SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Le Cocu Battu et Content"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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Performances

Mainpiece Title: Antigono

Dance: La Fete du Village, as17760504; Diane et Endymion, as17760504; Le Minuet de la Cour, as17760504

Performances

Mainpiece Title: Il Bacio

Dance: I: New Serious Ballet-Helm, Mlle Sophie; with an Adagio-Mlle Heinel; Grand Chaconne-Mlle Heinel; II: Diane et Endymion, as17760312 End Opera: Le Triomphe de la Magie (with several alterations and improvements)-Fierville, Helm, Sga Tinti, Mlle Sophie, Mlle Heinel

Performances

Mainpiece Title: L'isola D'amore

Dance: After Overture: Le Minuet a la Cour-the two Vallouys; End I: Diane et Endymion, as17760312 End Opera: La Fete du Village, as17760224

Performances

Mainpiece Title: La Buona Figliuola

Dance: I: Le Retour des Matelotes, as17760319 II: Diane et Endymion, as17760312

Ballet: End Opera: Astolphe. As17760312

Performances

Mainpiece Title: Ezio

Dance: End of Act I Pastoral Dance, as17811128, to finish with a new minuet (composed by Noverre and the music by Le Brun), The Prince of Wales's Minuet, by Gardel and Mme Simonet; End of Act II Divertisement Dance, as17811117; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I New Dance, as17820603 but added: a Minuet by Le Picq and Mme Simonet; End of Act II an entirely new heroic Ballet, composed by Noverre, Apelles and Campaspe; or, The Generosity of Alexander the Great, by Le Picq, Mme Simonet, Gardel, Simonet, Sga Crespi, Mlle Theodore. [Partial cast from Morning Herald, 6 June (which also has a synopsis of the action): Apelles-Le Picq; Alexander-Gardel; Campaspe-Mme Simonet.]

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Cocq du Village, as17840226, but omitted: Slingsby, Mme Rossi; End of Opera Le Deserteur, as17840520

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840513; End of Opera Le Deserteur, as17840608

Performances

Mainpiece Title: Issipile

Dance: End of Act I Le Cocq du Village, as17840601 End of Opera Le Deserteur, as17840608

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Tuteur Trompe, as17840511; End of Opera Le Deserteur, as17840626

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Tuteur Trompe, as17840511, but with the favourite Pas de Deux from Le Reveil du Bonheur by Vestris [Jun.] and Mme Theodore; End of Opera Le Deserteur, as17840626

Performances

Mainpiece Title: Il Disertore

Dance: End I: New Divertissement, as17890214; End Opera: a new Anacreontic Ballet, composed by Coinde (pupil of Noverre), La Nymphe et le Chasseur-Didelot, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier

Performances

Mainpiece Title: Il Disertore

Dance: End I: New Divertissement, as17890110, but Mlle _Normand; End Opera: La Nymphe et le Chasseur, as17890303

Performances

Mainpiece Title: Il Disertore

Dance: End I: La Nymphe et le Chasseur, as17890303but the two Miss _Simonets, _Sala, _Saulnier; End Opera: Les Jalousies du Serail, as17890317

Performances

Mainpiece Title: La Vendemmia

Dance: End I: La Nymphe et le Chasseur, as17890319End Opera: Les Caprices de Galatee-. Galatee-Mlle Guimard

Performances

Mainpiece Title: L'olimpiade

Dance: End I: La Nymphe et le Chasseur, as17890319End Opera: Les Caprices de Galatee, as17890523, but the other Characters- Didelot, +Beaupre, +Duquesney, Mlle Emilie +Colombe, Mlle +Adelaide, the two Mlles +Simonet

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: End I: New Divertissement-[See17890110]; in Pas de Deux Russe, as17890507; End Opera: La Nymphe et le Chasseur, as17890319[in Minuet of Iphigenia, as17890428; Pas de Deux Anacreontique, as17890428

Performances

Mainpiece Title: Il Barbiere Di Siviglia; Or, The Spanish Barber

Dance: End II: New Divertissement-[See17890110]; End Opera: La Nymphe et le Chasseur, as17890606

Music: End I: a Trio for Piano Forte Violin and Violoncello-Clementi, Cramer, Cervetto

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: End I: La Nymphe et le Chasseur-Didelot, Mlle Adelaide; End Opera: Les Caprices de Galatee, as17890523

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: End I: New Divertissement, as17890611 End Opera: La Nymphe et le Chasseur, as17890319but Mlle Emilie _Colombe; in which Minuet of Iphigenia, as17890428

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Dance: End: a new Dance, composed by D'Egville, La Fete Marine, in which introduced La Cossaque et Le Pas Russe-the young D'Egvilles, Miss D'Egville, Miss DeCamp

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Island of St

Dance: End II: La Fete Marine- [see17910520]; End: a new Dance, Cupid Recruiting[; or, The Female Volunteer-; La Cossaque et Le Pas Russe-the two young D'Egvilles, the two Miss Blanchards, Miss D'Egville, Miss DeCamp