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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Patie and Peggy"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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95 results for: Title - Patie and Peggy

51
25 September 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Music: With an entire new Scotch Overture-, composed by JonasBlewitt; End: songs-Mrs Bayley; between the Acts of the Farce: songs-Mrs Bayley, composed by JonasBlewitt

52
18 March 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Exciseman Trick'd

Dance: End of Act III of mainpiece a new composed Reel, and Hornpipe by Master Holland, pupil to Holloway

Song: Hooly and Fairly, in character, by M'Donald; End of Act II The Huntsman's Sweet Halloo by Miss Hemet

53
09 February 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: Wit's Last Stake

Dance: End of Act III of mainpiece a new composed Reel (performers not listed); In Act IV a Hornpipe by Middleton

Monologue: 1784 02 09 The Edinburgh Buck by a Genleman [unidentified]

54
24 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

55
22 October 1792 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: Wit's Last Stake

Dance: End III: a new dance The Caledonian Cottagers; or, Scotch Wedding-Allison, Allison's Pupils

Song: End IV: The Cries of Edinburgh-Shaw

Entertainment: Monologue Probably end: An Occasional Address-Walker

56
13 March 1727 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Song: TThe Lass of Patie's Mill-Mrs Warren; A Dialogue Betwixt a Rake and a Widow-; Rake-Leveridge; Widow-Salway

Dance: FFrench Sailor and his Wife-Salle, Mlle Salle; Two Pierrots-Poitier, Nivelon

57
07 April 1727 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Venice Preserv'd; Or, A Plot Discover'd

Song: TThe Lass of Patie's Mill-Miss Warren

Dance: WWooden Shoe Dance-Nivelon; Scotch Dance-Mrs Bullock; Fingalian Dance-Newhouse, Mrs Ogden; The Humours of Marriage-Salle, Mlle Salle

58
03 May 1727 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The City Wives Confederacy

Song: TThe Genius of England-Salway; The Lass of Patie's Mill-Mrs Warren

Music: Between Acts: Select Pieces-

Dance: PPierot-Nivelon, Poitier; French Sailor and His Wife-Salle, Mlle Salle; Scotch Dance-Mrs Bullock

59
28 March 1728 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Love Makes A Man

Song: End I: Si Caro, Lass of Patie's Mill-Miss Warren; III: Plain Truth, Wheel of Life-Leveridge; IV: Ballad written, set to music by Leveridge-Miss Fenton; V: Merry Cobler's Tragical End At Last-

Dance: II: Peasant-Nivelon; III: Scots Dance-Mrs Bullock

60
21 April 1796 @ King's Theatre

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: Between Acts: a new Dance in the Scotch style, Little Peggy's Love (1st time)-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [the Pantomime and Principal Steps by Didelot [with music by Bossi]; End Opera: L'Amant Statue (1st time, by Onorati) [with music by Bossi]-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [dl playbill of 25 May adds: Mme Vidi]

61
23 April 1796 @ King's Theatre

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End I: Little Peggy's Love, as17960421; End Opera: L'Amant Statue-[see17960421]

62
03 May 1796 @ King's Theatre

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End I: Little Peggy's Love, as17960421; End Opera: Alonso e Cora, as17960412

63
13 May 1796 @ King's Theatre

Performances

Mainpiece Title: Ifigenia In Tauride

Dance: End I: La Villagoise Enlevee- [see17960512]; End Opera: Little Peggy's Love, as17960421

64
25 May 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: A Dramatic Cento

Afterpiece Title: The Sultan

Dance: End I: (by permission of the Proprietor of the king's Theatre) the new favorite Ballet, in the Scots' Stile, Little Peggy's Love- The Pantomime, Principal Steps by Didelot; the Principal Characters the Dancers of the Opera House: Didelot, Gentili, Ms Vidi, Ms Bossi, Ms Barre, Ms Parisot, Ms Hilligsberg, Ms Rose

Song: End 3rd piece: the Finale to The Iron Chest, Harmony Harmony- being the last Composition of Storace

65
28 May 1796 @ King's Theatre

Performances

Mainpiece Title: Antigona

Dance: End I: Divertissement, as17960310End Opera: Little Peggy's Love, as17960421

66
04 June 1796 @ King's Theatre

Performances

Mainpiece Title: Antigona

Dance: End I: Little Peggy's Love, as17960421; End Opera: L'Amour Vange- [see17960602

67
16 July 1796 @ King's Theatre

Performances

Mainpiece Title: Antigona

Dance: End I: Little Peggy's Love, as17960421; in which the Pas de Trois as danced at the conclusion of L'Heureux Naufrage-Didelot, Mme Hilligsberg, Mme Rose; End Opera: Flore et Zephire, as17960709

68
23 July 1796 @ King's Theatre

Performances

Mainpiece Title: Zemira E Azor

Dance: With Dances incidental to the Opera-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Little Peggy's Love, as17960716 Pas de Trois-

69
06 December 1796 @ King's Theatre

Performances

Mainpiece Title: L'amor Fra Le Vendemmie

Dance: End I: Peggy's Love-Gentili, Mlle Parisot, Mme Hilligsberg, Mme Rose, Didelot; End Opera: Flore et Zephire- as17961126

70
20 December 1796 @ King's Theatre

Performances

Mainpiece Title: The 1st Act Of L'amor Fra Le Vendemmie

Afterpiece Title: Il Consiglio Imprudente

Dance: End: Peggy's Love- [see17961206]; End 2nd piece: L'Amour et Psiche- [see17961213]

71
23 December 1796 @ King's Theatre

Performances

Mainpiece Title: The 1st Act Of L'amor Fra Le Vendemmie

Afterpiece Title: Il Consiglio Imprudente

Dance: End: Peggy's Love-, as17961220

Ballet: End 2nd piece: L'Amour et Psiche. As17961213, but unassigned-Mlle _Parisot

72
14 January 1797 @ King's Theatre

Performances

Mainpiece Title: Evelina

Dance: End I: Peggy's Love, as17961206; End Opera: Apollon Berger, as17970110

73
21 February 1797 @ King's Theatre

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End I: Peggy's Love, as17961220; End Opera: Pizarre, as17970211

74
11 March 1797 @ King's Theatre

Performances

Mainpiece Title: Il Consiglio Imprudente

Afterpiece Title: Le Nozze del Tamigi e Bellona

Dance: End I: Peggy's Love-, as17961220

Ballet: Ballet succeeding to and analogous to the Cantata. Doris-Mme Rose; Nerid-Didelot; Ocean-Gentili; Amphitrite-Mlle Parisot; Thetis-Mme Hilligsberg

75
14 June 1797 @ Covent Garden

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)