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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Transformation"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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37 results for: Title - Transformation

26
05 February 1725 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Devil Of A Wife Or A Comical Transformation

Afterpiece Title: Harlequin a Sorcerer

27
21 October 1726 @ King's Theatre

Performances

Mainpiece Title: The Enchanted Island Of Arcadia Or The Magician Doctor With Harlequin King Of The Woods Flights Decorations And Transformations Of Harlequin Cupid Pantalon Venus And Brighella Jupiter And The Sacrifice Of Harlequin

Dance: Furies, Nymphs, Shepherds, Statues-; , the latter performing the Labours of Hercules-Statues , after the Manner of the Venetian Gondaliers at Venice: The whole full of Variety

28
19 November 1726 @ King's Theatre

Performances

Mainpiece Title: Le Furbarie Per Vendetta Or Brighellas Revenge Thwarted By Argentina With Divers Transformations Of Harlequin Viz

Dance: Turkish Men and Women, being the Invention of Mr Poitier

29
23 November 1726 @ King's Theatre

Performances

Mainpiece Title: Argentina Strega Per Amore Or Harlequin Multiplied By Argentinas Witchcraft For Love With Their Wonderful Flights And Apparations And The Magick Transformation Of Silvio Cincio And Brighella

Dance: In divers Characters-Poitier, others

30
07 December 1726 @ King's Theatre

Performances

Mainpiece Title: Le Furbarie Per Vendetta Or Bridghellas Revenge Contrariated By Argentina With Harlequins Transformation Viz

31
05 October 1730 @ Goodman's Fields

Performances

Mainpiece Title: The Devil Of A Wife Or The Comical Transformation

Dance: RRunning Footman-Pollett

Song:

32
03 April 1744 @ Drury Lane Theatre

Performances

Mainpiece Title: The Astrologer Or The Pretended Transformation

33
16 November 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Romance of an Hour

Dance: End of mainpiece a new Comic Dance, The Affrighted Dwarf, with a whimsical Transformation into Mad Moll (performers not listed)

Monologue: 1784 11 16 End of Act IV of mainpiece Bucks have at ye all by Cross

34
25 April 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Transformation Or The Manager An Actor In Spite Of Himself

Afterpiece Title: The Strangers at Home

Afterpiece Title: The Humourist

Song: End 2nd piece: Stand to your Guns-Bannister

Entertainment: After Singing: various Imitations, Vocal and Rhetorical, -Bannister Jun

35
07 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Transformation

Afterpiece Title: The Spanish Barber

Afterpiece Title: English Readings

Dance: End: a Pas de Deux Provencale-the two Miss Simonets

Entertainment: In the course of the Evening's Entertainments various Imitations-Bannister Jun

Ballet: End 3rd piece: a grand dance, never performed, Gli Schiavi per Amore. Bastiano Amazzagatta-young D'Egville; Mons. Perruque-young Giorgi; Don Berticco-George D'Egville; Mad. Neri-Miss Blanchet; Glinda-Miss DeCamp

36
21 April 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Transformation Or The Manager An Actor In Spite Of Himself

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Invisible Mistress

Entertainment: Monologue. End 2nd piece: A Touch of the Times; or, A Ramble through London-Bannister Jun

37
11 November 1789 @ White Horse Inn, Parsons Green, Fulham

Performances

Mainpiece Title: The Foundling Or Virtue Rewarded

Afterpiece Title: The Deuce is in Him

Afterpiece Title: The Shipwreck or Walking Statue

Dance: End: a comic dance, The Affrighted Dwarf; or, Whimsical Transformation into Mad Moll-Blandford

Entertainment: Monologues. End I: Epilogue-Somebody in the Character of Nobody; End II: British Loyalty; or, A Squeeze for St. Paul's, will be introduced the characters of a Fide Lady? a Beau, an Irishman, a Scotchman, a Welshman, a Jew, an Old Man, and a British Sailor-Randall