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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Music In Four Acts"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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1813 results for: Title - Music In Four Acts

51
29 November 1748 @ King's Theatre

Performances

Mainpiece Title: Orazio

Dance: Between the Acts: Music-

52
01 December 1753 @ Drury Lane Theatre

Performances

Mainpiece Title: Boadicia

Music: With new pieces of Between the Acts: Music , adapted to the play, and by Dr Boyce-

53
23 January 1754 @ Drury Lane Theatre

Performances

Mainpiece Title: King John

Music: Between the Acts: The Pieces of Music , are adapted to the play, and taken from the Works of Handel and Martini-

54
28 July 1768 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: Capochio And Dorinna

Entertainment: last Aast Act: a Burlesque Ode-by the late Bonnel Thornton, in banter of the Odes written on St Cecilias Day, set to music by an eminent master; The whole to conclude with: Grand Fireworks-

55
08 March 1770 @ King's Theatre

Performances

Mainpiece Title: La Passione

Music: After 1st Chorus: A solo on French Horn-the celebrated Rodolfe; End Act I: A solo on the Violino-Lahaussage; End of Piece: Solo on Violincello-by the celebratedDupart

Song: After the violincello: The Stabat Mater (music by Pergolesi)-Guadagni, Savoi; The whole performance to conclude with: a Grand Chorus (music by Guglielmi) with a Trio-Miss Dupart, Rodolfe. [Query: the trio instumental?]

56
14 March 1770 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast With The Coronation Anthems

Music: FFirst Violin, a Concerto-Barthelemon; a Solo on the Violincello-the celebratedMr DuPort, Musician to the Prince of Conte; and By Particular Desire after the First Act: Dove Sci in Rodelinda-Sg Guadagni; End Act II: Doppo L'Orrore in Otho-

57
29 March 1770 @ King's Theatre

Performances

Mainpiece Title: Gioas Re Di Giuda

Music: End Act I: Concerto on Violin-LaHaussage; In Act I: Sonata on Violincello-Dupart

Song: II: Song-Sga Guglielmi, accompanied by Dupart

58
14 January 1772 @ King's Theatre

Performances

Mainpiece Title: Carnovale Di Venezia

Dance: I: New DancesMlle Heinel, as17720111; II: A Venetian Dance-adapted to the Opera by Galliotti, Sga Guidi, and four other principal dancers; End Last Act: Grand Ballet, as17720111Mlle Heinel three Entrees

59
18 March 1773 @ King's Theatre

Performances

Mainpiece Title: Artaxerxes

Song: In the Above Opera, four new airs-Sga Girelli; one of which, at the end of Act II, will be accompanied on the French Horn-the celebrated M Spandau

Dance: I: Grand Serious Ballet-; in which the favourite Entree of last season-Mlle Heinel; II: A Grand Ballet, with a new Pas de Cinq-Slingsby, Mlle Grenier, Sga Crispi, Leppy, Mlle Lafond; End Opera: A Grand Ballet, New Grand Chacone-Mlle Heinel, Fierville

60
11 January 1779 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Students; or, The Humours of St

Dance: End I afterpiece: Hornpipe-

Music: Between the Acts: proper Scotch Music-; a new Scotch overture-

61
10 May 1779 @ Haymarket Theatre

Performances

Mainpiece Title: Douglas

Afterpiece Title: Wit's Last Stake

Afterpiece Title: The Brave Irishman

Dance: End Monologue: Hornpipe-Lapper

Song: End III: He's aye kissing me-Miss Harris; End: Hunting Song-Miss Harris

Music: Between the Acts: The original Scotch Music-

Entertainment: Monologue.End 2nd piece: Hippisley's Drunken Man-Lewis (1st appearance on that stage these 3 years)

62
17 January 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Students; or, The Humours of St

Song: End IV: Hooly and Fairlyin character-M'Donald

Music: Between the Acts: proper Scotch Music-; a new Scotch Overture-

63
20 April 1780 @ King's Theatre

Performances

Mainpiece Title: La Schiava

Dance: End I: New Minuet-Simonet (1st appearance this season), Mme Simonet; a Cossaque, as now danced at the Court of Versailles (the music by Gluck)-; End II: The Serenade Interrupted (composed by Simonet)-; in which a Pas de Deux-Simonet, Mlle Baccelli (the music by Noferi); End Opera: The Female Warriors- (composed by Simonet), which the Author hopes will meet with the satisfaction of the Nobility and Gentry, and the Ladies in particular, as this is intended to shew that the Fair Sex may with success improve in that kind of Exercise that seems confined only to the Men. The Ballets will be executed entirely by principal Dancers

64
15 October 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Robinson Crusoe

Dance: End of Act II of mainpiece, as17811004; In Act III a Hornpipe by Walker

65
16 October 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Dance: End of Act II of mainpiece, as17811004; In Act III a Hornpipe as17811015

66
17 October 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Robinson Crusoe

Dance: End of Act II of mainpiece, as17811004; In Act III a Hornpipe, as17811015

67
08 November 1781 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End of Act III of mainpiece, as17811101; End of Act IV The Arcadian Festival by Aldridge and Miss Besford

68
17 November 1781 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I a Pastoral Dance (composed by Simonet) by Henry, Bournonville, Raymond, Sga Crespi, Mlle Dumont; End of Act II A Divertisement Dance (composed by Noverre) by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Henry. Sga Crespi, Bournonville, &c; End of Opera a new Tragi-Pantomime Ballet (composed by Noverre), Les Amans Reunis, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby, Simonet, Henry, Bournonville, Raymond, Mlle Dumont, Sga Crespi. [Partial cast, with synopsis of action, from Morning Herald, 18 Dec: Alphonso-Gardel; Ines-Mlle Baccelli; Chief of the Island-Slingsby.]

69
24 November 1781 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I Pastoral Dance, as17811120; End of Act II Divertisement Dance, King's as17811117; End of Opera Let Amans Reunis, as17811117, but omitted: Mlle Dumont

70
28 November 1781 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I Pastoral Dance, as17811117, but added: with a Pas Seul, as17811120, and omitted: Mlle Dumont; End of Act II Divertisement Dance, as17811117; End of Opera Les Amans Reunis, as17811124

71
29 November 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: The Quaker

Music: In Act III of mainpiece an Epithalamium [performers not listed; music by ThomasLinley Sen. (see text). This was included in all subsequent performances]

72
11 December 1781 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Divertisement Dance, as17811117, but added: Pas Seal, as17811120; End of Act II a new Ballet Anacreontique (composed by Noverre), Les Petits Riens, by Gardel, Mmc Simonet, Nivelon, Mlle Baccelli, Slingsby, Mlle Theodore, Henry, Sga Crespi, &c. The Music entirely new by Barthelemon

73
20 December 1781 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Pastoral Dance, as17811128; End of Act II Les Petits Riens, as17811211

74
01 January 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Divertisement Dance, as17811117; End of Act II Les Petits Rims, as17811211

75
02 January 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Dance: End of Act II of mainpiece, as17811117; In Act III Hornpipe, as17811015