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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Londons Royal Triumph For The Citys Loyal Magistrate In An Exact Description Of Several Scenes And Pageants Adorned With Many Magnificent Representations"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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2122 results for: Title - London's Royal Triumph For The City's Loyal Magistrate In An Exact Description Of Several Scenes And Pageants, Adorned With Many Magnificent Representations

51
12 May 1736 @ Covent Garden

Performances

Mainpiece Title: Atalanta: In Honour Of The Royal Nuptials Of Their Royal Highnesses The Prince And Princess Of Wales

52
31 December 1736 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Beggar's Pantomime: With New Scenes and several Alterations and Additions, particularly a Sequel to the Contention, call'd Pistol in Mourning

53
11 March 1737 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: the best Hhe best Hands;With a Solo, several new Pieces on the French Horn, Clarinette, Sharlarno-Mr Charles; Also several Pieces on the French Horn-an English Gentlewoman, a Negro Boy of ten Years old, both Scholars of Mr Charles

54
03 March 1738 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: Consisting of several Select Pieces by Mr Handel and other Eminent Masters, and taken from the most favourite Operas-; The Vocal Parts-Mr Beard, Mrs Clive; being several Favourite Songs in Italian and English-Mr Beard, Mrs Clive; A Preamble on the Kettle@Drums-Master Ferg; with two New Minuets-; Chorus out of Atalanta for French@Horns and Trumpets-, the two French-Horns two little Negro-Boys (Scholars to Mr Charles, who never perform'd before); Concluding with the Anthem, God save the King-

Dance: WWooden Shoe Dance-Master Ferg; Shepherd's Mount (a ballet)-

55
23 August 1739 @ Bartholomew Fair

Performances

Mainpiece Title: The Top Of The Tree; Or, A Tit Bit For A Nice Palate

Afterpiece Title: that Athat Amazing, Surprizing, and Astonishing Scene of The Skeleton in The Royal Chace; or, Merlin's Cave

56
15 December 1739 @ Haymarket Theatre

Performances

Mainpiece Title: Concerto

Music: Several Concertos for several Instruments-; Intermix'd with a Variety of Chosen Airs of the best Masters in Italy-; The Whole divided into Three Parts To which (by Desire) will be added, The Famous Salve Regina-Sig Hasse, Sig Carestini

57
24 July 1760 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: La Serva Padrona

Song: Before the burletta begins: several new songs-Sga Seratina, the rest of the performers will sing several new songs in the orchestra, and by particular Desire a Trio

58
20 April 1767 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Flora

Dance: End: By Particular Desire, a Minuet-Giorgi, Mrs Palmer; After which Cries of London, in which will be introduc'd a Description of the Tombs in Westminster Abbey-Vernon

59
19 October 1767 @ Covent Garden

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Royal Chace, with the new Additional Scene

60
07 October 1769 @ Covent Garden

Performances

Mainpiece Title: Man And Wife; Or, The Shakespeare Jubilee

Afterpiece Title: Damon and Phillida

Entertainment: End II: Pageant exhibiting the characters of Shakespeare-; End III: Representation of the Amphitheatre at Stratford Upon Avon-; with a Masquerade-

61
23 September 1776 @ Haymarket Theatre

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Mayor of Garratt

Entertainment: End II: The Cries of London-Shuter; II: Imitations-Master Russell; IV: Scene of Lady Pentweazle (from Taste) Lady Pentweazle -Mas. Russell; End: Interlude from the Register Office-Lloyd, Miss Francis, Mrs Gardner

62
18 April 1780 @ Covent Garden

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Flitch of Bacon

Song: End II: several of the newest and most favourite Catches and Glees-Reinhold, Vernon, Champness, Leoni, assisted by several of the most eminent performers; End: Mad Tom, in character, as17800410

63
26 April 1784 @ Covent Garden

Performances

Mainpiece Title: Epicoene; Or, The Silent Woman

Afterpiece Title: M id as

Song: End of Act II of mainpiece A Description of the Curiosities of the Tower of London; End of mainpiece Four and Twenty Fiddlers all on a Row, both by Edwin

64
24 August 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Good-natur'd Man

Afterpiece Title: The Deserter

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by Edwin

Monologue: 1784 08 24 End of mainpiece A Description of the Curiosities of the Tomer of London by Edwin, in the Character of a Warden

65
11 April 1785 @ Covent Garden

Performances

Mainpiece Title: Women Pleas'd

Afterpiece Title: The Devil to Pay

Song: In Act IV of mainpiece a song by Mrs Martyr; End of Mainpiece Four and Twenty Fidlers all on a Row by Edwin

Monologue: 1785 04 11 End of Act II of mainpiece A Description of the Curiosities of the Tower of London by Edwin

66
23 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Good-natur'd Man

Afterpiece Title: The Deserter

Song: End of Act III of mainpiece The Windsor Lady (an Historical, Tragical, Comical old Ditty); End of Act I of afterpiece Four-and-Tmenty Fiddlers all on a Row, both by Edwin

Monologue: 1785 08 23 End of mainpiece A Description of the Curiosities of the Tomer of London by Edwin

67
06 March 1786 @ Haymarket Theatre

Performances

Mainpiece Title: Tamerlane The Great

Afterpiece Title: The Mayor of Garratt

Dance: After the Imitations, The Dwarf Dance by Powel

Song: Between the acts of mainpiece several Catches and Glees by some of the principal performers in London. imitations. End of mainpiece Imitations, Vocal and Rhetorical, by Decastro

68
30 December 1788 @ Covent Garden

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Aladin

Entertainment: Vaudeville In Irish Fair: [scene in afterpiece] [will be introduced (for the 1st time) a Sparring Match-Humphreys, another celebrated Pugilist [Death (London Chronicle 31 Dec.)]

69
18 May 1791 @ Covent Garden

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Union; or, St

Dance: Afterpiece conclude: Highland Fling-the Scotch Characters

Song: End II: Black Eyed Susan-Incledon

Music: In afterpiece: will be introduced the Highland Competition Prizeexactly as represented annually in the City of Edinburgh,-McLane, McGregor, McTavish; several Strathpays, Laments, Pebruchs-several other celebrated Pipers

Entertainment: Monologue End: Epilogue (riding on an Ass,)-Wilson

70
24 October 1791 @ Haymarket Theatre

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Taste; or, Diversion in the Morning

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

71
06 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor; or, British Heroism

Afterpiece Title: Tom Thumb

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

72
08 June 1795 @ Covent Garden

Performances

Mainpiece Title: The Dramatist

Afterpiece Title: Robin Hood

Song: End: An Irishman's Tour thro' London or, Tully's Vocal and Rhetorical Description of Westminster Abbey, St, James's, St. Paul's, The Tower, A Quarrel, A Masquerade-Johnstone; Old Towler, The Storm-Incledon

73
08 May 1798 @ Covent Garden

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Quarter Deck; or, Half an Hour's Festivity

Afterpiece Title: Botheration; or, A Ten Years Blunder

Dance: In 2nd piece: a Hornpipe (in Character)-Blurton

Song: In course Entertainment: Old Towler-Incledon; Black Ey'd Susan-Incledon; Incidental to 3rd piece: Mr O'Blarney's Description of London (Including his Remarks on St. James's, St. Giles's, St. Paul's, Debating Clubs, Squares, Gardens, The Monument, Wigs and Crops, Boarding Schools, Inns, Fields, Soldiers, Sailors, and Volunteers) in Character-Johnstone

74
17 May 1798 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Botheration

Afterpiece Title: Voluntary Contributions

Dance: End I 1st piece: The Statute Dance-

Song: In 2nd piece: Mr O'Blarney's Description of London, as17980508

75
21 May 1798 @ Covent Garden

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Botheration

Dance: In III 2nd piece: Hornpipe in Fetters, as17971025

Song: In 3rd piece: Mr O'Blarney's Description of London, as17980508