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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "It Should have Come Sooner Being the Historick Tagic Comic Humours of Exchange Alley"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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2029 results for: Title - It Should have Come Sooner: Being the Historick, Tagic Comic Humours of Exchange Alley

1901
16 November 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Romance of an Hour

Dance: End of mainpiece a new Comic Dance, The Affrighted Dwarf, with a whimsical Transformation into Mad Moll (performers not listed)

Monologue: 1784 11 16 End of Act IV of mainpiece Bucks have at ye all by Cross

1902
23 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Arthur and Emmeline

1903
06 January 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Quaker; Or, The Humours Of The Navy

Afterpiece Title: The Irish Widow

Song: Mainpiece to finish with a Grand Naval Review, with a Dance of Sailors by Williamson, Mills, Miss Stageldoir, &c, and Rule Britannia by Williames, Chapman, &c

1904
14 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Peasant Metamorphosis

Afterpiece Title: The Deserter

Dance: In 1st ballet, by Duquesney and the two Miss Simonets; After the Singing, Hornpipe by Baptist and a Comic Dance by Delpini

Song: End of 1st ballet a Serio-Comic Italian Song by Delpini. imitations. After the Dancing, as17850207

1905
21 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Dance: 1st ballet with a Dance by Duquesney and the two Miss Simonets; to conclude with a Comic Allemande by Baptist, Mme Dagville, Delpini. vaudeville. End of 1st ballet Imitations as17850207, with several Deceptions, with Cards, by Baptist, Interpreter to Pinetti

1906
07 March 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Critic

Dance: End of mainpiece a new Comic Dance by Mills and the Miss Stageldoirs

1907
26 July 1785 @ Haymarket Theatre

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: The Green Room; or, Cut and Come Again

Afterpiece Title: Gretna Green

1908
16 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Feast Of Thalia; Or, A Dramatic Olio

Afterpiece Title: First Course, an Operatic Dish: The Dead Alive

Afterpiece Title: Second Course, a Comic Dish: More Frighten'd than Hurt

Afterpiece Title: a Desert: The Honest Yorkshireman

Monologue: 1785 08 16 End of Second Course, by way of Entremet, Joe Haynes's Epilogue, riding on an Ass, by Wilson

1909
24 October 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Caldron

Dance: End of Act II of mainpiece a new Comic Dance, The Market [on 28 Oct., and thereafter, entitled The Market-Day], by Hamoir and Mrs Sutton; In afterpiece, as17851018

1910
30 December 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Hurly-Burly

1911
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

1912
29 May 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Waterman

1913
21 July 1786 @ Haymarket Theatre

Performances

Mainpiece Title: The First Part Of King Henry Iv, With The Humours Of Sir John Falstaff

Afterpiece Title: Gretna Green

1914
15 November 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Richard Coeur de Lion

1915
30 December 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin's Invasion

1916
30 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: The Beaux Stratagem; Or, Humours Of The Litchfield Landlord

Afterpiece Title: The Virgin Unmask'd; or, An Old Man Taught Wisdom

Song: As17870326

1917
07 June 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Irish Widow

Dance: End: Hornpipe-Johnston; End I afterpiece: The Irish Fair, as17870525

1918
26 March 1788 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Apprentice

Song: II: a new comic song (1st time), Four@and@twenty Periwigs all on a Row-Edwin

Entertainment: Monologue. End: The Kensington Stage; or, The Fatigues of a Long Journey (a Comical, Poetical Description)-Edwin

1919
25 April 1788 @ Covent Garden

Performances

Mainpiece Title: Rosina

Afterpiece Title: Barnaby Brittle

Afterpiece Title: The Irish Widow

Entertainment: End I, end 1st piece: those Dramatic Imitations-Mrs Wells [of which the Public have deigned to think so flatteringly; In the First Part: Traits of Tragic Comic and Vocal Characters-; The Second will conclude: a Scene from Two great Tragic Actresses of this Country-. [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).

1920
23 May 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: High Life below Stairs

Dance: As17880313

Song: End III: Ma chere Amie-Dignum

1921
27 June 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Son-in-law

Afterpiece Title: Peeping Tom

Dance: End 1st piece: a new Comic Dance, January and May-Byrn, Ratchford, Mrs Goodwin

1922
20 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Blade Bone; or, Agreeable Companion

Afterpiece Title: A Quarter of an Hour before Dinner

Entertainment: Monologue Preceeding 1st piece: A Touch of the Times; or, The Humours of London-Bannister Jun

1923
20 April 1789 @ Covent Garden

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Peeping Tom

Song: End: a new comic song, Four@and@Twenty Periwigs all on a Row-Edwin

1924
19 May 1789 @ Covent Garden

Performances

Mainpiece Title: More Ways Than One

Afterpiece Title: Tom Thumb

Dance: As17890113

Song: End: Comic Song-Edwin

1925
31 July 1789 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Portrait

Entertainment: Imitations End: Theatrical Imitations Serious, Comic, Vocal, and Rhetorical,-Rees; Duologue End afterpiece: Hobby@Horses Describing the Statesman's Hobby, the Ladies' Hobby, the Lawyer's Hobby, the Physician's Hobby, the Manager's Hobby, and R. Palmer's own Hobby,-R. Palmer, Iliff