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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Course Of Comic Lectures"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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1296 results for: Title - Course Of Comic Lectures

26
16 April 1755 @ Haymarket Theatre

Performances

Mainpiece Title: Comic Lectures

27
22 April 1755 @ Drury Lane Theatre

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: The Devil to Pay

Dance: II: A Comic Dance-Sg and Sga Sabatini; IV: A Comic Dance-Sg and Sga Sabatini, Sabatini the Younger; V: A Minuet-Leviez, Miss Macklin

28
02 May 1757 @ Drury Lane Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Tamer Tam'd

Song: I: Miss Young

Dance: II: A Comic Dance [dancers unspecified]-; III: A Hornpipe-Harrison; IV: A New Comic Dance-

29
09 November 1759 @ Haymarket Theatre

Performances

Mainpiece Title: Comic Lectures

30
09 September 1760 @ Haymarket Theatre

Performances

Mainpiece Title: Comic Lectures

31
26 March 1761 @ Covent Garden

Performances

Mainpiece Title: The Wife's Relief; Or, The Husband's Cure

Afterpiece Title: The Cheats of Scapin

Dance: II: (By Desire) Hornpipe-Poitier Jr

Entertainment: End: A Comic Lecture; or, Tea a-la-Mode, in the manner of Foote-Wilkinson; The Cries of London-Shuter; End Afterpiece: the Origin, Nature, and Progress of the Order of British Bucks-Mr Shuter; with the whimsical behaviour of Choice Spirits, and Mons Thurot's Trip to Carrickfergus-

32
21 April 1761 @ Covent Garden

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Englishman in Paris

Dance: III: A Comic Dance-a young Gentleman, a young Gentlewoman (Scholars of Leppie); End: The last new Comic Dance-Maranesi, Mlle Capdeville

33
07 January 1762 @ Covent Garden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Knights

Dance: III: A Comic Dance (not perform'd these 9 years) call'd The Taylors-Sg Maranesi, Mlle Capdeville; V: A New Comic Ballet, The French Country Gentleman, as17611210

34
08 March 1763 @ Covent Garden

Performances

Mainpiece Title: Artaxerxes

Dance: I: A New Comic Dance, The Catalonian Marriage-Duquesney, Sga Manesiere; II: A New Comic Dance, The Tyrolese-Sg Muzioli, 1st appearance English Stage, Sga Manesiere

35
07 September 1763 @ Haymarket Theatre

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Citizen

Dance:

Entertainment: I: Comic Dance-Rogier, Miss Street; III: Serious Dance-Miss Street; IV: Comic Dance-Master Clinton, Miss Street; End: Hippisley's Drunken Man-Weston; a Hornpipe in Taste-

36
10 October 1770 @ Covent Garden

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Midas

Dance: II: A Comic Dance-; IV: [A Comic Ballad call'd the Countryman Metamorphosed-Mr Hamois, Mad[mlle] Hamois[, their first appearance this stage

37
25 April 1777 @ Covent Garden

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Country Mad-Cap

Dance: End II: New Comic Dance-Master Jackson, Miss Parish (A pupil of Aldridge; 1st appearanae on the stage); End III: a new characteristic Irish Dance, The Humours of Leixlip; or, A Jaunt to the Salmon-Leap, in which an Irish Jigg,-Aldridge, Miss Besford; End IV: a new Comic Dance, The Coopers-Langrish, Master Jackson, Miss Nicols (Scholar to Aldridge; 1st appearance also); End: a new pantomimical Naval Dance, All in the Downs ; or, Farewell to Deal,-Aldridge, Jackson, Besford, Miss Besford, Miss Valois

38
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque

39
16 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Feast Of Thalia; Or, A Dramatic Olio

Afterpiece Title: First Course, an Operatic Dish: The Dead Alive

Afterpiece Title: Second Course, a Comic Dish: More Frighten'd than Hurt

Afterpiece Title: a Desert: The Honest Yorkshireman

Monologue: 1785 08 16 End of Second Course, by way of Entremet, Joe Haynes's Epilogue, riding on an Ass, by Wilson

40
05 June 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: All the World's a Stage

Dance: End III: New Dance taken from the Favourite Comic Opera of Gli Schiavi par Amore (recte per)-the two young D'Egvilles, Miss Blanchet, Miss DeCamp; End: a new dance, The Comic Concert, in which will be introduced The Devonshire Reel, Jack Tar's Delight-the two young D'Egvilles, Miss D'Egville, Miss Blanchet, Miss DeCamp

41
06 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor; or, British Heroism

Afterpiece Title: Tom Thumb

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

42
19 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor

Afterpiece Title: Sprigs of Laurel

Song: In course of 2nd piece: As17950506; Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course of entertainments: Black Eyed Susan-Incledon; Old Towler-Incledon

Music: 3rd piece: With the favorite Overture by Shield for Arrived at Portsmouth-; with a violin and oboe obligato-Mountain, W. Parke

43
20 April 1798 @ Covent Garden

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Waterman

Afterpiece Title: Retaliation; or, The Citizen a Soldier

Song: In course: by permission of Dibdin, Old England's tree of Liberty-Taylor; a new Comic Song, Patents all the Rage-Munden

44
25 May 1798 @ Covent Garden

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Reformed in Time

Song: In course of Evening: The Bells of Aberdovy-Townsend; accompanied on the harp-Weippert; The Mid Watch-Incledon; The Beggar, in character,-Townsend; The Pledge of Love, as17980515; a favorite Comic Song-Fawcett

Entertainment: Imitations.An Exhibition of Theatrical Portraits-Townsend

45
05 June 1799 @ Covent Garden

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: Inkle and Yarico

Afterpiece Title: The School for Arrogance

Dance: In II 2nd piece: Negro Dance, as17990513, but added: Blurton

Song: In course Evening: Young William was a Seaman true-Incledon; A favorite new song-Miss Waters; comic song-Munden; Old Towler-Incledon; Boxing the Compass-Fawcett

46
07 May 1800 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Siege of Acre

Afterpiece Title: The Jew and the Doctor

Song: End I 1st piece: The Last Shilling (composed by Dibdin)-Incledon; (in the Course of the Evening) Old Towler-Incledon; In Scene I 2nd piece: by Permission of Dibdin, his following popular songs: The Sailor's Journal-Incledon; The Anchor Smiths-Townsend; All Hands to the Anchor-Fawcett; Jacky and the Cow-Munden; The Advantage of Toping-Townsend; A Comic Irish Song-Johnstone

47
15 October 1703 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rover; Or, The Banish'd Cavaliers

Dance: Comic dances-the Devonshire Girl, Mrs Bicknell

48
01 November 1703 @ Drury Lane Theatre

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Song: As17031023

Dance: Comic Dances-Laferry, Mrs Bicknell, Mrs Lucas, Devonshire Girl

49
05 November 1703 @ Drury Lane Theatre

Performances

Mainpiece Title: Don John; Or, The Libertine Destroy'd

Dance: Comic dances-Essex, Mrs Bicknell, Mrs Lucas, Devonshire Girl

50
11 November 1703 @ Drury Lane Theatre

Performances

Mainpiece Title: The Pilgrim

Entertainment: Singing, Comic Dancing-