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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Know Your Own Mind"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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191 results for: Title - Know Your Own Mind

51
11 January 1793 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's Know Your Own Mind

Afterpiece Title: The Cheats of Scapin

52
05 November 1793 @ Drury Lane Theatre

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Spoil'd Child

53
09 December 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Lodoiska

54
19 January 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Harlequin Captive

55
29 December 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Robinson Crusoe

56
15 February 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: A Friend in Need

Ballet: The Scotch Ghost. As17961221

Song: As17970210

57
16 March 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Cape St

Ballet: The Scotch Ghost. As17961219

58
11 May 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Dance: In 3rd piece: Pas Seul, incidental to the piece-Sga Bossi DelCaro

59
31 July 1766 @ Haymarket Theatre

Performances

Mainpiece Title: Woman's A Riddle

Afterpiece Title: The Citizen

Dance: I: New Comic Dance-; V: A new Dance-

Song: some well known Ssome well known Songs in Imitation of some Favorite Italian Performers-a Comic Genius

60
16 April 1799 @ Covent Garden

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Sunshine after Rain

Afterpiece Title: The Jolly Crew; or, Tars at Anchor

Song: In Course Evening: a new Comic Song (never sung in London), A Bundle of Proverbs; or, Odds and Ends, in the Character of Ephraim Smooth-Munden; A new Comic Song (never performed), A Touch at Old Times; or, No Days better than our Own-Munden; The Barber's Petition, with a song in character, Wigs, including His Own Wig, the Lover's Wig, Doctor's Wig, Coachman's Wig, Councellor's Wig,-Fawcett

Entertainment: Monologue The Barber's Petition-Fawcett

61
28 September 1661 @ Theatre in Vere Street

Performances

Mainpiece Title: Father's Own Son

62
13 November 1661 @ Theatre in Vere Street

Performances

Mainpiece Title: Father's Own Son

63
19 April 1662 @ Theatre in Vere Street

Performances

Mainpiece Title: Father's Own Son

64
February 1696 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Husband His Own Cuckold

65
28 February 1699 @ Drury Lane Theatre

Performances

Mainpiece Title: Play Not Known

66
10 April 1699 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Play Not Known

67
27 November 1703 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Music: All the Musick being compos'd-Mr Leveridge, wherein he performs his own parts

Song: As17031125

Dance: Several comical Dances-

68
30 July 1709 @ Hampstead

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; the Vocal Part-Mr Reading, Mr Teano, others; and the Symphonys on the Violins-Mr Dean, Mr Manshipp; Solo which he never did in Publick before, likewise a Trumpet Tune of his own-Mr Dean; with several full Pieces of Musick with a Trumpet and Hautboys, without-

69
17 April 1710 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music, all entirely new,-the best Masters; in which several Songs in Italian and English-Mr Holcomb; and likewise two Solos-Mr Dean, one being of his own composing; with several other Songs and Pieces of Musick-Mr Teno, Mr Laurence, Mr Cook, others

70
01 May 1710 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-the best Masters; Wherein in English and Italian several new Cantatas, other Pieces of Musick-Mrs Hemmings, others; She also accompanies to her own Voice in the Harpsicord, being the first Time of her Appearance in Publick-Mrs Hemmings

71
22 April 1714 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music [of his Veracini's] own Composing-; [viz. several Solos for the Violin [, never yet perform'd before-

72
22 February 1715 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Indian Emperor

Afterpiece Title: The Beau Demolished

Song: A Gentlewoman who never appear'd on the Stage before

Dance: delaGarde, Sandham, Miss Russel; A Scaramouch-a Gentleman for his own Diversion

73
14 March 1715 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Ibrahim, The 13th Emperor Of The Turks

Dance: As17150310 Also a Scaramouch-a Gentleman for his own Diversion

Song: The New Girl; A Dialogue-Leveridge, Pack

74
04 April 1715 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Henry The Ivth, Part I

Song: Leveridge; A Dialogue-Pack, Cook; A Three/Part Song-Rawlins, Cook, Jones

Music: A Flute Piece-Mr John Bastion, of his own Composition

Dance: duPre, delaGarde, Moreau, Bovil, Miss Russell, Miss Schoolding

75
28 May 1715 @ York Buildings

Performances

Mainpiece Title: Entertainments

Entertainment: It consisted of Pyramids-; of all manner of Sweetmeats, the most generous Wines, Burgundy, Champaign, and was usher'd in by a Prologue-Mrs Younger; written by Mr Tickel, under Secretary to Mr Addison, and concluded by an Epilogue-Mr Wilks; written by himself; which was very merry and free with his own Character; after which, a large Table that was in th Area of the Consort-House, was taken away to make Room for the Company to Dance Country-Dances...We are likewise to acquaint the Reader, that an Ode of Horace-; was set to Musick and sung upon the Occasion, with several other very particular Songs and Performances, both Vocal and Instrumental Music- and that Mrs Younger spoke the Prologue, and Mr Wilks the Epilogue, which, after Sir Richard's Way, was extremely Diverting (Weekly Packet, 4 June)