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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Last of the Family"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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560 results for: Title - The Last of the Family

526
21 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Dr Last's Examination

Afterpiece Title: The Follies of a Day

Afterpiece Title: The Day

Entertainment: Imitations End 2nd piece: As17870807

527
22 May 1788 @ King's Theatre

Performances

Mainpiece Title: La Frascatana

Dance: End I: an entire new ballet, composed by Didelot, La Bonte du Seigneur-[see17880531]; End Opera: [an entire new ballet in 5 acts, Richard Coeur de Lion [also composed by Didelot] [in which-Sga Perez[, pensioner to the Duke of Parma,

Music: II 2nd ballet: will be introduced a new French instrument, Le Cistre-Lefevre; End IV: concerto on French Horn-Ponto who will likewise accompany the principal dancers last Act

528
11 July 1789 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Flitch of Bacon

Afterpiece Title: The Family Party

Dance: As17890708

529
14 July 1789 @ Haymarket Theatre

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Family Party

530
17 July 1789 @ Haymarket Theatre

Performances

Mainpiece Title: Ut Pictura Poesis

Afterpiece Title: The Married Man

Afterpiece Title: The Family Party

531
22 July 1789 @ Haymarket Theatre

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Family Party

532
04 August 1789 @ Haymarket Theatre

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Family Party

Dance: As17890716

533
18 August 1789 @ Haymarket Theatre

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Family Party

Dance: As17890727

534
16 September 1789 @ King's Head Inn, Borough High Street, Southwark

Performances

Mainpiece Title: Inkle And Yarico

Entertainment: Vaudeville End Opera: [The Last new Squeeze for St. Paul's [i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous

535
25 March 1790 @ Haymarket Theatre

Performances

Mainpiece Title: The 1st Act Of La Buona Figliuola

Afterpiece Title: The Last Part of La Villanella Rapita

Dance: End I: an entirely new ballet, Les Caprices-Labourie, Mlle Hilligsberg [and see17900406]; End Opera: [an entirely new ballet, La Jalousie sans Raison-Labourie, Mlle Hilligsberg [and see17900415]

536
04 May 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The College Of Physicians; Or, Doctor Last's Examination

Afterpiece Title: The Heiress

Afterpiece Title: The Doctor and the Apothecary

Song: End II 2nd piece: The Greenwich Pensioner-Dignum

537
06 September 1792 @ Haymarket Theatre

Performances

Mainpiece Title: Cross Partners

Afterpiece Title: The Family Compact

538
07 September 1792 @ Haymarket Theatre

Performances

Mainpiece Title: Cross Partners

Afterpiece Title: The Family Compact

539
13 September 1792 @ Haymarket Theatre

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Family Compact

540
22 October 1792 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: Wit's Last Stake

Dance: End III: a new dance The Caledonian Cottagers; or, Scotch Wedding-Allison, Allison's Pupils

Song: End IV: The Cries of Edinburgh-Shaw

Entertainment: Monologue Probably end: An Occasional Address-Walker

541
06 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor; or, British Heroism

Afterpiece Title: Tom Thumb

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

542
29 May 1795 @ Covent Garden

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: Doctor Last's Examination before the College of Physicians

Afterpiece Title: The Poor Sailor; or, Little Ben and Little Bob

Dance: In 3rd piece: Double Hornpipe-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I: Black Eyed Susan-Incledon

543
20 February 1796 @ King's Theatre

Performances

Mainpiece Title: I Traci Amanti

Dance: End I: A Divertissement-Didelot, Mme Rose Didelot; a Pas Deux by Didelot-Didelot (1st appearance at this theatre), Mme Rose Didelot (1st time in this Country); End Opera: Les Trois Sultanes [by Onorati[with music by Mazzinghi]- [in which Didelot, Mme Rose Didelot [will dance in the last act [See17950310

544
05 March 1796 @ King's Theatre

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End I: Le Bouquet (performed for the first time on Tuesday last) in which a Pas Deux, a Pas Trois by Didelot-Didelot, Mme Hilligsberg, Mme Rose; End Opera: Les Trois Sultanes, as17960301

545
02 April 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Vortigern

Afterpiece Title: My Grandmother

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

546
17 May 1796 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Netley Abbey

Dance: In I: Grand Masquerade-; with the Minuet de la Cour and Allemande, as17950921

Song: End IV: Elegy-; Solemn Dirge-; Vocal Parts, as17950921, but Miss _Stuart, Miss _Kirton; After entertainment: Black@ey'd Susan-Incledon; My Mother had a Maid called Barbara, as17960314but _Bowden; Old Towler-Incledon

Entertainment: End: Monsieur Tonson, as17960426; After which Recitation and Music, as performed last Season with universal Applause at Freemason's Hall, in which Errors of the Press-Holman; Dryden's Ode of Alexander's Feast-Middleton; The Story of the Dog (written by Whitehead)-Pope

547
25 May 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: A Dramatic Cento

Afterpiece Title: The Sultan

Dance: End I: (by permission of the Proprietor of the king's Theatre) the new favorite Ballet, in the Scots' Stile, Little Peggy's Love- The Pantomime, Principal Steps by Didelot; the Principal Characters the Dancers of the Opera House: Didelot, Gentili, Ms Vidi, Ms Bossi, Ms Barre, Ms Parisot, Ms Hilligsberg, Ms Rose

Song: End 3rd piece: the Finale to The Iron Chest, Harmony Harmony- being the last Composition of Storace

548
02 June 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Un-married

Afterpiece Title: The School for Arrogance

Afterpiece Title: Dr Last's Examination before the College of Physicians

Afterpiece Title: The Shipwreck

Dance: In 4th piece: Dance, as17951026, but Holland; in which dance Bells-Lawrence that inimitable Performer, will introduce accompaniments on his Bells

Song: In: Admiral Benbow-Incledon; In 3rd piece: All on Hobbies-Williamson; In 4th piece: Rule Britannia-Townsend

Entertainment: 3rd piece: a variety of Imitations-Rees

549
11 May 1797 @ Covent Garden

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Surrender of Trinidad; or, Safe Moor'd at Last

Afterpiece Title: The Irishman in London

Song: End I: The Storm-Incledon; In course 2nd piece: Black@Ey'd Susan-Incledon; Beauty at her Levee-Munden; Jack at the Windlass-Fawcett; The Wolf-Bowden; Oh why to be happy-Incledon; The Row-Johnstone; Bravura Song-Mrs Clendining; a new Negro Song (composed by Shield)-Mrs Martyr; Rule Britannia-

550
24 April 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: Will And No Will; Or, Wit's Last Stake

Afterpiece Title: Trials of the Heart

Afterpiece Title: The Wedding Day

Song: End 2nd piece: The Country Club-Bannister Jun.; In 3rd piece: In the dead of the Night-Mrs Jordan

Entertainment: Monologue End: Foote's Prologue to The Author-King; in which is introduced the well-known Fable of The Man the Boy and the Ass-King