SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "As 10 May But Decius boman"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: May Day

Performances

Mainpiece Title: The Discovery

Afterpiece Title: May Day

Dance: As17760126

Performances

Mainpiece Title: The Runaway

Afterpiece Title: May Day

Performances

Mainpiece Title: Hamlet

Afterpiece Title: May Day

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Jane Shore

Afterpiece Title: May Day; or, The Little Gipsy

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: May Day

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: May Day

Performances

Mainpiece Title: La Schiava

Dance: End I: New Minuet-Simonet (1st appearance this season), Mme Simonet; a Cossaque, as now danced at the Court of Versailles (the music by Gluck)-; End II: The Serenade Interrupted (composed by Simonet)-; in which a Pas de Deux-Simonet, Mlle Baccelli (the music by Noferi); End Opera: The Female Warriors- (composed by Simonet), which the Author hopes will meet with the satisfaction of the Nobility and Gentry, and the Ladies in particular, as this is intended to shew that the Fair Sex may with success improve in that kind of Exercise that seems confined only to the Men. The Ballets will be executed entirely by principal Dancers

Performances

Mainpiece Title: As 10 Oct

Afterpiece Title: Too Civil by Half

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Rival Knights

Afterpiece Title: Rosina

Song: End of mainpiece September the Thirteenth proud Bourbon may mourn, from Gretna Green (composed by Dr Arnold) by Bannister

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: A Peep into Elysium; or, Foote, Weston, and Shuter in the Shades

Afterpiece Title: The What d'ye Call It

Monologue: 1784 08 10 End of interlude Joe Haynes's Epilogue, riding on an Ass, by Wilson

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Foote, Weston, and Shuter in the Shades

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrne

Monologue: 1784 08 26 As 10 Aug

Performances

Mainpiece Title: The Music That Was Selected For The Commemoration Of Handel, In Westminster Abbey And The Pantheon, The 26th And 27th Of May, 1784

Performances

Mainpiece Title: A Trip To Elysium; Or, Foote, Weston, And Shuter In The Shades (as Performed For Wilson's Benefit Last Season, At The Above Theatre [on 10 Aug

Afterpiece Title: The Miser

Afterpiece Title: Twistings and Twinings; or, Tea's the Twaddle

Afterpiece Title: The Quaker

Song: 3rd piece to conclude with Tippee against Twaddle by Wilson

Monologue: 1785 02 12 Following the Singing Joe Haynes's Epilogue, riding on an ass, by Wilson. imitations. End of Act I of 4th piece Imitations, Vocal and Rhetorical, by way of Dialogue. A Gentleman (1st appearance [unidentified]) will take off the Speakers, and Decastro will take off the Singers, with a Dying Scene. After which, Plank, the carpenter, will take them both off

Performances

Mainpiece Title: Percy

Afterpiece Title: Appearance is against Them

Monologue: 1785 12 10 Before the mainpiece an Occasional Address spoken by Holman

Performances

Mainpiece Title: Percy

Afterpiece Title: The Poor Soldier

Monologue: 1785 12 12 As 10 Dec

Performances

Mainpiece Title: Percy

Afterpiece Title: Omai

Monologue: 1785 12 21 As 10 Dec

Performances

Mainpiece Title: Redemption (selected From The Great And Favourite Works Of Handel That Were Performed At His Commemorations In Westminster Abbey And At The Pantheon [on 26 And 27 May 1784])

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Here, and There, and Every Where

Dance: As17860703

Monologue: 1786 07 10 As 7 July

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Peeping Tom of Coventry

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Song: End of Act I of mainpiece Sweet Poll of Plymouth by Master Muffett of Hammersmith (1st appearance in public); In Act II an incidental song, accompanied by the pedal harp, by Miss Phillips; End of mainpiece Let Fame sound the Trumpet, as sung by Johnstone in Fontainbleau, by a Young Gentleman (1st appearance)

Monologue: 1786 07 10 End of last song Parents and Children, as 28 June

Performances

Mainpiece Title: Redemption 0 (selected From The Great And Favourite Works Of handel That Were Performed At His commemoration In Westminster Abbeyv And At The pantheon [on 26 And 27 May 1784])

Afterpiece Title: Redemption 1

Performances

Mainpiece Title: The New Peerage; Or, Our Eyes May Deceive Us

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: Redemption 0 (selected From The Great And Favoprite Works Of handel That Were Performed At His commemoration In Westminster Abbeyv, And At The pantheon [on 26 And 27 May 1784])

Afterpiece Title: Redemption 1

Music: End II: a new concerto on the hautboy-Parke

Performances

Mainpiece Title: The Son-in-law

Afterpiece Title: Peeping Tom

Dance: End 1st piece: a new Comic Dance, January and May-Byrn, Ratchford, Mrs Goodwin

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: A Quarter of an Hour before Dinner

Afterpiece Title: The Gnome; or, Harlequin Underground

Dance: End 1st piece: January and May-[see17880627