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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "L\'opera De Compagne Precede Du Grondeur"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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3587 results for: Title - L'opera De Compagne Precede Du Grondeur

51
27 November 1779 @ King's Theatre

Performances

Mainpiece Title: Alessandro Nelle Indie

Dance: End I: Indian Ballet (composed by Zuchelli), adapted to the Opera-Sg and Sga Zuchelli, Henry, young Miss Simonet; End II: new Pastoral Ballet (composed by Zuchelli and Slingsby)-Slingsby, Sg and Sga Zuchelli, Sga Tantini (1st appearance in England); End Opera: Grand Serious Ballet connected with the Opera (composed by Favre Guiardele, ballet master), in which the celebrated Chaconne of Jomelli's-Slingsby, Sga Tantini, Favre Guiardele (1st appearance in England)

52
13 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Le Tuteur Trompe, as17830111, with two Pas de Deux, in a stile entirely new, called Pas de Lapons; or, Laplanders' Dance, by Slingsby and Mlle Theodore; End of Act II a new Pastoral Ballet by the principal Dancers, with a variety of Pas Seuls and a Pas de Deux by Slingsby and Mlle Theodore, and to conclude with a Grand Allemande by Lepicq, Mme Rossi, Slingsby, Mlle Theodore

53
17 January 1784 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Darianna

Dance: End of Act I Friendship leads to Love, as17840103; End of Act II an entirely new dance, connected with the Opera, composed by D'Auberval, The Slaves of Conquering Bacchus, with a Pas de Trots by Mme Rossi, Slingsby, Mme Simonet; a Pas de Deux by Vestris [Jun.], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon

54
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

55
20 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Friendship leads to Love, as17831206, but omitted: Lepicq, Slingsby, Mme Simonet, and with a Pas de Deux by Lepicq and Mme Rossi; End of Opera Le Coca du Village, as17840302athi

56
30 March 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II Le Riveil du Bonheur, as17840203; End of Opera he Cocq du Village, as17840302athi

57
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

58
18 December 1784 @ King's Theatre

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Divertissement (composed by Lepicq) by Nivelon, Mlle Dorival (from the Opera-House in Paris; their 1st appearance), Frederic, Mme Julien, Mlle Fusi, Mme Bithmer (their 1st appearance), Henry, Zuchelli, Sg and Sga Pitrot Angiolini (from the King's Theatre at Naples; their 1st appearance); End of Opera a new Grand Ballet (composed by Lepicq) Le Parti de Chasse d'Henry IV-King Henry rv-Angiolini; the other Characters by Lepicq, Mme Rossi, Frederic, Mlle Dorival, Zuchelli, Nivelon, Sga Pitrot Angiolini

59
14 April 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: Preceding the Opera an entire new Ballet, composed by Lepicq, the subject taken from a much admired French Opera, Les Amours d'Ete [performers not listed, but Public Advertiser, 16 Apr. makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi

60
08 March 1787 @ King's Theatre

Performances

Mainpiece Title: Alceste

Dance: End I: a new Ballet composed by Hus, La Fete Provencale-Mme Gervais Perignon, Mlle Mozon; a new Pas de Deux-Mme Gervais Perignon, Mlle Mozon; End Opera: another new Ballet, composed by Hus, La Bergere Capricieuse-Goyon, Henry, two Miss Simonets; conclude with: favourite Pas de Deux Russe-Laborie, Mlle Mozon, the other parts of the Dance as above

61
22 May 1788 @ King's Theatre

Performances

Mainpiece Title: La Frascatana

Dance: End I: an entire new ballet, composed by Didelot, La Bonte du Seigneur-[see17880531]; End Opera: [an entire new ballet in 5 acts, Richard Coeur de Lion [also composed by Didelot] [in which-Sga Perez[, pensioner to the Duke of Parma,

Music: II 2nd ballet: will be introduced a new French instrument, Le Cistre-Lefevre; End IV: concerto on French Horn-Ponto who will likewise accompany the principal dancers last Act

62
02 May 1789 @ King's Theatre

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: Les Jalousies du Serail, as17890317but Mlle Guimard; in which the favourite +Pas de Deux Russe-[See17890507]; End Opera: Admete-[, as17890428

63
07 May 1789 @ King's Theatre

Performances

Mainpiece Title: Lolimpiade

Dance: End I: Admete, as17890428; Pas de Deux Russe-Mlle Guimard, Nivelon; End Opera: an entire new Ballet, composed on purpose in Paris for Mlle Guimard by Noverre, Les Caprices de Galatee- [See17890526]

64
28 May 1789 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: New Divertissement-[See17890110]; in which the Minuet of Iphigenia, as17890428; Pas de Deux Anacreontique, as17890428; End Opera: Les Caprices de Galatee, as17890523

65
06 June 1789 @ King's Theatre

Performances

Mainpiece Title: La Generosita Dalessandro

Dance: End I: New Divertissement-[See17890110]; in Pas de Deux Russe, as17890507; End Opera: La Nymphe et le Chasseur, as17890319[in Minuet of Iphigenia, as17890428; Pas de Deux Anacreontique, as17890428

66
10 July 1790 @ Covent Garden

Performances

Mainpiece Title: La Generosita Dalessandro

Dance: End I: Divertisement, Pas Russe- [See17900422 at hay]; in which the Minuet de la Cour and Gavot-Labourie, Mlle Hilligsberg; End Opera: La Begere des Alpes [See17900107 at hay]-; Dancing-Labourie, Mlle Hilligsberg

67
10 March 1792 @ Haymarket Theatre

Performances

Mainpiece Title: La Locanda

Dance: End I: La Fete Villageoise-[see17920214]; End Opera: a new Pantomime Ballet, in I act, Le Volage Fixe (composed by D'Auberval [the music by Mazzinghi])-Mlle Hilligsberg, Mme D'Auberval, DeLaChapelle, D'Egville, Les Demoiselles Leonore et Rosine Simonet, Mlle Menage, Laborie; [end Pas de Cinque, entirely new, Le Menuet du Volage-

68
01 March 1794 @ King's Theatre

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: DON GIOVANNI

Dance: End of 1st piece a new Ballet, composed by Noverre, L' Union des Bergeres [performers not listed, but see17940304 In 2nd piece Dances connected with the opera, composed by Noverre, by Aumer, Lahante, Gentili, Favre Guiardele, Mlle Hilligsberg, Mme Del Caro, Mlle Guiardele, Mme Hilligsberg

Opera: [It was sung by Pasquariello.]

69
23 July 1796 @ King's Theatre

Performances

Mainpiece Title: Zemira E Azor

Dance: With Dances incidental to the Opera-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Little Peggy's Love, as17960716 Pas de Trois-

70
21 June 1797 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Dance: End II: Peggy's Love (by permission of the Proprietors of the king's Theatre), as17970614 End Opera: Cupid and Psyche, as17970614 With Corps de Ballet from the Opera House

71
11 April 1726 @ Haymarket Theatre

Performances

Mainpiece Title: Lheureux Naufrage Et La Force De Lamour Et De La Magie

Dance: As17260328

72
25 March 1731 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Cheats Of Scapin

Afterpiece Title: The School Boy

Dance: I: Les Charactere de la Dance-Salle, Mlle Salle; II: Scottish Dance-Salle, Mrs Legar; III: New French Tambourin-Mlle Salle; After I Farce: Two Pierrots-Poitier, Nivelon; II: French Peasant A@la@Mode de l'Opera-Poitier, Mlle Salle

73
21 January 1777 @ King's Theatre

Performances

Mainpiece Title: Germondo

Dance: End I: La Force de l'Amour, as17761214; End II: Les Amans Heureux, as17770104; End Opera: a new grand Serious Ballet, L'Epouse Persane-Mons and Mme Simonet, Vallouy, Sg and Sga Zuchelli, Vallouy@le@cadet

74
01 February 1777 @ King's Theatre

Performances

Mainpiece Title: Germondo

Dance: End I: Les Amans Heureux, as17770104; End II: La Force de l'Amour, as17761214; End Opera: L'Epouse Persane, as17770121

75
22 February 1777 @ King's Theatre

Performances

Mainpiece Title: La Fraschetana

Dance: End I: Comic Ballet, as17770204; End II: La Force de l'Amour, as17761214; End Opera: L'Epouse Persane, as17770121