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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Il Buona Figliuola"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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696 results for: Title - Il Buona Figliuola

126
23 May 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: As17820411 throughout

Song: In Act II Sento ch' in Seno by Sga Sestini, and composed for her by Giordani

127
05 June 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I New Dance, as17820603 but added: a Minuet by Le Picq and Mme Simonet; End of Act II an entirely new heroic Ballet, composed by Noverre, Apelles and Campaspe; or, The Generosity of Alexander the Great, by Le Picq, Mme Simonet, Gardel, Simonet, Sga Crespi, Mlle Theodore. [Partial cast from Morning Herald, 6 June (which also has a synopsis of the action): Apelles-Le Picq; Alexander-Gardel; Campaspe-Mme Simonet.]

128
06 June 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: As17820605throughout

129
08 June 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: As17820605throughout

130
03 June 1783 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Il Riposo del Campo, as17830313but omitted: Slingsby, Mlle Theodore, La Recrue par Force; End of Act III he Tuteur Trompe, as17830506, with a Pas de Deux by Slingsby and Mme Simonet

131
28 April 1785 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I A la Plus Sage [performers not listed, but see17850303 End of Opera Il Convitato di Pietra [performers not listed, but see17850312

132
28 May 1789 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: New Divertissement-[See17890110]; in which the Minuet of Iphigenia, as17890428; Pas de Deux Anacreontique, as17890428; End Opera: Les Caprices de Galatee, as17890523

133
25 March 1790 @ Haymarket Theatre

Performances

Mainpiece Title: The 1st Act Of La Buona Figliuola

Afterpiece Title: The Last Part of La Villanella Rapita

Dance: End I: an entirely new ballet, Les Caprices-Labourie, Mlle Hilligsberg [and see17900406]; End Opera: [an entirely new ballet, La Jalousie sans Raison-Labourie, Mlle Hilligsberg [and see17900415]

134
05 May 1796 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: As17960423

135
13 May 1800 @ King's Theatre

Performances

Mainpiece Title: il Drammatico Capricioso, Recte Il Capriccio Drammatico

Afterpiece Title: I Due Svizzeri

Dance: End 1st piece: Divertisement, as18000508; End 2nd piece: Laura et Lenza (with alterations), as18000508

136
02 April 1707 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: By direction of Sig Francisco Conti, the Consort of Musick-Sig Francisco Conti for her Majesty, and which he had the Honour to perform at court upon the Union-day; Singing-La Signiora Margaretta the Baroness, Il Signior Valentino; and there is to be several Instrumetns, and the said Great Theorbo, La Mandelitta an Instrument hitherto unknown-Signior Conti

137
16 November 1726 @ King's Theatre

Performances

Mainpiece Title: Il Mercante Prodigo; Or, Harlequin A Prodigal Merchant, Persecuted By Silvio, Basilisk Of Bernagasso

Dance: As17260928

138
26 November 1726 @ King's Theatre

Performances

Mainpiece Title: Il Matriomonio Disturbato; Or, Pantalon's Marriage Disturbed By The Different Humours Of The Ladies: Nane Gonolier And Brighella Co-rivals In Their Amours With Argentina, And Their Challente, Together With Entertainments Of Masquerades, Serenades, Risings, Songs And Dances After The Ventetian Manner

Dance: Poictiers

139
21 December 1726 @ King's Theatre

Performances

Mainpiece Title: [il Convitato Di Pietra, O sca Don Giovanni Libertino: Viz

Dance: [Grotesque Characters-Poitier, Mrs Anderson, others

140
16 March 1727 @ King's Theatre

Performances

Mainpiece Title: il Proteo Novello: Viz, The New Proteus

Entertainment: The Comical Scene of the Stuttering Master of Musick-Brighella

Dance: End I: +Hornpipe-Cornet, Mrs Anderson; II: Peasant's Dance-Welman, Mrs Anderson; III: The Character of Signora Cattina Venetiana-; IV: Niais and Niaise-; Foolish Man and Woman-; V: Twelve Grotesque Character, viz. Punchanello, Dame Ragonde, Pierrots, Harlequins, Scaramouches, Peasants, Mad Men and Women-

141
01 January 1737 @ King's Theatre

Performances

Mainpiece Title: Siroe

Afterpiece Title: Il Giocatore; or, The Gamester

142
04 January 1737 @ King's Theatre

Performances

Mainpiece Title: Siroe

Afterpiece Title: Il Giocatore

143
15 January 1737 @ King's Theatre

Performances

Mainpiece Title: Merope

Afterpiece Title: Il Giocatore

144
18 January 1737 @ King's Theatre

Performances

Mainpiece Title: Merope

Afterpiece Title: Il Giocatore

145
22 January 1737 @ King's Theatre

Performances

Mainpiece Title: Merope

Afterpiece Title: Il Giocatore

146
12 February 1737 @ King's Theatre

Performances

Mainpiece Title: Demetrius

Afterpiece Title: Il Giocatore

147
15 February 1737 @ King's Theatre

Performances

Mainpiece Title: Demetrius

Afterpiece Title: Il Giocatore

148
23 March 1737 @ Covent Garden

Performances

Mainpiece Title: Il Trionfo Del Tempo E Della Verita

Music: WithConcertos on the Organ-and other Instruments

149
25 March 1737 @ Covent Garden

Performances

Mainpiece Title: Il Trionfo Del Tempo E Della Verita

Music: As17370323

150
01 April 1737 @ Covent Garden

Performances

Mainpiece Title: Il Trionfo Del Tempo E Della Verita

Music: As17370323

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