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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Paradise Transplanted and Restored in a most Artfull and Lively Representation of The several Creatures Plants Flowers and other Vegetables in their full growth shape and colour Shown at Christopher Whiteheads at the two wreathed Posts in Shooe Lane London"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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1889 results for: Title - Paradise Transplanted and Restored in a most Artfull and Lively Representation of The several Creatures, Plants, Flowers, and other Vegetables in their full growth, shape and colour: Shown at Christopher Whiteheads at the two wreathed Posts in Shooe-Lane, London

101
07 January 1743 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Devil to Pay

Dance: I: The English Sailor-Taylor; II: Two Millers and Courtesan-Three Graniers; III: The Sabatiers-LaPierre; IV: The Welch Buffoon-two Masters Granier; V: Comic Ballet-Mr Carney, Mrs Roland, Mr Pelling, Mr Granier, Mrs Vallois, Miss Scott

102
23 August 1743 @ Bartholomew Fair

Performances

Mainpiece Title: The Triumphant Queen Of Hungary; Or, The French Defeated; With A Lively Representation Of His Britannick Majesty's Conquest At Dettingen

Afterpiece Title: The Wanton Maid; or, Lover Outwitted; with Tricks of Harlequin

Dance: JJockey Dance-Adams

103
16 April 1744 @ Covent Garden

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lottery

Dance: Several entertainments-LaLauze (being his first attempt of that kind these two years); particularly: II: The Amorous Swain; or The Rival Nimphs-Lalauze, Mlle Bonneval, Mrs Delagarde; III: Serious Dance-Cooke; IV: Les Jardiniers Suedois-Lalauze, Mlle Domitilla, Cooke, Mlle Bonneval; (By Desire) after Farce:, a Ball Dance call'd The Louvre,concluding with a Minuet-Lalauze, Lalauze's a boy scholar, Mlle Bonneval

Song: V: To Arms, Britons Strike Home-Leveridge, Beard, Reinhold, Bencraft

104
28 October 1745 @ Goodman's Fields

Performances

Mainpiece Title: Massacre At Paris

Afterpiece Title: The Devil to Pay

Song: Blogg, Barlow, Waters, Mrs Phillips, Mrs Williamson, Mrs Cushing

Dance: the two Mhe two Masters, Miss Granier

105
19 April 1760 @ Covent Garden

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Miller of Mansfield

Dance: II: By Particular Desire, Mr Parry will play on the Harp

Entertainment: Several New Equilibres on the Wire-Saunders Particularly he will balance two straws, one across the other with an egg in the center; he will Ring 6 Bells on the Wire, and play on Divers Instruments of Music, particularly, (by Desire) the Guitar, while balancing the Straw

106
24 July 1760 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: La Serva Padrona

Song: Before the burletta begins: several new songs-Sga Seratina, the rest of the performers will sing several new songs in the orchestra, and by particular Desire a Trio

107
21 March 1768 @ Covent Garden

Performances

Mainpiece Title: The Good Natured Man

Afterpiece Title: Midas

Entertainment: III: By Particular Desire, Shuter will entertain with his Whimsical Observations in a Post Haste Journey to Paris-Shuter; Following the Afterpiece, The Cries of London with Additions-Shuter

Dance: End: The Irish Lilt, as17670921

108
01 May 1769 @ Covent Garden

Performances

Mainpiece Title: King Lear

Afterpiece Title: Harlequin Dr Faustus

Entertainment: IV: THE CRIES OF LONDON-Shuter; End: Post Haste OBSERVATIONS on a Journey to Paris-Shuter

109
01 May 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Padlock

Song: End: Several Catches and Glees, part of which will be entirely New, Composed-Dibdin, for that evening, and Part selected from the most admired Composers

Dance: The Sailors Revels, as17711008

110
28 March 1775 @ Covent Garden

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Two Misers

Dance: I: The Frolick, as17741214

Entertainment: End Act III: The Cries of London-Shuter; End: an Epilogue, riding on an Ass-Shuter; After the Farce: (by Particular Desire) Observations in his Post Haste Journey to Paris-Shuter (playbill)

111
17 April 1779 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Touchstone

Song: End II: several of the newest and most approved Catches and Glees (selected from the invaluable Collection of the Noblemen's and Gentlemen's Catch-Club)-Reinhold, Vernon, Champness, R.? Smith, Webb, Reynoldson, Simpkinson, Leoni, assisted by several other of the most eminent Performers

112
19 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Wife's Relief

Afterpiece Title: The Country Mad-Cap

Dance: End of Catches and Glees, as17811101

Song: End of Act II of mainpiece Auld Robin Grey, as17820409; End of mainpiece several much admired Catches and Glees by the most Eminent Performers

113
08 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II Les Ruses de l'Amour (performers not listed, but see17830501), in which two Pas de Deux, as17830501, Sequedilla and Fandango, as17830410, and a Minuet and Gavotte, of her own composing, by Mlle Theodore; End of Opera an entire new Ballet, Tragi-Comic, La Dame Bienfaisante (performers not listed) [Public Advertiser, 10 May: composed by Lepicq], the story taken from a French Opera, the music by Floquet, with two Pas Seuls, as17830410

Song: New set of Airs, as17830306athi

114
27 April 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Eliza

Music: End of Act I a new concerto obligato for two French Horns (composed by Barthelemon) by the two young Leanders, and a concerto on the piano forte by Miss Barthelemon, accompanied on the viola d'amore by Barthelemon; After the singing a concerto on the violin, as17840303athi

Song: End of Act II a favourite Italian duetto (composed by Gazzaniga) by Mrs and Miss Bathelemon

115
06 March 1786 @ Haymarket Theatre

Performances

Mainpiece Title: Tamerlane The Great

Afterpiece Title: The Mayor of Garratt

Dance: After the Imitations, The Dwarf Dance by Powel

Song: Between the acts of mainpiece several Catches and Glees by some of the principal performers in London. imitations. End of mainpiece Imitations, Vocal and Rhetorical, by Decastro

116
04 April 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Romp

Song: In 2nd piece several capital Catches and Glees, selected from the most eminent Masters; The celebrated Anacreontic Song by Bannister; an Imitative Song by Bannister Jun

117
08 December 1787 @ King's Theatre

Performances

Mainpiece Title: Il Re Teodoro In Venezia; Or, Theodore (king Of Corsica) At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

118
05 June 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: All the World's a Stage

Dance: End III: New Dance taken from the Favourite Comic Opera of Gli Schiavi par Amore (recte per)-the two young D'Egvilles, Miss Blanchet, Miss DeCamp; End: a new dance, The Comic Concert, in which will be introduced The Devonshire Reel, Jack Tar's Delight-the two young D'Egvilles, Miss D'Egville, Miss Blanchet, Miss DeCamp

119
10 January 1789 @ King's Theatre

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: a New Divertissement-Didelot, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Normand; End Opera: L'Embarquement pour Cythere [composed by Didelot]-Didelot, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand

120
18 May 1791 @ Covent Garden

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Union; or, St

Dance: Afterpiece conclude: Highland Fling-the Scotch Characters

Song: End II: Black Eyed Susan-Incledon

Music: In afterpiece: will be introduced the Highland Competition Prizeexactly as represented annually in the City of Edinburgh,-McLane, McGregor, McTavish; several Strathpays, Laments, Pebruchs-several other celebrated Pipers

Entertainment: Monologue End: Epilogue (riding on an Ass,)-Wilson

121
25 May 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Island of St

Dance: End II: La Fete Marine- [see17910520]; End: a new Dance, Cupid Recruiting[; or, The Female Volunteer-; La Cossaque et Le Pas Russe-the two young D'Egvilles, the two Miss Blanchards, Miss D'Egville, Miss DeCamp

122
24 October 1791 @ Haymarket Theatre

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Taste; or, Diversion in the Morning

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

123
06 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor; or, British Heroism

Afterpiece Title: Tom Thumb

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

124
26 June 1705 @ Drury Lane Theatre

Performances

Mainpiece Title: The Northern Lass

Song: In: the Songs new set by Mr Clark-Mrs Cross who both sings and dances several times; Singing in Italian-Mrs Tofts; Leveridge, Hughes, Mrs Lindsey, the new Boy; including comical dialogues, two/part songs-

Dance: Cherrier, Mrs Moss, others; in the play: Mrs Cross

125
14 July 1705 @ Richmond Wells

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; with several three/part songs composed by Eccles and performed before the Queen on her birthday-; A Purcell two/part song never printed or performed in public-; Violin solos-a pupil of Gasperini who never performed in public before