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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Rival Queens With The Death Of Alexander The Great"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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1956 results for: Title - The Rival Queens: With The Death Of Alexander The Great

101
28 November 1739 @ Covent Garden

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scotland

Afterpiece Title: The Mock Doctor

Dance: II: Comic Ballet-Villeneuve, Miss Oates; IV: Faithful Lovers-Desse, Miss Oates; V: Grand Ballet-Glover, the Younger Mlle Roland

102
04 February 1742 @ Covent Garden

Performances

Mainpiece Title: Albion Queens; Or, The Death Of Mary Queen Of Scotland

Dance: As17420125, but Chacone=-_

103
17 October 1743 @ Covent Garden

Performances

Mainpiece Title: Albion Queens; Or, The Death Of Mary, Queen Of Scotland

Afterpiece Title: The Mock Doctor

104
05 April 1750 @ Covent Garden

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: The Maid of the Mill; or, The Country Revels

Afterpiece Title: Judgment of Paris

105
13 May 1766 @ Covent Garden

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: Perseus and Andromeda

106
28 November 1766 @ Covent Garden

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: Harlequin Dr Faustus

107
31 July 1767 @ Haymarket Theatre

Performances

Mainpiece Title: Alexander; Or, The Rival Queens

Afterpiece Title: A Duke and no Duke

Dance: As17670729 but Italian Peasant-Dulm ($Neville)

108
28 March 1769 @ Covent Garden

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: The Walking Statue; or, The Devil in the Wine Cellar

Dance: End: The Irish Lilt, as17680930

109
16 April 1773 @ Covent Garden

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Afterpiece Title: A Trip to Scotland

Entertainment: Epilogue End: (By Particular Desire) New Occasional Epilogue-Mrs Bulkley

Dance: Minuet-Aldridge, Mrs Bulkley (playbill) Fisher, Mrs Bulkley (Public Advertiser)

110
20 May 1779 @ Covent Garden

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Albion Queens; or, The Death of Mary Queen of Scots

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Comus

111
19 April 1780 @ Covent Garden

Performances

Mainpiece Title: The Volunteers; Or Taylors To Arms

Afterpiece Title: The Double Gallant

Afterpiece Title: The Rival Queans; or, The Life and Death of Alexander the Little

Dance: End IV: As17791013

112
22 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Catch Club [i

Afterpiece Title: Gretna Green

Afterpiece Title: Look before You Leap

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer

113
09 February 1798 @ Covent Garden

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: The Poor Sailor; or, Little Bob and Little Ben

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

114
05 April 1701 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rival Queens

115
25 April 1702 @ Chelsea College

Performances

Mainpiece Title: Concert

Music: Mr Abell's new Consort of English Musick-; [composed on the Royal Subject [the Queen's Coronation]: With other Songs in several Languages-; accompanied-the greatest Masters [of Instrumental Musick

116
12 August 1703 @ Richmond Wells

Performances

Mainpiece Title: Concert

Music: A great Consort of Musick-; several new songs-Mr Elford, Mr Weldon all compos'd on purpose for this Entertainment by the said Mr Weldon; Some of the Songs to be accompanied by a Flute-Mr Peasable; and a new Symphony for a Flute and a Violin-Mr Peasable, the Famous Signior Gasparini; who will perform several Italian Sonatas-Mr Peasable; accompanied-Mr Depar; and other great Symphonies-the best Masters

117
13 June 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rival Queens

Song: Songs by Henry Purcell-Leveridge

Music: Vocal and Instrumental Music Essential to the Play-

Dance: duRuel, Mrs duRuel, Cherrier, others

118
02 May 1706 @ Queen's Theatre

Performances

Mainpiece Title: The Rival Queens

Song: With all the Comical Songs and Dialogues that were perform'd in Wonders in the Sun-; particularly the Fop Song-Pack in Imitation of Italian

Dance: Dances-

119
30 December 1706 @ Queen's Theatre

Performances

Mainpiece Title: The Rival Queens

120
22 January 1707 @ Queen's Theatre

Performances

Mainpiece Title: The Rival Queens

121
11 March 1708 @ Drury Lane Theatre

Performances

Mainpiece Title: King Henry The Eighth; With The Divorce Of Queen Katherine, The Fall Of Cardinal Wolsey, And The Birth Of Queen Elizabeth

122
13 April 1708 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rival Queens

123
11 February 1709 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rival Queens

124
05 April 1709 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rival Queens

125
19 September 1709 @ Hampstead

Performances

Mainpiece Title: Concert

Music: Several Celebrated Songs, Comic Dialogues by the late Mr Henry Purcel, other great English Masters, for 1, 2 and 3 voices; the whole, as it will be perform'd, and by whom, in our great Bills to which we refer-