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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Spanish Barber"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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638 results for: Title - The Spanish Barber

601
26 August 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Fryar

Afterpiece Title: The Female Captain

602
04 September 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Genius Of Nonsense

603
12 December 1780 @ Covent Garden

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude with: a Dance of Sailors-

604
18 December 1780 @ Covent Garden

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Norwood Gypsies

Dance: In afterpiece: Dancing, as17800925

605
21 December 1780 @ Covent Garden

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: St

606
30 April 1781 @ Covent Garden

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: A Fete

Afterpiece Title: The Son-in-Law

Entertainment: Monologue.End 1st piece: a Prologue written by S. Foote, Esq.,-Master Edwin

607
04 June 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Friar

Afterpiece Title: The Genius of Nonsense

608
02 July 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Friar

Afterpiece Title: The Genius of Nonsense

609
18 December 1781 @ Covent Garden

Performances

Mainpiece Title: The Spanish Friar

Afterpiece Title: The Agreeable Surprise

610
24 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Friar

Afterpiece Title: The Genius of Nonsense

611
17 August 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The East Indian

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece to conclude with a Grand Ballet, in Spanish Characters, by Giorgi, Byrn, Miss Byrn, Sga Vidini, and others

612
09 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Tristram Shandy

Dance: In Act III of mainpiece a new Ballet in Demi-character (composed by Mons Lunatiq) La Tarantula; or, The Merry Bedlamites, with a grand Pas de Deux, to conclude with a Fandango in the Spanish stile (performers not listed)

Song: In Act iv of mainpiece The Pigeon, as17830507

Monologue: 1783 05 09 End of mainpiece Joe Haynes's Epilogue spoken by Wilson, riding on an Ass

613
10 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Mysterious Husband

Afterpiece Title: The Spanish Curate

Dance: After the Monologue The Poney Races, as17830428, but added: Ratchford

Song: In Act II of mainpiece The Pigeon, as17830507

Monologue: 1783 05 10 As 9 May

614
30 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: Harlequin Teague; or, The Giant's Causeway

Dance: Afterpiece to conclude with a Grand Ballet in Spanish Characters by Giorgi, Byrn, Miss Byrn, Sga Dagueville and others. [This was danced, as here assigned, at all subsequent performances.]

Song: In Act I of mainpiece a song in character by Miss Hooke

615
15 October 1783 @ Covent Garden

Performances

Mainpiece Title: Spanish Friar

Afterpiece Title: The Rival Knights

Afterpiece Title: Tom Thumb

616
30 April 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])

617
04 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Spanish Rivals

Song: In Act II of mainpiece a song by Miss Stageldoir

618
05 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Spanish Rivals

619
06 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Spanish Rivals

620
10 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Spanish Rivals

621
15 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Cato

Afterpiece Title: The Spanish Rivals

622
19 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Spanish Rivals

Dance: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss M. Stageldoir; End of Act III The Sportsmen's Return, as17840916

Song: In Masquerade, by Miss George

623
20 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Spanish Rivals

624
27 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Spanish Rivals

625
02 December 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Spanish Rivals