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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Picture of Paris Taken in the Year 1790"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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745 results for: Title - The Picture of Paris, Taken in the Year 1790

651
26 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

652
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

653
22 March 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The English Merchant

Afterpiece Title: The Lying Valet

Monologue: 1784 03 22 End of 2nd piece Shuter's Post-haste Observations on his Journey to Paris by Dutton

654
25 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

655
14 April 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Englishman in Paris

Dance: As17831004

Song: End of Act II of mainpiece fifteen Mary's Lamentations; End of mainpiece The Soldier tir'd of War's Alarms, both by Miss George

656
17 April 1784 @ Covent Garden

Performances

Mainpiece Title: Robin Hood; Or, Sherwood Forest

Afterpiece Title: Harlequin Rambler

Dance: End of mainpiece a New Dance by Le Bccuf and Mlle Constance (from the King's Theatre in Paris; 1st appearance)

657
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

658
20 May 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II a Grand Heroic Pantomime Ballet (1st time; composed by Lepicq), Semiramis (the subject taken from the well-known tragedy of that name). Assures-Pitrot (some years ago Ballet-Master and 1st Dancer at this Theatre); Arsaces or Ninias-Lepicq; Semiramis-Mme Rossi; Azema-Mme Simonet; other Principal Dancers-Henry, Vestris [Jun.], Mme Theodore; End of Opera Le Deserteur, as17840513, but omitted: Henry, Zuchelli

659
22 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Englishman in Paris

Dance: In Act I of mainpiece Country Dance, as17830925; End of Act II, as17840320In afterpiece Minuet by Menage and Miss M. Stageldoir

660
22 October 1784 @ Covent Garden

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: St

Dance: End of mainpiece a new Dance, Leap Year; or, A New Way of Wooing, (composed by Byrn) by Byrn, Mrs Davenett, Mrs Goodwin

661
24 November 1784 @ Covent Garden

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Poor Soldier

Dance: End of Act III of mainpiece Leap Year, as17841022

662
18 December 1784 @ King's Theatre

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Divertissement (composed by Lepicq) by Nivelon, Mlle Dorival (from the Opera-House in Paris; their 1st appearance), Frederic, Mme Julien, Mlle Fusi, Mme Bithmer (their 1st appearance), Henry, Zuchelli, Sg and Sga Pitrot Angiolini (from the King's Theatre at Naples; their 1st appearance); End of Opera a new Grand Ballet (composed by Lepicq) Le Parti de Chasse d'Henry IV-King Henry rv-Angiolini; the other Characters by Lepicq, Mme Rossi, Frederic, Mlle Dorival, Zuchelli, Nivelon, Sga Pitrot Angiolini

663
11 January 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Englishman in Paris

Dance: Afterpiece: With the Minuet de la Cour by Hamoir and Miss M. Stageldoir

664
12 February 1785 @ King's Theatre

Performances

Mainpiece Title: Demetrio

Dance: End of Act I Il Convito degli Dei, as17850205; End of Opera an entirely new Divertisement (composed by Lepicq) Le Jugement de Paris by Lepicq, Mme Rossi, Nivelon, Mlle Dorival, Frederic, Sga Angiolini. [Music by Francois Hippolyte Barthelemon (London Magazine, Feb. 1785, p. 141).]

665
15 February 1785 @ King's Theatre

Performances

Mainpiece Title: Il Pittore Parigino

Dance: End of Act I Le Jugement de Paris, as17850212; End of Opera The Deserter, as17850122

666
26 February 1785 @ King's Theatre

Performances

Mainpiece Title: Nitteti

Dance: End of Act I Le Jugement de Paris, as17850212, but omitted: Mme Rossi; End of Opera The Deserter, as17850111, but omitted: Nivelon, Mlle Dorival

667
15 March 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Dance: In Act III of mainpiece Hornpipe by Miss Besford (of CG)

Monologue: 1785 03 15 End of mainpiece Shuter's Post-haste Observations in a journey to Paris by Dutton

668
14 April 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: Preceding the Opera an entire new Ballet, composed by Lepicq, the subject taken from a much admired French Opera, Les Amours d'Ete [performers not listed, but Public Advertiser, 16 Apr. makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi

669
16 April 1785 @ Covent Garden

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: The Nunnery

Dance: End of mainpiece Leap Year, as17841022, but Miss Matthews in place of Mrs Goodwin

670
16 May 1785 @ Covent Garden

Performances

Mainpiece Title: Othello

Afterpiece Title: Midas

Dance: End of Singing Leap Year, as17850416

Song: End of mainpiece Moderation and Alteration by Edwin

671
23 May 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Englishman in Paris

Dance: End of Act II of mainpiece Hornpipe by Mills; In afterpiece the Minuet de la Cour, as17850111

672
10 October 1785 @ Covent Garden

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Maid of the Oaks

Dance: End of mainpiece Leap Year; or, A New Way of Wooing (composed by Byrn) by Byrn, Mrs Davenett, Mrs Goodwin; In Act I of afterpiece Dance by Byrn, Miss Andre, Miss Besford

673
19 October 1785 @ Covent Garden

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Three Weeks after Marriage

Dance: End of mainpiece Leap Year, as17851010

674
08 December 1785 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Appearance is against Them

Dance: End of Act II of mainpiece Leap Year, as17851010

675
16 January 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Englishman in Paris

Dance: In afterpiece The Minuet de la Cour by Hamoir and Miss Stageldoir