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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Ballet et Musique Pour le Divertissement du Roy de la Grande Bretagne"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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4008 results for: Title - Ballet et Musique Pour le Divertissement du Roy de la Grande Bretagne

26
22 March 1798 @ King's Theatre

Performances

Mainpiece Title: An Act Of La Sposa In Equivoco

Afterpiece Title: Act II of Semiramide

Dance: End: Le Triomphe de Themis, as17971226; End 2nd piece: an entire new Anacreontic Ballet, composed by Gallet, La Vengeance de l'Amour-; Pas de Quatre of Panurge-Didelot, Laborie, Mme Hilligsberg, Mme Rose

27
22 April 1775 @ King's Theatre

Performances

Mainpiece Title: Armida

Afterpiece Title: Pyramo E Tisbe

Dance: I: Ballet with Louvre-Mlle Baccelli; A Pas de Deux-Vitalba (first appearance), Mlle Sophie; II: Serious Ballet, with Pas de Deux and a Grand Chaconne-Vallouis, Mme Vallouis; End Opera: New ballet, Champetre Comique-Lany, Mlle Baccelli, Vallouis, Mme Vallouis, Asselin, Mlle Sophie, Vallouis@le@cadet

28
15 November 1777 @ King's Theatre

Performances

Mainpiece Title: Creso

Dance: End I: Le Devin du Village, as17771104; End II: New Ballet, as17771104; End Opera: a Ballet Demi-caractere, La Clochette-Mons and Mme Simonet, Mlle Baccelli, Sg and Sga Zuchelli, Vallouy@le@cadet

29
29 January 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Pierot Maitre Valet Et L'opera De Campagne; Ou, La Critique De L'opera De Paris

Entertainment: Vaulting, Tumbling-

30
15 December 1721 @ Haymarket Theatre

Performances

Mainpiece Title: L'avocat Patelin

Afterpiece Title: Arlequin Invisible, a la Cour du Roy de la Chine

Dance:

31
11 October 1733 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Music: Vocal and Instrumental, incident to the Play. The Vocal Parts by Leveridge, Laguerre, Salway, Mrs Wright, Mrs Saunderson, Mrs Cantrel, Miss Norsa

Dance: Proper to the Play by Poitier, Du Pre, Pelling, Newhouse, Le Sac, De la Garde, Du Pre Jr

32
13 May 1740 @ Covent Garden

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Stage Coach

Dance: I: Minuet (By Desire)-Lestrade, Mlle Ozanne; II: Les Characteres de la Dance-the French Girl; III: Je ne scay quoy-Villeneuve, Richardson, Miss Oates; IV: La Pantomime de Suisse & D'Alemande-the French Boy and Girl; V: Grand Ballet-Glover, Mlle Roland

33
19 April 1773 @ King's Theatre

Performances

Mainpiece Title: Il Cid

Dance: I: Grand Ballet with Pasacal and Grand Chancone, as17730413 II: Grand Ballet with Grand Chorusses-; End II: Grand Ballet with Pas de Cinq, as17730417 End Opera: Grand Ballet with Grand Chacone-Mlle Heinel, Fierville

34
19 June 1773 @ King's Theatre

Performances

Mainpiece Title: Il Cid

Dance: I: Ballet, with a Pasacal-Fierville; II: A Grand Ballet, intermixed with Grand Chorusses-; Grand Ballet, with a Pas de Cinq-Slingsby, Mlle Grenier, Sga Crispi, Asselin, Mlle Lafond; End Opera: a Grand Ballet, with Louvre, Grand Chacone-Fierville

35
20 November 1773 @ King's Theatre

Performances

Mainpiece Title: Lucio Vero

Dance: I: Grand Comic Pantomime Ballet, call'd La Bagatelle-Bocchini, Sga Mazzoni, other principals; II: A Pastoral Dance with a Pas de Trois, de Deux-Mariottini, Bocchini, Sga Mazzoni; End Opera: A Grand Serious Ballet-; with a Grand Chaconne-Fierville

Entertainment: A Poetical Exordium-Mrs Yates [In which she proposed to intermix plays and operas this season. (Burney, II, 879, notes she could not get permission.)]

36
26 March 1776 @ King's Theatre

Performances

Mainpiece Title: L'isola D'amore

Dance: End Overture: Le Retour des Matelotes, as17760319 End I: La Fete du Village, as17760224; End Opera: Diane et Endymion, as17760312

37
18 April 1776 @ King's Theatre

Performances

Mainpiece Title: La Sposa Fedele

Dance: I: New Grand Chaconne-Miss Baccelli; Pas de Deux-Mlle Sophie, Helm; II: La Fete du Village, as17760224; III: A Grand Serious Ballet with various Divertissements-Helm, Mlle Sophie, Fierville, Miss Baccelli

38
23 April 1776 @ King's Theatre

Performances

Mainpiece Title: La Serva Padrona

Afterpiece Title: L'Isola D'Amore

Dance: After the Intermezzo: Le Retour des Matelotes, as17760319 End I: La Fete du Village, as17760224; End Opera: Diane et Endymion, as17760312

39
30 April 1776 @ King's Theatre

Performances

Mainpiece Title: La Vestale

Dance: Apollon e Daphne, as17751031; Minuet de la Cour-the two Vallouys; End II: La Fete du Village, as17760224; End Opera: Diane et Endymion, as17760312

40
11 May 1776 @ King's Theatre

Performances

Mainpiece Title: Caio Mario

Dance: La Fete du Village, as17760504; Diane et Endymion, as17760504; Minuet de la Cour, as17760504

41
30 May 1776 @ King's Theatre

Performances

Mainpiece Title: Il Bacio

Dance: I: New Serious Ballet-Helm, Mlle Sophie; with an Adagio-Mlle Heinel; Grand Chaconne-Mlle Heinel; II: Diane et Endymion, as17760312 End Opera: Le Triomphe de la Magie (with several alterations and improvements)-Fierville, Helm, Sga Tinti, Mlle Sophie, Mlle Heinel

42
06 June 1776 @ King's Theatre

Performances

Mainpiece Title: L'isola D'amore

Dance: After Overture: Le Minuet a la Cour-the two Vallouys; End I: Diane et Endymion, as17760312 End Opera: La Fete du Village, as17760224

43
30 April 1778 @ King's Theatre

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: Serious Ballet, as17780120; End II: Masquerade Dance, as17780303Minuet de la Cour and Gavot, as17780303Provencal, as17780303Allemande a la Strasbourgoise, as17780303End Opera: La Serenade Interrompuee, as17780224

44
23 February 1779 @ King's Theatre

Performances

Mainpiece Title: Zemira E Azore

Dance: II: Ballet connected with the Opera, by Genii of the various Arts- (See17790302 Pedal Harp-Hochbrucher; End II: new Ballet by Fairies of the Court of Azore,-Banti, Sga Tinti, LeDet, Henry, young Miss Simonet, Mlle Baccelli (1st appearance this season); End Opera: new serious Ballet, Le Couronnement de Zemire-Mons and Mme Simonet, Banti, Sg and Sga Zuchelli, Sga Tinti, Slingsby

45
15 April 1779 @ King's Theatre

Performances

Mainpiece Title: Zemira E Azore

Dance: II: Ballet by Genii, as17790302 but Pedal Harp-_; End II: Ballet by Fairies, as17790302End Opera: a new grand Military Pantomime Ballet, La Bravoure des Femmes, in which-Mme Simonet,in the character of Leading Officer, will fight a Duel at Small Sword; The other Principal Parts Mlle Baccelli, Simonet, Sg and Sga Zuchelli, Slingsby; Minuet-Mme Simonet, Mlle Baccelli

46
19 March 1782 @ King's Theatre

Performances

Mainpiece Title: La Contadina In Corte

Dance: In the Masquerade Scene a Minuet by Mlle Theodore and Nivelon; End of Act I Le Triomphe de l'Amour Conjugal, as17820110; End of Act II a new Ballet (composed by Noverre), La Rosihe de Salency, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Leger, Henry, Bournonville, Olivier, Miss Simonet, Sga Crespi

47
13 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Le Tuteur Trompe, as17830111, with two Pas de Deux, in a stile entirely new, called Pas de Lapons; or, Laplanders' Dance, by Slingsby and Mlle Theodore; End of Act II a new Pastoral Ballet by the principal Dancers, with a variety of Pas Seuls and a Pas de Deux by Slingsby and Mlle Theodore, and to conclude with a Grand Allemande by Lepicq, Mme Rossi, Slingsby, Mlle Theodore

48
13 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

49
15 April 1784 @ King's Theatre

Performances

Mainpiece Title: Le Gelosie Villane

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera Divertissement, in which a Pas de Deux, as17831216, and to conclude with the favourite Caledonian Pas de Trois, as17831129

50
13 May 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Music: The Dancers, incomparably the best Groupe in Europe, exerted themselves very successfully; D'Auberval's Drunkenness was well managed; Rossi's Fainting Fit, her Agitation preceding it, and her Revival from it; Lepicq's hovering over Rossi, when in the Swoon, and in his Separation from her, were all told very expressively indeed. Lepicq is the most graceful dancer in Europe, and excells every Competitor in the Narrative and Pathos of Gesticulation

Dance: End of Act I Le Reveil du Bonheur, as17840203, but D'Auberval in place of Slingsby; End of Opera an entirely new grand Ballet, or Tragi-Comic Dancing Pantomime, composed by D'Auberval, Le Deserteur; ou, La Clemence Royale (taken from the well-known comic opera, The Deserter). The Deserter-Lepicq; Skirmish-D'Auberval, who in that character will execute a Pas in a stile entirely new, and never before attempted in England; Louisa-Mme Rossi; other Principal Parts by Vestris [Jun.], Henry, Zuchelli, Mme Theodore, who will also dance the favourite Pas de Basque