The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!
Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Compromise or Faults on both Sides"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
125 results for: Title - The Compromise: or, Faults on both Sides

26
18 December 1724 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man

Dance: Three different Characters-Miss Robinson (who never appear'd upon any Stage before), young Rainton, both Scholars of Mr Fairbank

27
02 December 1725 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Macbeth

Music: In which will be reviv'd, The Musick, both Vocal and Instrumnetal, incident to the Play-Leveridge, Legar, Salway, Mrs Chambers, others

Dance: Usual Dances-DuPre, Salle, Nivelon, Lally, Pelling, Newhouse, Lanyon, DuPre Jr

28
09 May 1726 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Abra Mule

Dance: I: Chacone-Mrs Anderson; III: Pastoral Dance-Burny, Mrs Anderson; V: Venetian Dance-Burny, Mrs Anderson, both Scholars to Essex

Song: II: Salway; IV: Salway

29
03 April 1727 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lancashire Witches; Or, Teague O'divelly

Afterpiece Title: Harlequin's Triumph

Music: ll the Witches Musick both Vocal and Instrumental, by the late Mr Barret-

30
30 October 1727 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lancashire Witches; Or, Teague O'divelly

Music: ll the Witches Musick both Vocal and Instrumental, by the late Mr Barret-

Dance: Dancing Proper to the Play-

Ballet: TThe Cobler's Jealous Wife. Cobler-Boval; His Wife-Roger; Countrymen-Essex, Haughton; Countrywomen-Mrs Brett, Mrs Mills

31
05 May 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Harlequin Doctor Faustus

Dance: Between the Acts: Variety of new Dances both Serious and Comic-

32
21 November 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Dance: Both Serious and comic Dancing-

33
02 December 1729 @ Drury Lane Theatre

Performances

Mainpiece Title: Lancashire Witches; Or, Teague O'divelly

Music: ll the Witches Musick both Vocal and Instrumental, by the late Mr Barret-

34
21 September 1730 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Macbeth

Music: With the Musick, both Incident to the Play: Vocal and Instrumental Music-; Vocal Parts-Leveridge, Legar, Salway, Papillon, Thompson, Mrs Seedo, Mrs Egleton, Mrs Cantrel

Dance: Salle, Dupre, Pelling, Newhouse, Lanyon, Dupre Jr

35
16 January 1731 @ Goodman's Fields

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Phebe

Music: Solo on a Violin, a Point of War on a Side Drum-Ravenscroft

36
12 April 1732 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The School Boy

Dance: II: Highlander and Mistress-Salle, Mrs Laguerre; III: Pastoral-Master Weeks, Miss Rogers, both Scholars to Salle; IV: A new Tambourine-Miss Rogers; V: The Baulk-Salle, Mrs Laguerre; End of Farce: Grand Dance of Momus-; Sailors-Salle, on account of Nivelon's Indisposition

37
11 May 1732 @ Goodman's Fields

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Stage Coach Opera

Music: II: Preamble on the Kettle Drums-Joab Bakeron the Stage; Mr Handel's Water Musick-; V: Tollet's Grounds-Mr Baker on a Side Drum, accompanied with a Violin, the like having never been attempted by any Person before

Dance: III: Tambourine-Miss Wherrit

38
16 May 1734 @ Drury Lane Theatre

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Intriguing Chambermaid

Music: A new Comic-Medley-Overture composed by Lampe

Dance: Comic Dance by Master Oates and Miss Oates, both Scholars to Davenport. Scots Dance by Mr and Mrs Davenport. Pierrots by Topham and Davenport

39
08 August 1735 @ Goodman's Fields

Performances

Mainpiece Title: The Honest Yorkshireman

Entertainment: A Mezzo Drama; or, Summer Evening's Variety, Consisting of several Entertainments of Vocal and Instrumental Musick and Dancing, both Serious and Comic

40
18 February 1737 @ Castle Tavern

Performances

Mainpiece Title: Concert

Music: great Concert of Musick-the best Hands from both Operas

41
03 March 1737 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Hands from both Operas

42
11 March 1737 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: the best Hhe best Hands;With a Solo, several new Pieces on the French Horn, Clarinette, Sharlarno-Mr Charles; Also several Pieces on the French Horn-an English Gentlewoman, a Negro Boy of ten Years old, both Scholars of Mr Charles

43
19 March 1737 @ Covent Garden

Performances

Mainpiece Title: Volpone

Afterpiece Title: Flora

Dance: In I: Two Pierrots-Nivelon, Lalauze; I: Serious Dance, concluding with a Minuet-two Misses Scott; II: Comic Dance-Nivelon, Mrs LeBrun; IV: Comic Dance-called Punch in Love with Dame Ragonde Accompanied by her Children-Nivelon, Lalauze, both in Wooden Shoes

Song: III: A New Song-Beard

44
10 April 1738 @ Covent Garden

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Cheats of Scapin

Dance: FFrench Sailors-Lalauze, Mlle Roland; Two Pierrots-Lalauze, Nivelon; Punch in Love with Dame Ragonde: Punch-Lalauze; Dame Ragonde-Nivelon; both in Wooden Shoes. Peasant-Nivelon, Mrs LeBrun; Scots Dance-Glover, Mlle Roland

45
27 May 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: The King and the Miller of Mansfield

Song: I: Blow Blow-Lowe; II: If Love be a Fault-Lowe; IV: Was Ever Nymph Like Rosamond-Lowe; End Afterpiece: The Noon@Tide Air-Mrs Clive

Dance: III: Le Matelote-Maltere, Mlle Maltere

46
04 June 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Virgin Unmask'd

Song: I: If Love be a Fault-Lowe; IV: Blow Blow thou Winter Wind-Lowe

47
23 August 1749 @ Bartholomew Fair

Performances

Mainpiece Title: The Descent Of The Heathen Gods, With The loves Of Jupiter And Alcmena; Or, Cuckoldom No Scandal

Dance: TThe Drowsy Cobler-M L'Armand, Mad L'Armand lately arriv'd from Paris; Tit for Tat or the Kiss Return'd-Mr Shawford, Mrs Shawford, M L'Armand, Mme L'Armand; An extraordinary Band of Musick [provided from the Opera and both the Theatres [six instruments named]

48
18 April 1750 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Perseus and Andromeda

Dance: III: (By desire) the Two Pierots, as17500108, but-LaLauze, Dennison his apprentice, being his 1st appearance on the stage; IV: Grand Scots Dance-Cooke, Miss Hillyard; End of Play: Louvre, Minuet-Master Settree, a Young Lady who never appeared before, both scholars of Mr Lalauze

49
11 April 1758 @ Covent Garden

Performances

Mainpiece Title: King Henry Iv

Afterpiece Title: The Devil to Pay

Dance: I: Spanish Dance-Poitier Jr, Sga Banti; II: New Peasant Dance-Master Banti, Miss Wilford, her 1st on the stage, both scholars to Poitier Sr; III: A Dutch Dance-Poitier Jr, Sga Banti; IV: A Wooden Shoe Dance-Poitier Jr, Mlle Capdeville; V: A Minuet-Poitier, Sga Banti

50
01 May 1773 @ King's Theatre

Performances

Mainpiece Title: Il Cid

Dance: I: La Fete du Village, as17730427 II: Pastoral Dance-Asselin, Mlle Grenier; End Opera: A New Grand Ballet both pastoral and serious-; Les Sauvages-Mlle Heinel, Fierville; Conclude: with a New Grand Chacone-other principal dancers