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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The 1st Act of Il Due Fratelli Rivali"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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2005 results for: Title - The 1st Act of Il Due Fratelli Rivali

26
16 January 1783 @ King's Theatre

Performances

Mainpiece Title: Cimene

Dance: End of Act I Le Tuteur Trompe, as17830111; End of Act II Il Ratto delle Sabine, as17821212, but omitted: Lepicq, Mlle Theodore

27
15 March 1783 @ King's Theatre

Performances

Mainpiece Title: Lolimpiade

Dance: End of Act II Il Riposo del Campo, as17830313End of Act III Le Tuteur Trompe, as17830128

Song: New set of Airs, as17830306athi

28
20 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Il Riposo del Campo, as17830313End of Act II La Bigueule, as17830313but omitted: Mlle Theodore, Mme Simonet

29
22 March 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act I Il Riposo del Campo, as17830313but omitted: Slingsby; End of Act II La Bigueule, as17830320athi

30
29 March 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act I La Begueule, as17830320End of Act II Il Riposo del Campo, as17830322athi

31
01 April 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I Le Tuteur Trompe, as17830128; End of Act II Il Riposo del Campo, as17830322athi

32
05 April 1783 @ King's Theatre

Performances

Mainpiece Title: Zemira And Azor

Dance: End of Act II New Divertisement, as17821130; End of Act III Il Riposo del Campo, as17830322athi

33
24 April 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I Le Tuteur Trompe, as17830128; End of Act II Il Riposo del Campo, as17830412, but omitted: Sga Crespi

34
03 May 1783 @ King's Theatre

Performances

Mainpiece Title: Creusa In Delfo

Dance: End of Act I Il Riposo del Campo, as17830424; End of Act II Le Tuteur Trompe, as17830426, but omitted: Slingsby

35
06 May 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I Il Riposo del Campo, as17830424, but omitted: Mlle Theodore; End of Act II Le Tuteur Trompe, as17830503, but omitted: Mlle Theodore

36
10 May 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Il Riposo del Campo, as17830424; End of Act II La Bigueule, as17830313but omitted: Slingsby, Mme Simonet

37
13 May 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I Il Riposo del Campo, as17830506; End of Act II La Begueule, as17830510

38
03 June 1783 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Il Riposo del Campo, as17830313but omitted: Slingsby, Mlle Theodore, La Recrue par Force; End of Act III he Tuteur Trompe, as17830506, with a Pas de Deux by Slingsby and Mme Simonet

39
21 June 1783 @ King's Theatre

Performances

Mainpiece Title: Lavaro

Dance: End of Act I Il Riposo del Campo, as17830603 with Pas de Deux, as17830603 and Pas de Basque, as17830111; End of Act II Le Tuteur Trompe, as17830506

40
28 June 1783 @ King's Theatre

Performances

Mainpiece Title: Lolimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

41
04 March 1784 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Music: Between the 1st and 2nd Acts a sonata on the harpsichord by Clementi

Dance: End of Act II Friendship leads to Love, as17831206, but omitted: Lepicq; End of Opera he Reveil du Bonheur, as17840203

Song: Pacchierotti will conclude the 1st Act with an entire new scene by Sarti; In Act III a song, composed by Handel, by Pacchierotti

42
27 March 1784 @ Covent Garden

Performances

Mainpiece Title: Cymon

Afterpiece Title: Rosina

Dance: In Act I of mainpiece a Dance of Cupids; In Act IV a Dance of Daemons; In Act V a Grand Ballet (performers not listed)

43
24 April 1784 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Flitch of Bacon

Song: End of Act II of mainpiece When Pboebus the tops of the bills does adorn by Reinhold and Mrs Kennedy; End of Act ni Poor ThomasDay by Edwin, Brett, Bannister; End of Act IV Mad Tom by Reinhold; End of mainpiece Hark! the Lark at Heav'n's Gate sings, and What shall be have who kill'd the Deer?, both by Master Bartleman, Bannister, Brett, Davies, Mrs Kennedy

44
30 April 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Fryar

Dance: End of Act I a new pantomimical, operatical, farcical interlude, The Peasant Metamorphosed; or, Delpini's Voyage from Dublin in an Air Balloon, in which Delpini will introduce a specimen of singing in French, Italian and English, and which will conclude with a new Hornpipe by the celebrated Blake (by permission of the Managers of the Opera-house; his 1st appearance on that stage); End of Act II a comic pantomime dance, The Country Squabble, by Delpini, Mrs Dagville, Miss Parish, Duquesney Jun.; End of play a new pantomimical dance, The Rival Clowns, by Delpini, Blake, &c, in which the famous rondo of Orpheo, in Italian, by Delpini, and to conclude with an Allemande in a new comic stile

Song: End of Acts II and III, by a Young Gentlewoman (1st appearance on any stage [unidentified])

45
15 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Spanish Fryar Or The Comical Discovery

Afterpiece Title: Midas

Afterpiece Title: Mother Shipton or Harlequin Gladiator

Song: End of Act II of 1st piece The Pidgeon by Miss Cranford; End of 1st piece Four and Twenty Fidlers all on a Row by Wellman

Monologue: 1785 07 15 End of 2nd song Bucks have at ye all by Benson

46
26 July 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: The Fool

Afterpiece Title: Hurly Burly or Chiswick Fair

Dance: In Act IV of 1st piece a Masquerade Scene, with a Grotesque Dance by the Characters; Between the Acts Hornpipe by Wright

Song: Between the Acts of mainpiece, by Price and Miss Phillips

47
10 May 1794 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: A DIVERTISEMENT

Afterpiece Title: MARGARET OF ANJOU

Song: In Act V of 1st piece, as17931216; End of 1st piece Black-Eyed Susan by Incledon

48
20 February 1796 @ King's Theatre

Performances

Mainpiece Title: I Traci Amanti

Dance: End I: A Divertissement-Didelot, Mme Rose Didelot; a Pas Deux by Didelot-Didelot (1st appearance at this theatre), Mme Rose Didelot (1st time in this Country); End Opera: Les Trois Sultanes [by Onorati[with music by Mazzinghi]- [in which Didelot, Mme Rose Didelot [will dance in the last act [See17950310

49
21 April 1796 @ King's Theatre

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: Between Acts: a new Dance in the Scotch style, Little Peggy's Love (1st time)-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [the Pantomime and Principal Steps by Didelot [with music by Bossi]; End Opera: L'Amant Statue (1st time, by Onorati) [with music by Bossi]-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [dl playbill of 25 May adds: Mme Vidi]

50
18 February 1800 @ King's Theatre

Performances

Mainpiece Title: I Due Fratelli Rivali

Dance: End I: Hylas et Temire-[see18000128]; End Opera: Les Jeux d'Egle, as18000111, but Mlle J. _Hilligsberg, Mrs _D'Egville, Mme Rose _Didelot