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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "La Prova Dell Opera"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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4137 results for: Title - La Prova Dell' Opera

26
28 June 1777 @ King's Theatre

Performances

Mainpiece Title: I Capricci Del Sesso

Dance: End I: La Paysane Distraite, as17770617 End II: La Clochette, as17770624 End Opera: Serious Ballet, as17770621

27
05 July 1777 @ King's Theatre

Performances

Mainpiece Title: L'ali D'amore

Dance: End I: La Clochette, as17770617, but omitted: Sga Zuchelli; End II: Minuet de la Cour, as17770508; End Opera: Serious Ballet-Mons and Mme Simonet, Vallouy@le@cadet, Mlle Baccelli

Song: Preceding last ballet: Address of Thanks (composed for the occasion by Rauzzini)-Rauzzini, Miss Storace

28
18 November 1777 @ King's Theatre

Performances

Mainpiece Title: Le Due Contesse

Dance: End I: Le Devin du Village, as17771104; End II: La Polonaise Favourite, as17771104; End Opera: La Clochette, as17771115

29
28 April 1778 @ King's Theatre

Performances

Mainpiece Title: La Vera Costanza

Dance: End I: Divertisement, as17780207; End II: Les Bohemiens, as17771216; End Opera: Masquerade Dance, as17780303Minuet de la Cour=, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303

30
05 May 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Soldato

Dance: As17780331nd I: Masquerade Dance; End II: La Surprize de Daphnis et Cephise; End Opera: La Serenade Interrompuee.

Ballet: End II: La Surprize de Daphnis et Cephise. As17780331

31
12 May 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Soldato

Dance: End I: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End II: Les Bohemiens, as17771216; End Opera: Serious Ballet, as17780120

32
26 May 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Soldato

Dance: End I: Divertisement, as17780207; with a Minuet-Mons and Mme Simonet; End II: L'Amour dans la Vendange, as17780519; End Opera: La Serenade Interrompuee, as17780224

33
28 May 1778 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: L'Amour dans la Vendange, as17780519; End II: The Masquerade Ballet-; in which a Minuet-Mme Simonet en homme, or in man's dress,, Mlle Baccelli; End Opera: La Serenade Interrompuee, as17780224; in which the Minuet Dauphin-Mme Simonet in man's dress, Mlle Banti

34
30 May 1778 @ King's Theatre

Performances

Mainpiece Title: Il Re Pastore

Dance: End I: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: Les Amans unis par l'Hymen, as17780404

Ballet: End II: La Surprize de Daphnis et Cephise. As17780331

35
02 June 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Soldato

Dance: End I: Divertisement, as17780526; End II: L'Amour dans la Vendange, as17780519; End Opera: La Serenade Interrompuee, as17780224

36
09 June 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Soldato

Dance: End I: Divertisement, as17780207; End II: L'Amour dans la Vendange, as17780519; End Opera: La Clochette, as17771115

37
13 June 1778 @ King's Theatre

Performances

Mainpiece Title: Creso

Dance: End I: La Polonaise Favourite, as17771104; End Opera: La Serenade Interrompuee, as17780224

Ballet: End II: La Surprize de Daphnis et Cephise. As17780331

38
28 November 1778 @ King's Theatre

Performances

Mainpiece Title: Demofoonte

Dance: End II: La Noche Hollandoise, as17781124; End Opera: a New Ballet, connected with the Opera,-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: Annette et Lubin. As17781124

39
27 November 1779 @ King's Theatre

Performances

Mainpiece Title: Alessandro Nelle Indie

Dance: End I: Indian Ballet (composed by Zuchelli), adapted to the Opera-Sg and Sga Zuchelli, Henry, young Miss Simonet; End II: new Pastoral Ballet (composed by Zuchelli and Slingsby)-Slingsby, Sg and Sga Zuchelli, Sga Tantini (1st appearance in England); End Opera: Grand Serious Ballet connected with the Opera (composed by Favre Guiardele, ballet master), in which the celebrated Chaconne of Jomelli's-Slingsby, Sga Tantini, Favre Guiardele (1st appearance in England)

40
22 January 1780 @ King's Theatre

Performances

Mainpiece Title: Quinto Fabio

Dance: End I: Pastoral Ballet, as17791127; End II:new Ballet, Demi-caractere, La Bergere Coquete; ou, Le Triomphe de L'Amour-Favre Guiardele, Mme Simonet, Sga Tantini, young Miss Simonet, Slingsby; End Opera: Serious Ballet connected with the Opera,-Favre Guiardele, Sg and Sga Zuchelli, Mlle Baccelli (1st appearance this season); in which a Grand Chaconne-

Song: III: song-Mme LeBrun; accompanied on the hautboy-LeBrun

41
27 May 1780 @ King's Theatre

Performances

Mainpiece Title: Rinaldo

Dance: End I: The Rural Sports, as17800512, but Miss _Simonet; End II: La Fete Pastorale, as17800520; End Opera: Serious Ballet-; connected with the Opera, in which a Grand Chaconne ([the music] composed by Floquet)-Favre Guiardele, Mme Simonet, Slingsby, Sga Tantini, Mlle Baccelli

42
13 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

43
08 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

44
26 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

45
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

46
13 June 1786 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I La Fete Marine, as17860516; End of Opera Ninette d la Cour, as17860601

47
04 July 1786 @ King's Theatre

Performances

Mainpiece Title: Il Marchese Tulipano

Dance: End of Act I La Fete Marine, as17860427; End of Opera Ninette } la Cour, as17860701

48
11 July 1786 @ King's Theatre

Performances

Mainpiece Title: Armida

Dance: End of Act I L'Amour Jardinier, as17860701 End of Act II La Fete Marine, as17860427; End of Opera Ninette a la Cour, as17860701

49
08 March 1787 @ King's Theatre

Performances

Mainpiece Title: Alceste

Dance: End I: a new Ballet composed by Hus, La Fete Provencale-Mme Gervais Perignon, Mlle Mozon; a new Pas de Deux-Mme Gervais Perignon, Mlle Mozon; End Opera: another new Ballet, composed by Hus, La Bergere Capricieuse-Goyon, Henry, two Miss Simonets; conclude with: favourite Pas de Deux Russe-Laborie, Mlle Mozon, the other parts of the Dance as above

50
21 May 1789 @ King's Theatre

Performances

Mainpiece Title: Il Disertore

Dance: End I: Les Jalousies du Serail, as17890317End Opera: Ninette a la Cour, as17890514; but to conclude with the Pas de Six de la Rosieu-