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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "no Performances To Sun"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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98 results for: Title - [no Performances To Sun

76
02 November 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Camp

Dance: I: Dance of Spirits-Miss Armstrong; III: Dance of Fantastic Spirits-; [These were danced, as here assigned, in both subsequent performances.] V: Grand Dance-Sg and Sga Zuchelli, Henry, Sga Crespi

77
23 November 1778 @ Covent Garden

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Apprentice

Dance: End II: As17780925; I: a Rural Dance[, incident to the Piece,-Dagueville [This was danced, as here assigned, in all subsequent performances.]

78
29 March 1780 @ Covent Garden

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: Comus

Dance: In II: the original Crutch Dance-[This was danced in all subsequent performances]

Song: With additional songs, Ellen@a@Roon-Miss Catley, Miss Brown; Afterpiece: With Push about the Jorum, with an additional verse,-Miss Catley

79
15 June 1780 @ Haymarket Theatre

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Apprentice

Dance: End I: Dance-Master and Miss Byrne

Music: Mainpiece: The Overture-; new Musick composed by Dr Arnold-

Song: with an additionalair-Wilson; [Public Advertiser, 26 June: In the golden barge we ride-[This was sung, as here assigned, in all subsequent performances]

80
26 September 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Who's the Dupe

Dance: I: Country Dance- incident to the piece; [This was included in all subsequent performances.] End II: The Butterfly, as17800921; End I afterpiece: Minuet de la Cour, as17800919

81
23 March 1781 @ Covent Garden

Performances

Mainpiece Title: Elfrida

Music: End Part I: concerto on the hautboy-LeBrun; End Part II: concerto on the violin-Salomon (1st public performance in this Kingdom)

Entertainment: Monologue.End Oratorio: Collins's Ode on the Passions-Henderson (Public Advertiser, 24 Mar.); , accompanied with new Airs, Chorus-Dr Arnold, under whose direction the whole Music will be conducted

82
31 October 1781 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Jovial Crew

Dance: End of mainpiece, as17810928; End of Act I of afterpiece the original Crutch Dance (performers not listed; it was included in all subsequent performances)

83
28 May 1782 @ King's Theatre

Performances

Mainpiece Title: No Performance

84
02 December 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Ladies' Frolick

Dance: End of Act IV of mainpiece, as17830918; In Act I of afterpiece the celebrated Crutch-Dance [performers not listed; danced in all subsequent performances]

85
16 March 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Messiah

Music: End of Part I solo on the violin by Master Flack (1st performance in public)

86
21 June 1785 @ King's Theatre

Performances

Mainpiece Title: There Will Be No Opera This Evening [on 20 June Orfeo Was Announced For Performance] On Account Of Lepicq's Sudden And Dangerous Illness, And Mlle Dorival's Remaining Still Indisposed

87
16 September 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: All the World's a Stage

Song: III: Song-Williames [This was sung, as here assigned,in all subsequent performances, except on 19 Jan. 1787, q.v.]

88
29 January 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Dance: II: a Masquerade Scene-; with Dancing-Ferrere, Menage, Miss Stageldoir; End III: La Soiree Provencalle, as17870113

Song: II: Singing-Miss Romanzini [The Dancing was included, as here assigned, in all subsequent performances]

89
13 October 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Virgin Unmask'd

Song: III: song-Dignum [In all subsequent performances this was sung by Williames]

90
09 October 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Arthur and Emmeline

Song: In II: song in character-Mrs Crouch [who sang it in all subsequent performances]

91
26 December 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harlequin's Frolicks; or, The Power of Witchcraft

Dance: In II: As17891209; Afterpiece conclude: Grand Ballet-the young D'Egvilles, Miss Blanchet, Miss DeCamp [which was included, as here assigned, in all subsequent performances]

Song: As17891209

92
06 June 1791 @ Covent Garden

Performances

Mainpiece Title: Double Falsehood; Or, The Distrest Lovers

Afterpiece Title: Tippoo Saib; or, British Valour in India

Afterpiece Title: Barnaby Brittle

Dance: In 2nd piece: Battle Dance-, and a Representation of English and British Grand Martial Procession

Song: I: Hark the Lark at Heaven's Gate sings (set by Dr Cooke)-Bannister, Johnstone, Incledon, Mrs Mountain; End II: Black Eyed Susan-Incledon; IV: Fond Echo Forbear thy fond sigh (written by Shakspeare [recte Lewis Theobald], and composed new for the Evening's Performance by Shield)-Mrs Mountain; In Pantomime: Poor Orra tink on Yanco dear (the music by Dibdin)-Mrs Mountain; The Gallant Soldier born to Arms (composed by Hook)-Incledon; Indian War Song-Bannister; The Tobacco Box: Tho' the Fate of Battle on Tomorrow wait-Johnstone, Mrs Warrell

93
06 March 1793 @ Haymarket Theatre

Performances

Mainpiece Title: L'allegro Ed Il Penseroso [, Part I Only]; Grand Selection 0

Afterpiece Title: Acis and Galatea

Afterpiece Title: A New Grand Selection

Song: In 1st piece: Sweet bird-Mrs Ferguson (her 1st performance); accompanied on the violin-Shaw; End 2nd piece: an Italian Scena-Mrs Ferguson

94
16 June 1795 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Frolics of an Hour

Afterpiece Title: Harlequin and Faustus

Song: In the course of the EveningOld Towler-Incledon

Entertainment: In the course of the Performances: Imitations of the principal Performers of both Theatres-Townsend

95
12 October 1795 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Oscar and Malvina

Dance: In I: As17950921

Song: As17950921

Music: In afterpiece: the Harp-Weippert [This was played, as here assigned, in all subsequent performances.

96
18 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Prisoner

Song: End IV: Listen to the Voice of Love-Master Welsh

Music: End: A Lilliputian Performance-; consisting of a Quintetto for First Violin-Master Pinto, aged 11 years; Second Violin-Master Sharp, aged 11; Violoncello-Master Ware, aged 10; Piano Forte-Miss Hoffman, aged 9; Voice-Master Welsh. The Musick composed expressly for the Occasion by Dr Arnold

97
20 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Will

Afterpiece Title: The Doctor and the Apothecary

Song: End II: Ally Croaker-Miss Leak, Master Welsh; End IV: The Black Bird (composed by Hook)-Master Welsh

Music: End: A Lilliputian Performance, As17970518

98
16 September 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Tars at Torbay

Afterpiece Title: Peeping Tom

Entertainment: Vaudeville End: Satan's Address to the Sun , from Milton's Paradise Lost-the Young Gentleman who last year (see17980917) recited a portion of Gray's Bard; Musical Pasticcio, The Cryer-Suett; My mother bids me bind my hair (Haydn)-Master Suett; a Comic Song descriptive of Bartholomew Fair-Wathen; Mad Tom (Purcell)-Story; The Irish Newsman-Clarke; Crazy Jane (Miss Abrams)-Mrs Bland; Imitations-Caulfield