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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "A Favourite Scene from the end of Act II of The Register Office and see"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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8021 results for: Title - [A Favourite Scene from the end of Act II of] The Register Office [and see17770422]

76
15 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Convito

Dance: End of Act I Le Tuteur Trompe, as17830128; End of Act II an entirely new ballet of Serious, Comic, and Demi-characters, composed by Lepicq, Les spouses Persanes; or, The Persian Wives, by Lepicq, Mme Rossi, Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Simonet. [Cast from Public Advertiser, 18 Feb.: Tamas-Lepicq; Hircana-Mme Rossi; Osman-Slingsby; Mahmoud-Henry; Boulganzar-Zuchelli; Slaves-Sga Crespi, Mlle Theodore; Fatima-Mme Simonet; Assan-Degville Sen.]

77
04 March 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act I New Divertisement, as17830218; End of Act II Le Tuteur Trompe, as17830128

78
06 March 1783 @ King's Theatre

Performances

Mainpiece Title: Lolimpiade

Dance: End of Act II New Divertistment, as17821130, but added: Mme Simonet; End of Act III Le Tuteur Trompe, as17830128

Song: Opera: With a new set of Airs, and an additional Scene, with a song from the celebrated Sarti, by Pacchierotti

Monologue: 1783 03 06 End of Opera an Address in English to the Audience, with a song from Handel, by Pacchierotti

79
11 March 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act II New Divertisement, as17821130; End of Act III Les Epouses Persanes, as17830215, but added: Degville Sen

80
22 March 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act I Il Riposo del Campo, as17830313but omitted: Slingsby; End of Act II La Bigueule, as17830320athi

81
27 March 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I New Divertisement, as17821130, but omitted: Slingsby, Mlle Theodore; End of Act II Le Tuteur Trompe, as17830128

82
01 April 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I Le Tuteur Trompe, as17830128; End of Act II Il Riposo del Campo, as17830322athi

83
05 April 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act II New Divertisement, as17821130; End of Act III Il Riposo del Campo, as17830322athi

84
12 April 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I New Divertisement, as17821130, but omitted: Slingsby; End of Act II 11 Riposo del Campo, as17830313but Degville Jun. in place of Slingsby

85
24 April 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I Le Tuteur Trompe, as17830128; End of Act II Il Riposo del Campo, as17830412, but omitted: Sga Crespi

86
01 May 1783 @ King's Theatre

Performances

Mainpiece Title: Lolimpiade

Dance: End of Act II an entirely new ballet, composed by Simonet, Le Dejeuner Espagnol, in Part I of which Sento ch' in Seno by Giordani, sung by Miss Theresa Simonet, only 8 years old, and who will dance a Minuet with her Father, and in Part II the Minuet de la Cour by Lepicq and Mme Simonet, a Gavotte by Henry and Mlle Theodore, a Chaconne, composed by Simonet, by Miss Theresa Simonet, a Fandango and two Pas Seuls, both as17830410; End of Opera Let Ruses de l'Amour, originally composed by Noverre, by Lepicq, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, in which Mme Simonet, in Man's Cloaths, will dance a Pas de Deux, incident to the Ballet, with Mlle Theodore, and another ballet, Les Caprices de Galatee, with Mlle Baccelli. The part of Cupid in the above Ballet by Miss De Camp, daughter to the celebrated Flute Player of that Name

Song: New set of Airs, as17830306athi

87
03 May 1783 @ King's Theatre

Performances

Mainpiece Title: Creusa In Delfo

Dance: End of Act I Il Riposo del Campo, as17830424; End of Act II Le Tuteur Trompe, as17830426, but omitted: Slingsby

88
06 May 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I Il Riposo del Campo, as17830424, but omitted: Mlle Theodore; End of Act II Le Tuteur Trompe, as17830503, but omitted: Mlle Theodore

89
10 May 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Il Riposo del Campo, as17830424; End of Act II La Bigueule, as17830313but omitted: Slingsby, Mme Simonet

90
13 May 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I Il Riposo del Campo, as17830506; End of Act II La Begueule, as17830510

91
24 May 1783 @ Covent Garden

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Golden Pippin

Dance: End of Act III of mainpiece Diversion a-la-Mode, as17821211, in which The Devonshire Minuet, as17821129, and variety of new Quadrilles, composed by Harris; End of Act iv, as17820925; End of mainpiece new Dance, composed by Harris, The Rival Nymphs, by Byrne, Ratchford, Harris, Mrs Ratchford, Miss Byrne, Miss Matthews

Song: As17821227, but Mrs Bannister [i.e. formerly Miss Harper (see17830129)]; omitted: Bannister

92
31 May 1783 @ King's Theatre

Performances

Mainpiece Title: Lolimpiade

Dance: End of Act II La Begueule by Lepicq, Henry, Zuchelli, Slingsby, Sga Crespi, Mme Rossi, with a Pas Seul by Mme Simonet; End of Act III Le Tuteur Trompe, as17830426, but omitted: Mlle Theodore

93
02 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Irish Widow

Dance: End of Act II of mainpiece Dance, as17830531; End of Act I of afterpiece [annother] Dance by Mr and Miss Byrn

94
06 June 1783 @ King's Theatre

Performances

Mainpiece Title: Lolimpiade

Dance: End of Act I La Begueule (performers not listed, but probably as17830531); End of Act II Le Tuteur Trompe, as17830603

95
14 June 1783 @ King's Theatre

Performances

Mainpiece Title: Lavaro

Dance: End of Act I La Begueule, as17830531; End of Act II Le Tuteur Trompe, as17830111, but omitted: Slingsby, Mlle Theodore

96
21 June 1783 @ King's Theatre

Performances

Mainpiece Title: Lavaro

Dance: End of Act I Il Riposo del Campo, as17830603 with Pas de Deux, as17830603 and Pas de Basque, as17830111; End of Act II Le Tuteur Trompe, as17830506

97
27 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Green Room

Afterpiece Title: The English Merchant

Afterpiece Title: The Sheep Shearing

Song: End of Act I of mainpiece a favourite song by Miss George; End of Act IV Admiral Benbow by Bannister

Monologue: 1783 08 27 As 13 Aug. IMITATIONS. As 20 Aug

98
09 September 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Gretna Green

Song: End of Act III of mainpiece Water parted from the Sea by Sga Sestini; End of Act I of afterpiece Edwin's favourite song in The Castle of Andalusia, A Master I have and I am his Man, by Master Sestini

99
17 January 1784 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Darianna

Dance: End of Act I Friendship leads to Love, as17840103; End of Act II an entirely new dance, connected with the Opera, composed by D'Auberval, The Slaves of Conquering Bacchus, with a Pas de Trots by Mme Rossi, Slingsby, Mme Simonet; a Pas de Deux by Vestris [Jun.], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon

100
03 March 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Judith

Music: End of Act I concerto on the organ (composed by Dr Arne) by [Michael] Arne; End of Act II concerto on the violin by Barthelemon