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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "La Comediante fatta Cantatrice"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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2168 results for: Title - La Comediante fatta Cantatrice

1726
05 November 1782 @ King's Theatre

Performances

Mainpiece Title: Il Convito

Dance: As17821102 throughout, but the New Divertisement is here entitled (but on no other occasion) La Bergire Constante

1727
29 November 1782 @ Covent Garden

Performances

Mainpiece Title: The Discovery

Afterpiece Title: St

Dance: End of mainpiece a new Dance, Diversion a-la-Mode, by Harris, Burn [i.e. Byrne], Miss Matthews, in which The Devonshire Minuet by Harris and Miss Matthews

1728
03 December 1782 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: As17821029

1729
06 December 1782 @ Covent Garden

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Golden Pippin

Dance: End of mainpiece Diversion a-la-Mode by Harris, Byrne, Miss Byrne, Miss Besford, in which The Devonshire Minuet by Harris and Miss Besford

Song: In Act III of mainpiece song by Brett

1730
14 December 1782 @ Covent Garden

Performances

Mainpiece Title: Philodamus

Afterpiece Title: The Quaker

Dance: End of mainpiece Diversion a-la-Mode, as17821211 in which The Devonshire Minuet, as17821129

Song: In Act III of mainpiece an Epithalamium by Mrs Kennedy and Mrs Martyr

1731
20 December 1782 @ Covent Garden

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Sultan

Dance: End of mainpiece Diversion a-la-Mode, as17821206 in which The Devonshire Minuet, as17821129; Afterpiece to conclude with a Grand Dance. Chief of the Bostanges-Harris; Principal Female Dancers-Mrs Ratchford, Miss Besford. [This was danced, as here assigned, in all subsequent performances.]

Song: As17821206

1732
13 February 1783 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End of Act III of mainpiece, as17821009; End of Act IV, as17821231

1733
20 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Il Riposo del Campo, as17830313End of Act II La Bigueule, as17830313but omitted: Mlle Theodore, Mme Simonet

1734
22 March 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act I Il Riposo del Campo, as17830313but omitted: Slingsby; End of Act II La Bigueule, as17830320athi

1735
29 March 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act I La Begueule, as17830320End of Act II Il Riposo del Campo, as17830322athi

1736
29 April 1783 @ King's Theatre

Performances

Mainpiece Title: Creusa In Delfo

Dance: End of Act I La Begucule, as17830320End of Act II Le Tuteur Trompe, as17830426

1737
30 April 1783 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End of Act III of mainpiece, as17821231; End of Act iv, as17820925

1738
01 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II an entirely new ballet, composed by Simonet, Le Dejeuner Espagnol, in Part I of which Sento ch' in Seno by Giordani, sung by Miss Theresa Simonet, only 8 years old, and who will dance a Minuet with her Father, and in Part II the Minuet de la Cour by Lepicq and Mme Simonet, a Gavotte by Henry and Mlle Theodore, a Chaconne, composed by Simonet, by Miss Theresa Simonet, a Fandango and two Pas Seuls, both as17830410; End of Opera Let Ruses de l'Amour, originally composed by Noverre, by Lepicq, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, in which Mme Simonet, in Man's Cloaths, will dance a Pas de Deux, incident to the Ballet, with Mlle Theodore, and another ballet, Les Caprices de Galatee, with Mlle Baccelli. The part of Cupid in the above Ballet by Miss De Camp, daughter to the celebrated Flute Player of that Name

Song: New set of Airs, as17830306athi

1739
08 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

1740
09 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Tristram Shandy

Dance: In Act III of mainpiece a new Ballet in Demi-character (composed by Mons Lunatiq) La Tarantula; or, The Merry Bedlamites, with a grand Pas de Deux, to conclude with a Fandango in the Spanish stile (performers not listed)

Song: In Act iv of mainpiece The Pigeon, as17830507

Monologue: 1783 05 09 End of mainpiece Joe Haynes's Epilogue spoken by Wilson, riding on an Ass

1741
10 May 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Il Riposo del Campo, as17830424; End of Act II La Bigueule, as17830313but omitted: Slingsby, Mme Simonet

1742
13 May 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I Il Riposo del Campo, as17830506; End of Act II La Begueule, as17830510

1743
24 May 1783 @ Covent Garden

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Golden Pippin

Dance: End of Act III of mainpiece Diversion a-la-Mode, as17821211, in which The Devonshire Minuet, as17821129, and variety of new Quadrilles, composed by Harris; End of Act iv, as17820925; End of mainpiece new Dance, composed by Harris, The Rival Nymphs, by Byrne, Ratchford, Harris, Mrs Ratchford, Miss Byrne, Miss Matthews

Song: As17821227, but Mrs Bannister [i.e. formerly Miss Harper (see17830129)]; omitted: Bannister

1744
31 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II La Begueule by Lepicq, Henry, Zuchelli, Slingsby, Sga Crespi, Mme Rossi, with a Pas Seul by Mme Simonet; End of Act III Le Tuteur Trompe, as17830426, but omitted: Mlle Theodore

1745
03 June 1783 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Il Riposo del Campo, as17830313but omitted: Slingsby, Mlle Theodore, La Recrue par Force; End of Act III he Tuteur Trompe, as17830506, with a Pas de Deux by Slingsby and Mme Simonet

1746
04 June 1783 @ Covent Garden

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Tom Thumb

Dance: End of Act III of mainpiece, as17821231; End of mainpiece Diversion a-la-Mode, as n Dec. 1782, in which The Devonshire Minuet, as17821129

1747
06 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I La Begueule (performers not listed, but probably as17830531); End of Act II Le Tuteur Trompe, as17830603

1748
14 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'avaro

Dance: End of Act I La Begueule, as17830531; End of Act II Le Tuteur Trompe, as17830111, but omitted: Slingsby, Mlle Theodore

1749
19 June 1783 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I La Begueule, as17830531, but omitted Slingsby, and with a Minuet, as17830313End of Opera Le Tuteur Trompe, as17830614

1750
05 December 1783 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End of Act III of mainpiece, as17831119