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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "A Grand Selection 0 Of Sacred Music From The Works Of handel"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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1852 results for: Title - A Grand Selection 0 Of Sacred Music, From The Works Of $handel=

1626
24 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

1627
02 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

Song: In mainpiece: The Original Music by Matthew Locke, with additional Accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Miss Phillips, Miss Field, Mrs Love, Mrs Booth, Miss Barnes, Mrs Burnett, Miss Simson, Miss Cranford, Miss Burnett, Mrs Smith, the Miss Stageldoirs, Miss George, Mrs Wrighten. [This was sung, as here assigned, in all subsequent performances, except on 4 Feb.]

1628
05 February 1785 @ King's Theatre

Performances

Mainpiece Title: Demetrio

Dance: End of Act I an entirely new Divertissement (composed by Lepicq; the music by Barthelemon) Il Convito degli Dei by Lepicq, Mme Rossi, Henry, Zuchelli, Mme Bithmer, Nivelon, Mlle Dorival; End of Opera The Deserter, as17850122

1629
24 February 1785 @ King's Theatre

Performances

Mainpiece Title: Demetrio

Dance: End of Act I Divertissement [performers not listed, but see17841218]; End of Opera Le Tuteur Trompe, with the Fandango, Sapredella, and Allemande [performers not listed, but see I Jan.]

Song: In Act I a new Air, composed by Sarti, by Crescentini, and a Duet, composed by Bertoni, by Crescentini and Sga Ferrarese; In Act II an entire new Aria and a favourite Song of Handel [singer not listed]

1630
25 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Some of the Pieces that were selected and performed for the Commemoration of Handel [&c

Music: As17850223

1631
12 March 1785 @ King's Theatre

Performances

Mainpiece Title: Nitteti

Dance: End of Act I Divertissement, as17850224; End of Opera an entirely new Ballet (composed by Lepicq; the music by Gluck); Convitato di Pietra by Lepicq, Mme Rossi, Sg and Sga Angiolini, Frederic, Nivelon, Mlle Dorival, in which a Pas de Trots; the Orchestra accompanied on the harp by Cardon

1632
06 April 1785 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Musical Lady

Dance: In Act III of mainpiece Hornpipe by Miss Besford; After 2nd song, The Mountaineers, as17841201

Song: End of Act I of mainpiece The Sorrows of Charlotte at the Tomb of Werter (the music composed by Percy, and never before sung in public) sung in character by Miss Wheeler; End of mainpiece The Soldier tir'd of War's Alarms by Miss Wheeler

1633
14 April 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Lyar

Song: Mainpiece: With the original Music, composed by the late Dr Arne; the Vocal Parts by Miss Phillips, Miss Field, Mrs Love, Mrs Booth, the Miss Stageldoirs, Miss Barnes, Mrs Burnett, Miss Simson, Miss Burnett, Miss Cranford, Mrs Smith, Miss George, Mrs Wrighten

1634
21 April 1785 @ King's Theatre

Performances

Mainpiece Title: Artaserse

Dance: End of Act I Robin Gray, with a set of new Caledonian Reels, by Lepicq, Mme Rossi, Slingsby, and a Pas de Quatre by Nivelon, Frederic, Sga Angiolini, Mlle Dorival; End of Opera The Deserter [performers not listed, but see17850111]

Song: Opera: With some of the most approved Airs of Handel by Babbini, Crescentini, Sga Ferrarese

1635
13 July 1785 @ Haymarket Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece: To conclude with a Grand Ballet by Byrne and the two Miss Simonets, &c. [This was danced, as here assigned, in all subsequent performances.]

1636
01 October 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Humourist

Song: Mainpiece: With the original Music, composed by Matthew Locke, with full Chorusses and additional accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Mrs Crouch, Miss Field, Miss George, Mrs Wrighten

1637
23 November 1785 @ Covent Garden

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Sultan

Dance: End of mainpiece The Recruiting Serjeant, as17851007; Afterpiece to conclude with a Grand Dance. Chief of the Bostanges-Byrn; Principal Female Dancers-Mrs Ratchford, Miss Besford

1638
23 March 1786 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Divertissement Villageois, as17860218, but Sga Angiolini in place of Sga Carolina; End of Opera a Grand Pantomime Ballet in 3 acts, Le Premier Navigateur; ou, La Force de I'Amour (originally composed by Gardel Sen., and acted at the Opera House in Paris with uncommon Applause, and now got up at this Theatre under the immediate Inspection of Vestris). Melide-Mlle Baccelli (1st appearance these 4 years); Semite, Mother to Me'lide-Mlle Mozon; Venus-Sga Angiolini; Daphnis-Vestris; Faun-Fabiani; Old Cottager-D'Egville; Lovers of Melody-Henry, Marseilles, Duquesney [Jun].; Morpheus and Priest of Hymen-Marseilles; Cupid-Miss De Camp. With a Pas de Quatre by Rozier Jun., Marseilles, Spozzi, Giorgi

1639
24 April 1786 @ Covent Garden

Performances

Mainpiece Title: The Bird In A Cage; Or, Money Works Wonders

Afterpiece Title: The Drummer; or, The Haunted House

Dance: In Act III of mainpiece a Grand Dana of Ladies [performers not listed]; End of mainpiece The Drunken Sailor Reclaim'd [performers not listed, but see17860304

1640
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

1641
28 April 1786 @ Covent Garden

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: The April Fool

Dance: End of mainpiece The Piping Pedlar [performers not listed, but sec 12 Nov. 1785]

Song: End of Act I of mainpiece The Highland laddie (the Music by Dr Hayes) by Johnstone

1642
11 May 1786 @ Covent Garden

Performances

Mainpiece Title: The Bird In A Cage

Afterpiece Title: Small Talk; or, The Westminster Boy

Dance: In Act III of mainpiece a Grand Dance, as17860424; End of Act I of afterpiece Leap Year, as17860227

1643
05 December 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Catherine and Petruchio

Dance: II: a Dance of Spirits-Miss Stageldoir; III: a Dance of Fantastic Spirits-; IV: Dance-Hamoir, Miss Stageldoir

Song: The Music by Purcel and Dr Arne-; with the additional Airs and Chorusses by the late Linley Jun-; Vocal Parts-Williames, Danby, Fawcett, Alfred, Newbold, Mrs Love, Mrs Booth, Miss Barnes, Miss Cranford, Miss J. Stageldoir

1644
09 February 1787 @ Covent Garden

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Sultan

Dance: End: The Wapping Landlady, as17870131

Ballet: Afterpiece conclude: with a Grand Dance. Chief of the Bostanges-Byrn; Principal Female Dancers-Mrs Ratchford, Mrs Goodwin

1645
15 February 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Dance: End: As17870113; Afterpiece: With a Grand Dance-Hamoir, Ferrere, Miss Fuse, the Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.

1646
28 February 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption 0

1647
02 March 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption 0

1648
07 March 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea; Redemption 0

Afterpiece Title: A New Symphony

1649
09 March 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea; Redemption 0

Afterpiece Title: A New Symphony

1650
14 March 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The Messiah; Redemption 0