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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Royal Cuckold"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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827 results for: Title - The Royal Cuckold

801
22 April 1783 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Dance: In Act III of mainpiece a Hornpipe by Miss Besford

802
23 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Royal Chace

Song: End of Act iv of mainpiece Tally Ho!, as17830516

803
04 December 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Fortunatus

Dance: End of Act II of mainpiece a New Comic Ballet by Mr and Miss Hamoir (from the Theatre-Royal, Brussels; their 1st appearance on that stage)

804
01 January 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: Fortunatus

805
22 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Ghost; or, The Dead Man Alive

Dance: End of mainpiece a Double Hornpipe by Wright and a Young Lady (from the Theatre Royal, Covent Garden; 1st appearance on this stage [unidentified]). imitations. After the Dancing Theatrical Imitations by Payne

806
26 December 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Amorous Prince

Afterpiece Title: The Battle Royal

Dance: In Act V of mainpiece a Masquerade, and a Minuet de la Cour by Master Corbyn and Miss Keen

Song: End of mainpiece most of the favourite airs from The Poor Soldier [singers not listed]. Vaudeville. End of afterpiece a short Pantomimical Scene, in which Harlequin will leap through a Hogshead on Fire

807
24 March 1788 @ Covent Garden

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: Omai; or, A Trip round the World

808
12 May 1788 @ Covent Garden

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: The Nunnery

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End I 1st piece: Oh say Bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr

Entertainment: Monologue. End II 1st piece: A Description of the Curiosities in the Tower-Edwin

809
16 May 1788 @ Covent Garden

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Royal Chace

Song: In afterpiece: a Hunting Song-Darley

Entertainment: Monologue. End afterpiece: an Occasional Epilogue[, in the character of Harlequin] (written by Miss Ross)-Brown

810
02 June 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Deserter of Naples; or, Royal Clemency

Dance: In afterpiece: Hamoir, Miss J. Stageldoir

811
22 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Catch Club [i

Afterpiece Title: Gretna Green

Afterpiece Title: Look before You Leap

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer

812
31 October 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Humourist

813
24 October 1791 @ Haymarket Theatre

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Taste; or, Diversion in the Morning

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

814
22 May 1792 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Who's the Dupe

Afterpiece Title: The Deserter of Naples; or, Royal Clemency

815
30 May 1792 @ Covent Garden

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Irishman in London

Dance: II: a Negro Dance-

Song: In afterpiece: As17920421; End: The Group of Lovers; or, Beauty at her Levee-Munden

Entertainment: Monologue End IV: Jeu D'Esprit, as17920516; Little Pig lays without any Straw-Fawcett

816
10 October 1793 @ Haymarket Theatre

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Royal Clemency; or, The Deserter of Naples

817
11 October 1793 @ Haymarket Theatre

Performances

Mainpiece Title: The Humourist

Afterpiece Title: The Children in the Wood

Afterpiece Title: Royal Clemency

818
12 October 1793 @ Haymarket Theatre

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Royal Clemency

819
30 December 1793 @ Haymarket Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: HARLEQUIN PEASANT

820
06 June 1795 @ Covent Garden

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Irish Widow

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Afterpiece Title: The Poor Soldier

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

821
24 May 1798 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Cross Purposes

Afterpiece Title: The Poor Sailor

Music: End 1st piece: the British March- his Royal Highnessthe Duke of York's Band

822
23 August 1798 @ Haymarket Theatre

Performances

Mainpiece Title: Cambro-britons

Afterpiece Title: The Shipwreck

Song: End II: (by permission of the Proprietors of the Theatre-Royal Drury-Lane) the favourite song in The Stranger I have a silent sorrow here (The Words by R. B. Sheridan, Esq., the Air by her Grace the Duchess of Devonshire)-Mrs Bland; End: A Musical Elegy on the late Mr Palmer- (composed by The Earl of Abingdon; the words from The Stranger); The United Englishmen-Munden; A favourite song-Mrs Hindmarsh; Little Taffline ; or, The silken sash-Mrs Bland

823
30 April 1799 @ Covent Garden

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

824
18 May 1799 @ Covent Garden

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Tell Truth and Shame the Devil

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

825
29 April 1800 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: The Deserter of Naples

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)