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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Le Nozze del Tamigi e Bellona"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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1063 results for: Title - Le Nozze del Tamigi e Bellona

26
20 March 1764 @ King's Theatre

Performances

Mainpiece Title: Alessandro Nell' Indie

Dance: I: Le Tambourine-Fischer, a new Terzetto; II: The Turkish Coffee House-Duvall, Berardi, Miss Tetley; III: Le Mariage de Village-Duberval, Miss Auretti

27
29 March 1764 @ King's Theatre

Performances

Mainpiece Title: Leucippo

Dance: I: A new dance-Miss Lalauze; The Tambourine-Fischer; the Terzetto-Duval, Berardi, Miss Tetley; II: Le Matelot Provencalle-Fischer, Miss Auretti; III: Le Mariage du Village-Duberval, Miss Auretti; a new dance-Miss LaLauze

Song: By desire Nasce nel Bosco (Giordini)-Sga Mingotti; O che Salvo (Hasse)-Sga Mingotti; Se Il mio dual (Hasse)-Sga Mingotti; Non fau in che parlo (Perez)-Sga Mingotti; Act III: To mon@fugaste (Vento)-Sga Mingotti

28
14 April 1764 @ King's Theatre

Performances

Mainpiece Title: Alessandro Nell' Indie

Dance: I: Le Matelot Provencalle, as17640410 II: Le Mariage du Village-Doberval, Miss Auretti

Ballet: III: Le Masquerade. As17640331

29
15 May 1764 @ King's Theatre

Performances

Mainpiece Title: Alessandro Nell' Indie

Dance: I: Le Tamborine, as17640310 a new Terzetto, as17640310 II: Le Matelot Provencalle, as17640410

Ballet: LLe Masquerade. As17640331

30
31 October 1775 @ King's Theatre

Performances

Mainpiece Title: La Sposa Fedele

Dance: I: New Pantomime Ballet, Apollon e Daphne-Helm, Mlle Sophie; with new Pastoral Entree-Sga Tinti; End Opera: New Grand Pantomime Ballet, PigmalionAmoureuse de La Statue-Fierville, Helm, Mlle Baccelli, Sga Tinti, Mlle Sophie

Ballet: II: Le Triomphe D'Euthime sur Le Genie de Liba. Euthime-Fierville; La Victime-Baccelli; L'Ombre-Helm; with Pas de Deux-Henery, Mlle Sophie

31
04 November 1775 @ King's Theatre

Performances

Mainpiece Title: La Sposa Fedele

Dance: Apollon e Daphne, as17751031; End Opera: Pigmalion, as17751031

Ballet: I: Le Triomphe D'Euthime sur Le Genie de Liba. Euthime, As17751031

32
07 November 1775 @ King's Theatre

Performances

Mainpiece Title: Didone

Dance: As17751104

Ballet: Le Triomphe D'Euthime sur Le Genie de Liba. As17751104

33
11 November 1775 @ King's Theatre

Performances

Mainpiece Title: Didone As17751107

Dance: As17751104

Ballet: Le Triomphe D'Euthime sur Le Genie de Liba. As17751104

34
21 November 1775 @ King's Theatre

Performances

Mainpiece Title: La Sposa Fedele

Dance: As17751104

Ballet: Le Triomphe D'Euthime sur Le Genie de Liba. As17751104

35
25 November 1775 @ King's Theatre

Performances

Mainpiece Title: Didone

Dance: As17751104

Ballet: Le Triomphe D'Euthime sur Le Genie de Liba. As17751104

36
26 January 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I Pastoral Dance, as17811128, to finish with a new minuet (composed by Noverre and the music by Le Brun), The Prince of Wales's Minuet, by Gardel and Mme Simonet; End of Act II Divertisement Dance, as17811117; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

37
02 May 1782 @ King's Theatre

Performances

Mainpiece Title: A Grand Masked Ball, With A Supper

Dance: End of Part I a new Dance (1st time; composed by Noverre), Apollon et let Muses by Le Picq (1st appearance in England), Nivelon, Mme Simonet, Mlle Theodore, Sga Crespi, Mlle Baccelli; End of Part 11 a New Dance, demicharacter (composed by Noverre) by Le Picq, Nivelon, Slingsby, Mlle Theodore, Sga Crespi, Mlle Baccelli

38
05 June 1782 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I New Dance, as17820603 but added: a Minuet by Le Picq and Mme Simonet; End of Act II an entirely new heroic Ballet, composed by Noverre, Apelles and Campaspe; or, The Generosity of Alexander the Great, by Le Picq, Mme Simonet, Gardel, Simonet, Sga Crespi, Mlle Theodore. [Partial cast from Morning Herald, 6 June (which also has a synopsis of the action): Apelles-Le Picq; Alexander-Gardel; Campaspe-Mme Simonet.]

39
15 March 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Il Riposo del Campo, as17830313End of Act III Le Tuteur Trompe, as17830128

Song: New set of Airs, as17830306athi

40
01 April 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I Le Tuteur Trompe, as17830128; End of Act II Il Riposo del Campo, as17830322athi

41
24 April 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I Le Tuteur Trompe, as17830128; End of Act II Il Riposo del Campo, as17830412, but omitted: Sga Crespi

42
03 May 1783 @ King's Theatre

Performances

Mainpiece Title: Creusa In Delfo

Dance: End of Act I Il Riposo del Campo, as17830424; End of Act II Le Tuteur Trompe, as17830426, but omitted: Slingsby

43
06 May 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I Il Riposo del Campo, as17830424, but omitted: Mlle Theodore; End of Act II Le Tuteur Trompe, as17830503, but omitted: Mlle Theodore

44
21 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'avaro

Dance: End of Act I Il Riposo del Campo, as17830603 with Pas de Deux, as17830603 and Pas de Basque, as17830111; End of Act II Le Tuteur Trompe, as17830506

45
28 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

46
26 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

47
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

48
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

49
01 June 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Cocq du Village, as17840226, but omitted: Slingsby, Mme Rossi; End of Opera Le Deserteur, as17840520

50
10 June 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840513; End of Opera Le Deserteur, as17840608