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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "La F1lle Cap1ta1n et Arlequin Son Sergeant With the Scene of Le Professeur dAmour"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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3594 results for: Title - La F1lle Cap1ta1n et Arlequin Son Sergeant: With the Scene of Le Professeur d'Amour

26
11 November 1734 @ Haymarket Theatre

Performances

Mainpiece Title: La Double Inconstance; Ou, Arlequin A La Cour Malgre Luy

Afterpiece Title: Les An1maux Ra1sonables

Dance:

27
25 November 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Les Embarras Des Richesses

Afterpiece Title: Le Tombeau de Maitre Andre: In which Harlequin and Colombine will perform a Scene, in Imitation of the famous Tragedy call'd, Le Cid, by Corneille

Dance:

28
06 December 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Arlequin Astrologue, Ramoneur, Statue, Enfant, & Perroquet: With A New Scene Of Arlequin Skelleton

Afterpiece Title: Arlequin Hulla

Dance: The Caprice by Miss Chateauneuf

29
16 January 1735 @ Haymarket Theatre

Performances

Mainpiece Title: La Vie Est Un Songe; Ou, Arlequin Boufon A La Cour De Naples; Or, Life Is A Dream

Afterpiece Title: Arlequin Cartouche, Grand Provost & Judge

Dance:

30
20 February 1735 @ Haymarket Theatre

Performances

Mainpiece Title: La Fille Capitaine Et Arlequin Serjeant

Afterpiece Title: Arlequin Sauvage

Dance:

31
07 March 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The King and the Miller of Mansfield

Dance: II: La Tambourine-Mlle Chateauneuf; III: La Tambourin Matelote-Maltere, Mlle Maltere; IV: La Provencale-Mlle Chateauneuf; V: Grand Serious Ballet-Maltere, Mlle Maltere

32
07 April 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Intriguing Chambermaid

Dance: I: La Tambourine-Mlle Chateauneuf; II: Shepherds and Shepherdesses-Muilment, Mlle Chateauneuf; III: Les Caprices des Rebelles (new)-Mlle Maltere; IV: L'Allemande-Muilment, Mlle Chateauneuf; V: La Rose Boree et Ziphirs (new)-Maltere, Mlle Maltere

33
30 April 1741 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Dance: I: La Tambourin Matelote-Maltere, Mlle Maltere; II: La Provencale-Mlle Chateauneuf; III: Muilment; IV: La Tambourine-Mlle Chateauneuf; V: Les Masons & Les Sabotiers-Signora Fausan, Muilment, Desse

34
19 March 1776 @ King's Theatre

Performances

Mainpiece Title: L'isola D'amore

Dance: After the Overture: A New Ballet Incident to the Opera call'd Le Retour des Matelotes-Helm, Mlle Sophie, Sga Tinti; End I: La Fete du Village, as17760224; End Opera: Diane et Endymion, as17760312

35
26 March 1776 @ King's Theatre

Performances

Mainpiece Title: L'isola D'amore

Dance: End Overture: Le Retour des Matelotes, as17760319 End I: La Fete du Village, as17760224; End Opera: Diane et Endymion, as17760312

36
23 April 1776 @ King's Theatre

Performances

Mainpiece Title: La Serva Padrona

Afterpiece Title: L'Isola D'Amore

Dance: After the Intermezzo: Le Retour des Matelotes, as17760319 End I: La Fete du Village, as17760224; End Opera: Diane et Endymion, as17760312

37
30 April 1776 @ King's Theatre

Performances

Mainpiece Title: La Vestale

Dance: Apollon e Daphne, as17751031; Minuet de la Cour-the two Vallouys; End II: La Fete du Village, as17760224; End Opera: Diane et Endymion, as17760312

38
04 May 1776 @ King's Theatre

Performances

Mainpiece Title: Caio Mario

Dance: I: La Fete du Village, as17760224; II: Diane et Endymion, as17760312 End Opera: Ballet-; with a Chaconne-; and a Minuet de la Cour-the two Vallouys

39
11 May 1776 @ King's Theatre

Performances

Mainpiece Title: Caio Mario

Dance: La Fete du Village, as17760504; Diane et Endymion, as17760504; Minuet de la Cour, as17760504

40
30 May 1776 @ King's Theatre

Performances

Mainpiece Title: Il Bacio

Dance: I: New Serious Ballet-Helm, Mlle Sophie; with an Adagio-Mlle Heinel; Grand Chaconne-Mlle Heinel; II: Diane et Endymion, as17760312 End Opera: Le Triomphe de la Magie (with several alterations and improvements)-Fierville, Helm, Sga Tinti, Mlle Sophie, Mlle Heinel

41
18 November 1777 @ King's Theatre

Performances

Mainpiece Title: Le Due Contesse

Dance: End I: Le Devin du Village, as17771104; End II: La Polonaise Favourite, as17771104; End Opera: La Clochette, as17771115

42
31 March 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Artigiano

Dance: End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

Ballet: End I: new Ballet Pastoral (composed by Simonet; the introduction by Banti), La Surprize de Daphnis et Cephise. Pas de Deux-Sg and Sga Zuchelli; Daphnis Banti; Cephise-Mlle Banti

43
30 April 1778 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: Serious Ballet, as17780120; End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

44
05 May 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Soldato

Dance: As17780331nd I: Masquerade Dance; End II: La Surprize de Daphnis et Cephise; End Opera: La Serenade Interrompuee.

Ballet: End II: La Surprize de Daphnis et Cephise. As17780331

45
05 June 1778 @ King's Theatre

Performances

Mainpiece Title: Il Re Pastore

Dance: End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303but _Simonet, Mme Simonet; +Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

Ballet: End I: La Surprize de Daphnis et Cephise. As17780331

46
19 March 1782 @ King's Theatre

Performances

Mainpiece Title: La Contadina In Corte

Dance: In the Masquerade Scene a Minuet by Mlle Theodore and Nivelon; End of Act I Le Triomphe de l'Amour Conjugal, as17820110; End of Act II a new Ballet (composed by Noverre), La Rosihe de Salency, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Leger, Henry, Bournonville, Olivier, Miss Simonet, Sga Crespi

47
02 May 1782 @ King's Theatre

Performances

Mainpiece Title: A Grand Masked Ball, With A Supper

Dance: End of Part I a new Dance (1st time; composed by Noverre), Apollon et let Muses by Le Picq (1st appearance in England), Nivelon, Mme Simonet, Mlle Theodore, Sga Crespi, Mlle Baccelli; End of Part 11 a New Dance, demicharacter (composed by Noverre) by Le Picq, Nivelon, Slingsby, Mlle Theodore, Sga Crespi, Mlle Baccelli

48
26 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

49
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

50
06 May 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Le Matin, Midi, et le Soir

Afterpiece Title: Too Civil by Half

Dance: End 2nd piece: The Conjugal Frolick, as17880221