Search

Toggle Sphinx Query

SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Paradise Transplanted and Restored in a most Artfull and Lively Representation of The several Creatures Plants Flowers and other Vegetables in their full growth shape and colour Shown at Christopher Whiteheads at the two wreathed Posts in Shooe Lane London"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

Result Options

Download:
JSON XML CSV

Search Filters

New Search

1889 results for: Title - Paradise Transplanted and Restored in a most Artfull and Lively Representation of The several Creatures, Plants, Flowers, and other Vegetables in their full growth, shape and colour: Shown at Christopher Whiteheads at the two wreathed Posts in Shooe-Lane, London

1501
08 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

1502
29 October 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

1503
05 November 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Gentle Shepherd

Song: Mainpiece: With the original Music composed by Matthew Locke, with full Chorusses and additional Accompaniments, by Bannister, Williams, Chaplin, Fawcett, Holcroft, Phillimore, Helme; Miss Simson, Miss Barnes, Mrs Love, Mrs Booth, Mrs Granger, the Miss Stageldoirs, Miss Collett

1504
12 November 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Spendthrift; Or, The Female Conspiracy

Afterpiece Title: The Romp

Song: End of Acts II and in of mainpiece two favourite airs by Mrs Cox (1st appearance.)

Monologue: 1781 11 12 End of Act IV of mainpiece Shuter's Post Haste Observations on his Journey to Paris by Dutton

1505
10 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Wife's Relief; Or, The Husband's Cure

Afterpiece Title: The London Cuckolds

Dance: As17820409

1506
12 April 1782 @ Covent Garden

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The London Cuckolds

Dance: As17820409

Song: End of Act II of mainpiece Auld Robin Grey, as17820409

1507
18 April 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: As17820219 throughout

Song: In Act II two new songs by Sga Allegranti, one of which composed by Giardini

1508
17 May 1782 @ Covent Garden

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: All the World's a Stage

Dance: End of mainpiece a new pantomimical Dance, Anticipation; or, Harlequin's Visit to Greenwich on Whit-Monday, in which will be introduced two favorite Scenes from Harlequin Skeleton. The Pantomime Parts by W. Bates, Baker, Jones, Stevens; Miss Matthews; the Dance by Aldridge, Langrish, Miss Matthews, Miss Besford

Song: End of Act IV of mainpiece, as17820423; End of Dance Rule Britannia by Darley

1509
16 October 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, at all subsequent performances.]

1510
19 November 1782 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Devil upon Two Sticks

1511
21 November 1782 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Devil upon Two Sticks

1512
22 November 1782 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Devil upon Two Sticks

1513
11 January 1783 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Devil upon Two Sticks

Dance: As17821231

1514
11 January 1783 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821130; End of Act II an entirely new Ballet (1st time; composed by Lepicq), he Tuteur Trompl; or, The Guardian Outwitted, by Lepicq, Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, with two Pas de Basque by Mlle Theodore

1515
13 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Le Tuteur Trompe, as17830111, with two Pas de Deux, in a stile entirely new, called Pas de Lapons; or, Laplanders' Dance, by Slingsby and Mlle Theodore; End of Act II a new Pastoral Ballet by the principal Dancers, with a variety of Pas Seuls and a Pas de Deux by Slingsby and Mlle Theodore, and to conclude with a Grand Allemande by Lepicq, Mme Rossi, Slingsby, Mlle Theodore

1516
15 February 1783 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Devil upon Two Sticks

1517
22 March 1783 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: THE DEVIL UPON Two Sticks

1518
01 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II an entirely new ballet, composed by Simonet, Le Dejeuner Espagnol, in Part I of which Sento ch' in Seno by Giordani, sung by Miss Theresa Simonet, only 8 years old, and who will dance a Minuet with her Father, and in Part II the Minuet de la Cour by Lepicq and Mme Simonet, a Gavotte by Henry and Mlle Theodore, a Chaconne, composed by Simonet, by Miss Theresa Simonet, a Fandango and two Pas Seuls, both as17830410; End of Opera Let Ruses de l'Amour, originally composed by Noverre, by Lepicq, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, in which Mme Simonet, in Man's Cloaths, will dance a Pas de Deux, incident to the Ballet, with Mlle Theodore, and another ballet, Les Caprices de Galatee, with Mlle Baccelli. The part of Cupid in the above Ballet by Miss De Camp, daughter to the celebrated Flute Player of that Name

Song: New set of Airs, as17830306athi

1519
15 May 1783 @ Covent Garden

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Devil upon Two Sticks

1520
28 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

1521
09 October 1783 @ Covent Garden

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Rival Knights

Afterpiece Title: The Devil upon Two Sticks

1522
25 November 1783 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Devil upon Two Sticks

1523
20 December 1783 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Devil upon Two Sticks

1524
22 March 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The English Merchant

Afterpiece Title: The Lying Valet

Monologue: 1784 03 22 End of 2nd piece Shuter's Post-haste Observations on his Journey to Paris by Dutton

1525
13 April 1784 @ Covent Garden

Performances

Mainpiece Title: The Two Gentlemen Of Verona

Afterpiece Title: The Rival Knights

Afterpiece Title: Tom Thumb

Song: In Act V of mainpiece A Frightened Song by Quick

Monologue: 1784 04 13 End of mainpiece a new Occasional Address spoken by Quick, riding on an Elephant