SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Henry the Third of France Stabbd by a Fryer With the Fall of Guise"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

Performances

Mainpiece Title: Issipile

Dance: End of Act I New Divertissement, as17840424; End of Opera Le Tuteur Trompe, as17840325but Pas Seul by Henry in place of Slingsby

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Rosina

Dance: End of mainpiece The Charms of a Camp, as17840521

Song: End of Act II of mainpiece Tally Ho! by Mrs Martyr; End of Act iv Poor ThomasDay by Edwin, Davies, Brett

Performances

Mainpiece Title: Issipile

Dance: End of Act I Le Tuteur Trompe, as17840511; End of Opera Semiramis, as17840520, but added: Oroe-Henry; omitted: Vestris [Jun.], Mme Theodore

Performances

Mainpiece Title: Le Gemelle

Dance: End of Act I Nem Divertissement, as17840615 End of Opera Le Deserteur, as17840513, but omitted: Henry, Pas de Basque

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Musical Lady

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin Rambler

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Aerostation; or, The Templar's Stratagem

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: Aerostation

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Spanish Rivals

Performances

Mainpiece Title: Fontainbleau; Or, Our Way In France

Afterpiece Title: The Citizen

Dance: End of mainpiece The Belle of the Village, as17840917

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I Divertissement, as17841218; End of Opera Le Tuteur Trompe, with the Fandango, by Lepicq, Mme Rossi, Frederic, Zuchelli, Mme Bithmer, Henry, Nivelon, Mlle Dorival

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Magic Cavern

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Magic Cavern

Performances

Mainpiece Title: Demetrio

Dance: End of Act I an entirely new Divertissement (composed by Lepicq; the music by Barthelemon) Il Convito degli Dei by Lepicq, Mme Rossi, Henry, Zuchelli, Mme Bithmer, Nivelon, Mlle Dorival; End of Opera The Deserter, as17850122

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's Ode

Music: End of Part I of oratorio concerto on the French harp by Cardon, late Musician to the Queen of France

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Tom Thumb

Dance: As17841022

Song: In Act II of mainpiece Tally ho! by Mrs Martyr; In Act III song by Mrs Kennedy

Performances

Mainpiece Title: Orfeo

Dance: Dances incidental to the Opera composed by Lepicq, and performed by him, Mme Rossi, Sg and Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Bar at aria; or, Sancho Turn'd Governor

Performances

Mainpiece Title: Fontainbleau; Or, Our Way In France

Afterpiece Title: Barnabv Brittle

Dance: End of mainpiece a new dance (composed by Byrn) The Recruiting Serjeant by Byrn, Ratchford, Mrs Davenett, Mrs Goodwin

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Appearance is against Them

Performances

Mainpiece Title: Fontainbleau; Or, Our Way In France

Afterpiece Title: Barataria

Dance: End of mainpiece The Wapping Landlady, as17851102

Performances

Mainpiece Title: Didone Abbandonata

Dance: End of Act I Divertissement Villageois, as17860124, but omitted: Spozzi; End of Opera a new Ballet Historique, Acis and Galatea, by Vestris, Sga Carolina, D'Egville, Henry, Sga Crespi, Duquesney Jun., the two Mlles Simonet, Master D'Egville, Mme Harvey, Mlle Mozon. [Morning Post, 20 Feb. assigns: Acis-Vestris; Thetis-Mlle Mozon.]

Performances

Mainpiece Title: Didone Abbandonata

Dance: End of Act I Divertissement by Vestris, Henry, Duquesney [Jun.], the two Mlles Simonet, Mlle Mozon, &c.; End of Opera Divertissement Villageois, as17860218