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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Eliza An English Opera"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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2827 results for: Title - Eliza An English Opera

51
21 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Opera of Operas

Dance: In Afterpiece: Momus, as17331231

52
28 January 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Opera of Operas

Dance: By Nivelon, Miss Robinson, Miss Mann

53
04 August 1736 @ Tottenham Court

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France By The English: [in It] A Ballad Opera, Call'd The Amorous Old Widow; Or, I Must Have A Comforter: With The Comical Humours Of The Rival Cowards; Or, The Whimsical Lovers

Music: By a Band of Musick just arriv'd from Naples [9 Aug. and afterwards.]

54
19 March 1737 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Dance: I: English Maggot-Villeneuve, Mrs Walter; II: Harlequin-Denoyer's@Prentice; III: A Figure Dance-the Characters concerned in the Opera

55
03 March 1738 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: Consisting of several Select Pieces by Mr Handel and other Eminent Masters, and taken from the most favourite Operas-; The Vocal Parts-Mr Beard, Mrs Clive; being several Favourite Songs in Italian and English-Mr Beard, Mrs Clive; A Preamble on the Kettle@Drums-Master Ferg; with two New Minuets-; Chorus out of Atalanta for French@Horns and Trumpets-, the two French-Horns two little Negro-Boys (Scholars to Mr Charles, who never perform'd before); Concluding with the Anthem, God save the King-

Dance: WWooden Shoe Dance-Master Ferg; Shepherd's Mount (a ballet)-

56
30 April 1740 @ Covent Garden

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Opera of Operas; or, Tom Thumb the Great

Dance: In Afterpiece: A new dance-the French Boy and Girl; Scotch Dance-Glover, Mlle Roland

57
15 March 1742 @ Covent Garden

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Honest Yorkshireman

Dance: II: La Provencale, as17420212; IV: Chacone, as17411230; V: Les Maquignons-Delemain[see17420309; End Farce: The Peasants, as17420210

Song: III: Of English Brown Beer-Leveridge, Roberts, Salway, Bennet; V: When English Roast Beef-Leveridge

58
08 January 1746 @ Covent Garden

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Orpheus and Eurydice

Song: Beard; particularly a New English Ballad call'd The English Hero's Welcome Home-Leveridge, Reinhold, Roberts, Thompson, Mrs Lampe, Mrs Wright, Miss Faulkener; The Music-Lampe

59
04 May 1747 @ Covent Garden

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: Phebe

Song: II: Liberty Alone-(from the Oratorio of Judas Maccabaeus sung by Roberts); IV: Come Smiling Liberty-Roberts

Dance: III: Peasant Dance-Matthews, Miss Vandersluys; V: The English Boy, English Girl

60
06 May 1747 @ Covent Garden

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Phebe

Dance: PPeasant Dance, as17470504; English Boy, English Girl

61
12 May 1747 @ Covent Garden

Performances

Mainpiece Title: The Committee

Afterpiece Title: Phebe

Dance: The English Boy, English Girl

62
16 August 1750 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: Henry And Emma

Song: The whole collection of favorite songs- from the opera; by particular desire Rise Glory Rise from the opera Rosamond-

63
03 April 1762 @ Covent Garden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Merry Counterfeit

Song: Between Acts: some Favorite Songs from the English Opera Artaxerxes-; viz: I: In Infancy our hopes and fears-Tenducci; II: If e'er the Cruel Tyrant Love-Miss Brent; III: Water parted from the sea-Tenducci; IV: Let no rage thy bosom fire-Miss Brent

Dance: TThe Pleasures of Spring, as17620212

64
09 March 1773 @ King's Theatre

Performances

Mainpiece Title: Il Triomfo D'amore

Afterpiece Title: Orfeo

Dance: New Dance adapted to the Opera (Orfeo) intermixed with Grand Choruses-; In pastoral piece: Grand Ballet with Pas de cinq-Slingsby, Mlle Grenier, Lepy, Sga Crispi, Mlle Lafond; End Opera: New Grand Ballet-Mlle Heinel, Fierville; with a new Allemand-; New Grand Chacone-Mlle Heinel, Fierville

65
30 March 1773 @ King's Theatre

Performances

Mainpiece Title: Apollo Ed Issea

Dance: I: An Allemande-Slingsby, Mlle Lafond; II: A New Grand Dance proper to the opera Apollo and Venus-Mlle Heinel, Fierville; II: A Grand Ballet with Pas de Cinq-Slingsby, Mlle Grenier, Sga Crispi, Leppy, Mlle Lafond; End Opera: A Grand Serious Dance-Fierville

66
19 March 1776 @ King's Theatre

Performances

Mainpiece Title: L'isola D'amore

Dance: After the Overture: A New Ballet Incident to the Opera call'd Le Retour des Matelotes-Helm, Mlle Sophie, Sga Tinti; End I: La Fete du Village, as17760224; End Opera: Diane et Endymion, as17760312

67
03 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Dance: End I: a Masquerade Dance incident to the opera, in which the-; Minuet de la Cour and Gavot-Simonet, Mlle Baccelli; Provencal-Vallouy@le@cadet; Allemande a la Strasbourgoise-Mons and Mlle Banti; End II: Le Devin du Village, as17771104; End Opera: La Serenade Interrompuee, as17780224

68
28 November 1778 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Dance: End II: La Noche Hollandoise, as17781124; End Opera: a New Ballet, connected with the Opera,-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: Annette et Lubin. As17781124

69
23 February 1779 @ King's Theatre

Performances

Mainpiece Title: Zemira E Azore

Dance: II: Ballet connected with the Opera, by Genii of the various Arts- (See17790302 Pedal Harp-Hochbrucher; End II: new Ballet by Fairies of the Court of Azore,-Banti, Sga Tinti, LeDet, Henry, young Miss Simonet, Mlle Baccelli (1st appearance this season); End Opera: new serious Ballet, Le Couronnement de Zemire-Mons and Mme Simonet, Banti, Sg and Sga Zuchelli, Sga Tinti, Slingsby

70
22 January 1780 @ King's Theatre

Performances

Mainpiece Title: Quinto Fabio

Dance: End I: Pastoral Ballet, as17791127; End II:new Ballet, Demi-caractere, La Bergere Coquete; ou, Le Triomphe de L'Amour-Favre Guiardele, Mme Simonet, Sga Tantini, young Miss Simonet, Slingsby; End Opera: Serious Ballet connected with the Opera,-Favre Guiardele, Sg and Sga Zuchelli, Mlle Baccelli (1st appearance this season); in which a Grand Chaconne-

Song: III: song-Mme LeBrun; accompanied on the hautboy-LeBrun

71
27 May 1780 @ King's Theatre

Performances

Mainpiece Title: Rinaldo

Dance: End I: The Rural Sports, as17800512, but Miss _Simonet; End II: La Fete Pastorale, as17800520; End Opera: Serious Ballet-; connected with the Opera, in which a Grand Chaconne ([the music] composed by Floquet)-Favre Guiardele, Mme Simonet, Slingsby, Sga Tantini, Mlle Baccelli

72
06 March 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II New Divertistment, as17821130, but added: Mme Simonet; End of Act III Le Tuteur Trompe, as17830128

Song: Opera: With a new set of Airs, and an additional Scene, with a song from the celebrated Sarti, by Pacchierotti

Monologue: 1783 03 06 End of Opera an Address in English to the Audience, with a song from Handel, by Pacchierotti

73
08 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

74
26 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

75
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)