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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "An Ode by Garrick"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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104 results for: Title - An Ode by Garrick

76
22 February 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's Ode

Music: As17820220

77
16 March 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Braganza

Afterpiece Title: A Monody [on the Death of Garrick]

Afterpiece Title: Comus

78
21 March 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: L'allegro Il Penseroso

Afterpiece Title: Dryden's Ode for St

Music: End of Part II of oratorio concerto on the clarionet by Mahon

79
04 April 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Dryden's Ode for St

Music: As17830321athi

80
18 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's Ode

Music: End of Part I of oratorio concerto on the French harp by Cardon, late Musician to the Queen of France

81
26 April 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

82
09 March 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Captives

Afterpiece Title: The Humourist

Song: In Act II of mainpiece an Ode (composed by Dr Cooke). Vocal Parts by Dignum, Danby, Wilson, Phillimore, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Burnett, Miss J. Stageldoir, Mrs Forster

83
19 July 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Flitch of Bacon

Entertainment: Monologue End: a monody, The Shadows of Shakespeare; or, Shakespeare's Characters doing Homage to Garrick (written by Samuel Jackson? Pratt)-Browne

84
27 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: A Prelude

Afterpiece Title: Acis and Galatea; Triumph of Truth 0

Afterpiece Title: The Monody on the Death of Garrick

Music: As17890311

85
03 April 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption 0 [see 11 Mar

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: The Monody on the Death of Garrick

Music: As17890311

86
19 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast; Or, The Power Of Music; Messiah

Afterpiece Title: Acis and Galatea; Messiah

Music: End Ode: As17900219

87
15 February 1791 @ Covent Garden

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Farmer

Entertainment: Monologue End: (for that night only) Collins's Ode on the Passions-Mrs Esten

88
28 April 1792 @ Covent Garden

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Robin Hood

Entertainment: Monologues Preceding: [a New Address, She Couldn't Help It-[by Harley]; End: Collins's Ode on the Passions-Mrs Esten; [Imitations End II: Dramatic Imitations [Comic, Vocal and Tragic,-Mrs Wells

89
17 April 1793 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: True Blue

Afterpiece Title: The Sultan

Dance: In 3rd piece: As17921003; In 2nd piece: Hornpipe, as17930411

Entertainment: Monologue End 2nd piece: Collins's Ode on the Passions-Mrs Esten

90
30 August 1794 @ Haymarket Theatre

Performances

Mainpiece Title: Britain's Glory

Afterpiece Title: THE SURRENDER OF CALAIS

Afterpiece Title: THE CHILDREN IN THE WOOD

Monologue: 1794 08 30 End of Act I of 3rd piece Collins's Ode on the Passions by Palmer

91
30 May 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Quaker

Entertainment: MonologueEnd I afterpiece: Collins's Ode on the Passions-Palmer

92
12 February 1796 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

93
17 May 1796 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Netley Abbey

Dance: In I: Grand Masquerade-; with the Minuet de la Cour and Allemande, as17950921

Song: End IV: Elegy-; Solemn Dirge-; Vocal Parts, as17950921, but Miss _Stuart, Miss _Kirton; After entertainment: Black@ey'd Susan-Incledon; My Mother had a Maid called Barbara, as17960314but _Bowden; Old Towler-Incledon

Entertainment: End: Monsieur Tonson, as17960426; After which Recitation and Music, as performed last Season with universal Applause at Freemason's Hall, in which Errors of the Press-Holman; Dryden's Ode of Alexander's Feast-Middleton; The Story of the Dog (written by Whitehead)-Pope

94
19 May 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Harlequin's Treasure 0

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

Song: End: An Ode, selected from Ben Jonson, as17960516

95
16 September 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Mock Doctor

Dance: End 2nd piece: Pas Russe, as17960907

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer

96
15 March 1797 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast 0; Or, the Power Of Music Messiah 0

Afterpiece Title: Alexander's Feast 3

Music: Preceding II: concerto for two violins and violoncello obligato- , as originally composed for this Ode by Handel, and performed under his Direction in the year 1736; End II: concerto on the Grand Piano Forte-Dussek

97
15 June 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Devil to Pay

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer

98
24 January 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Messiah

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

99
22 February 1799 @ Covent Garden

Performances

Mainpiece Title: Acis And Galatea; Grand Selection 0

Music: End I: Ode on St. Cecilia's Day-[(never before performed text by the Rev. Samuel Wesley]), set to music by Samuel Wesley; Introductory to the Ode: [Handel's 3rd organ concerto-Samuel Wesley

100
16 May 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Deserter

Entertainment: Monologues End: Collins's Ode on the Passions (1st time)-Miss Heard; Epilogue in the Character of Cupid-Master Chatterley