simonet, Mlle Baccelli, Sg and Sga Zuchelli, Vallouy@le@cadet

Song: II: an air-Sga Danzi; [accompanied on the violin-Cramer; violoncello-Cervetto; German flute-Florio; hautboy-LeBrun. [This was sung, as here assigned, in all subsequent performances.

Ballet: End II: La Surprize de Daphnis et Cephise. As17780331

87
21 April 1779 @ Covent Garden

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: The Fair Quaker; or, The Humours of the Navy

Afterpiece Title: The Author

Dance: In Naval Review: Dance of Sailors-Aldridge, others

Song: End Dance: the Air [in The Comedy of Errors see17790122]-Mrs Kennedy

88
15 April 1780 @ Covent Garden

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Comus

Song: Added to 1st Bacchant and Euphrosyne: The Noon Tide Air-Miss Catley

89
02 June 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Douglas

Afterpiece Title: Nature Will Prevail; A Dramatic Proverb

Dance: As17800530

Music: 2nd piece: With an Overture-; Between the Acts: Scots Airs-

90
05 June 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Genius of Nonsense

Song: I: air-the Gentlewoman who sings in the Pantomime [Miss Lyon]

91
12 November 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Spendthrift; Or, The Female Conspiracy

Afterpiece Title: The Romp

Song: End of Acts II and in of mainpiece two favourite airs by Mrs Cox (1st appearance.)

Monologue: 1781 11 12 End of Act IV of mainpiece Shuter's Post Haste Observations on his Journey to Paris by Dutton

92
10 May 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Don Juan; or, The Libertine Destroy'd

Dance: End of Act III of mainpiece a new Masquerade Dance, in which a Minuet by Zuchelli and Miss M. Stageldoir; Afterpiece to conclude with a Dance of Furies (performers not listed)

Song: In Masquerade Dance a favorite song by Miss Romanzini, and to conclude with a Serious and Comic Air by Delpini

93
06 March 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II New Divertistment, as17821130, but added: Mme Simonet; End of Act III Le Tuteur Trompe, as17830128

Song: Opera: With a new set of Airs, and an additional Scene, with a song from the celebrated Sarti, by Pacchierotti

Monologue: 1783 03 06 End of Opera an Address in English to the Audience, with a song from Handel, by Pacchierotti

94
15 March 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Il Riposo del Campo, as17830313End of Act III Le Tuteur Trompe, as17830128

Song: New set of Airs, as17830306athi

95
10 April 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Le Tuteur Trompe, as17830128, but added: Mme Simonet, and in which the following Novelties: Sequedilla by Lepicq and Mme Rossi; Fandango by Mme Rossi alone; Pas de Deux by Mme Rossi, in Man's Cloaths, and Mlle Baccelli; End of Opera an entire new Ballet, composed by Lepicq, The Amours of Alexander and Roxana (the music entirely new composed by Barthelemon), by Mlle Baccelli (with 2 Pas Seals), Slingsby, Lepicq, Henry, Zuchelli, Sga Crespi, Miss Simonet, Mlle Theodore

Song: New set of Airs, as17830306athi

96
01 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II an entirely new ballet, composed by Simonet, Le Dejeuner Espagnol, in Part I of which Sento ch' in Seno by Giordani, sung by Miss Theresa Simonet, only 8 years old, and who will dance a Minuet with her Father, and in Part II the Minuet de la Cour by Lepicq and Mme Simonet, a Gavotte by Henry and Mlle Theodore, a Chaconne, composed by Simonet, by Miss Theresa Simonet, a Fandango and two Pas Seuls, both as17830410; End of Opera Let Ruses de l'Amour, originally composed by Noverre, by Lepicq, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, in which Mme Simonet, in Man's Cloaths, will dance a Pas de Deux, incident to the Ballet, with Mlle Theodore, and another ballet, Les Caprices de Galatee, with Mlle Baccelli. The part of Cupid in the above Ballet by Miss De Camp, daughter to the celebrated Flute Player of that Name

Song: New set of Airs, as17830306athi

97
08 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

98
10 November 1783 @ Covent Garden

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Lord Mayor's Day; or, A Flight from Lapland in an Air Balloon

Song: In Act III of mainpiece a song by Mrs Kennedy

99
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

100
30 April 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])