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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Deaf Indeed"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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117 results for: Title - Deaf Indeed!

26
28 December 1780 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Deaf Lover

Dance: As17801018

27
13 March 1781 @ Covent Garden

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Deaf Lover

Dance: As17810208

28
25 May 1781 @ Covent Garden

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Deaf Lover

Dance: As17810426

29
26 September 1781 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Deaf Lover

Dance: End of mainpiece The Shepherd's Wedding by Harris and Miss Matthews

30
24 October 1781 @ Covent Garden

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Deaf Lover

Dance: End of mainpiece The Sports of the Green by Aldridge, Langrish, Jackson, Miss Francis, Miss Besford

31
17 November 1781 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Deaf Lover

32
05 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Friend In Need, Is A Friend Indeed

Afterpiece Title: The Flitch of Bacon

33
07 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Friend In Need, Is A Friend Indeed

Afterpiece Title: COMUS

34
08 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Friend In Need, Is A Friend Indeed

Afterpiece Title: The Quaker

35
10 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Friend In Need, Is A Friend Indeed

Afterpiece Title: Comus

36
14 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Friend In Need, Is A Friend Indeed

Afterpiece Title: Harlequin Teague

37
15 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Friend In Need, Is A Friend Indeed

Afterpiece Title: Harlequin Teague

38
18 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Friend In Need, Is A Friend Indeed

Afterpiece Title: The Son-in-Law

Afterpiece Title: Medea and Jason

39
25 July 1783 @ Haymarket Theatre

Performances

Mainpiece Title: Friend In Need, Is A Friend Indeed

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason

40
02 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Friend In Need, Is A Friend Indeed

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason

41
18 November 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Deaf Lover

42
24 November 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Deaf Lover

43
06 December 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Deaf Lover

44
10 December 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: King John

Afterpiece Title: The Deaf Lover

45
23 December 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The Deaf Lover

46
04 February 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Deaf Lover

47
24 April 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Deaf Lover

Dance: As17840311athi

48
08 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Deaf Lover

49
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

50
25 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Deaf Lover

Dance: As17840320athi