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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Second Course a Comic Dish More Frightend than Hurt"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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1422 results for: Title - Second Course, a Comic Dish: More Frighten'd than Hurt

26
06 December 1750 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Miss in Her Teens

Dance: I: Comic Dance, as17501117; End of Play: Comic Dance-McNeil, Mad Camargo. [the Dance which was inserted in Way of the World; see17501115]

27
18 October 1751 @ Drury Lane Theatre

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: Queen Mab

Dance: II: A Comic Dance-Sg Piettero, Sga Piettero second time upon English Stage; IV: By Desire a Hornpipe-the Little Swiss

28
08 January 1755 @ Haymarket Theatre

Performances

Mainpiece Title: A Course Of Comic Lectures

29
13 January 1755 @ Haymarket Theatre

Performances

Mainpiece Title: Course Of Comic Lectures

30
22 April 1755 @ Drury Lane Theatre

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: The Devil to Pay

Dance: II: A Comic Dance-Sg and Sga Sabatini; IV: A Comic Dance-Sg and Sga Sabatini, Sabatini the Younger; V: A Minuet-Leviez, Miss Macklin

31
02 May 1757 @ Drury Lane Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Tamer Tam'd

Song: I: Miss Young

Dance: II: A Comic Dance [dancers unspecified]-; III: A Hornpipe-Harrison; IV: A New Comic Dance-

32
21 April 1761 @ Covent Garden

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Englishman in Paris

Dance: III: A Comic Dance-a young Gentleman, a young Gentlewoman (Scholars of Leppie); End: The last new Comic Dance-Maranesi, Mlle Capdeville

33
07 January 1762 @ Covent Garden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Knights

Dance: III: A Comic Dance (not perform'd these 9 years) call'd The Taylors-Sg Maranesi, Mlle Capdeville; V: A New Comic Ballet, The French Country Gentleman, as17611210

34
08 March 1763 @ Covent Garden

Performances

Mainpiece Title: Artaxerxes

Dance: I: A New Comic Dance, The Catalonian Marriage-Duquesney, Sga Manesiere; II: A New Comic Dance, The Tyrolese-Sg Muzioli, 1st appearance English Stage, Sga Manesiere

35
07 September 1763 @ Haymarket Theatre

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Citizen

Dance:

Entertainment: I: Comic Dance-Rogier, Miss Street; III: Serious Dance-Miss Street; IV: Comic Dance-Master Clinton, Miss Street; End: Hippisley's Drunken Man-Weston; a Hornpipe in Taste-

36
10 October 1770 @ Covent Garden

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Midas

Dance: II: A Comic Dance-; IV: [A Comic Ballad call'd the Countryman Metamorphosed-Mr Hamois, Mad[mlle] Hamois[, their first appearance this stage

37
25 April 1777 @ Covent Garden

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Country Mad-Cap

Dance: End II: New Comic Dance-Master Jackson, Miss Parish (A pupil of Aldridge; 1st appearanae on the stage); End III: a new characteristic Irish Dance, The Humours of Leixlip; or, A Jaunt to the Salmon-Leap, in which an Irish Jigg,-Aldridge, Miss Besford; End IV: a new Comic Dance, The Coopers-Langrish, Master Jackson, Miss Nicols (Scholar to Aldridge; 1st appearance also); End: a new pantomimical Naval Dance, All in the Downs ; or, Farewell to Deal,-Aldridge, Jackson, Besford, Miss Besford, Miss Valois

38
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

39
25 April 1788 @ Covent Garden

Performances

Mainpiece Title: Rosina

Afterpiece Title: Barnaby Brittle

Afterpiece Title: The Irish Widow

Entertainment: End I, end 1st piece: those Dramatic Imitations-Mrs Wells [of which the Public have deigned to think so flatteringly; In the First Part: Traits of Tragic Comic and Vocal Characters-; The Second will conclude: a Scene from Two great Tragic Actresses of this Country-. [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).

40
05 June 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: All the World's a Stage

Dance: End III: New Dance taken from the Favourite Comic Opera of Gli Schiavi par Amore (recte per)-the two young D'Egvilles, Miss Blanchet, Miss DeCamp; End: a new dance, The Comic Concert, in which will be introduced The Devonshire Reel, Jack Tar's Delight-the two young D'Egvilles, Miss D'Egville, Miss Blanchet, Miss DeCamp

41
20 August 1790 @ Haymarket Theatre

Performances

Mainpiece Title: Summer Amusement; Or, An Adventure At Margate

Afterpiece Title: Katherine and Petruchio

Song: In course of Evening: Sigh no more Ladies, Mistress Mine (both composed by Stevens)-Davies, Bannister, Waterhouse, Mrs Iliff, Mrs Bannister

Entertainment: Monologue. As17900816

42
06 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor; or, British Heroism

Afterpiece Title: Tom Thumb

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

43
19 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor

Afterpiece Title: Sprigs of Laurel

Song: In course of 2nd piece: As17950506; Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course of entertainments: Black Eyed Susan-Incledon; Old Towler-Incledon

Music: 3rd piece: With the favorite Overture by Shield for Arrived at Portsmouth-; with a violin and oboe obligato-Mountain, W. Parke

44
20 April 1798 @ Covent Garden

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Waterman

Afterpiece Title: Retaliation; or, The Citizen a Soldier

Song: In course: by permission of Dibdin, Old England's tree of Liberty-Taylor; a new Comic Song, Patents all the Rage-Munden

45
24 May 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Dance: In II: Masquerade-; with Dancing-Mlle Parisot, Sga Bossi DelCaro

Song: In Masquerade: Sigh no more Ladies (composed by Stevens)-Sedgwick, Dignum, Mrs Bland, Miss DeCamp; End IV: Little Taffline-Mrs Bland; In course of Evening: Ally Croaker, Little Bess the Ballad Singer (composed by Dr Arnold)-Miss Leak

46
25 May 1798 @ Covent Garden

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Reformed in Time

Song: In course of Evening: The Bells of Aberdovy-Townsend; accompanied on the harp-Weippert; The Mid Watch-Incledon; The Beggar, in character,-Townsend; The Pledge of Love, as17980515; a favorite Comic Song-Fawcett

Entertainment: Imitations.An Exhibition of Theatrical Portraits-Townsend

47
05 June 1799 @ Covent Garden

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: Inkle and Yarico

Afterpiece Title: The School for Arrogance

Dance: In II 2nd piece: Negro Dance, as17990513, but added: Blurton

Song: In course Evening: Young William was a Seaman true-Incledon; A favorite new song-Miss Waters; comic song-Munden; Old Towler-Incledon; Boxing the Compass-Fawcett

48
07 May 1800 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Siege of Acre

Afterpiece Title: The Jew and the Doctor

Song: End I 1st piece: The Last Shilling (composed by Dibdin)-Incledon; (in the Course of the Evening) Old Towler-Incledon; In Scene I 2nd piece: by Permission of Dibdin, his following popular songs: The Sailor's Journal-Incledon; The Anchor Smiths-Townsend; All Hands to the Anchor-Fawcett; Jacky and the Cow-Munden; The Advantage of Toping-Townsend; A Comic Irish Song-Johnstone

49
22 April 1661 @ no theater listed

Performances

Mainpiece Title: Neptune's Address To His Most Sacred Majesty Charles The Second; King Of England, Scotland, France And Ireland

50
January 1681 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Second Part Of The Rover