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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Comic Lectures"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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1211 results for: Title - Comic Lectures

1176
14 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Peasant Metamorphosis

Afterpiece Title: The Deserter

Dance: In 1st ballet, by Duquesney and the two Miss Simonets; After the Singing, Hornpipe by Baptist and a Comic Dance by Delpini

Song: End of 1st ballet a Serio-Comic Italian Song by Delpini. imitations. After the Dancing, as17850207

1177
21 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Rival Clowns

Afterpiece Title: The Deserter

Dance: 1st ballet with a Dance by Duquesney and the two Miss Simonets; to conclude with a Comic Allemande by Baptist, Mme Dagville, Delpini. vaudeville. End of 1st ballet Imitations as17850207, with several Deceptions, with Cards, by Baptist, Interpreter to Pinetti

1178
07 March 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fox

Afterpiece Title: The Critic

Dance: End of mainpiece a new Comic Dance by Mills and the Miss Stageldoirs

1179
16 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Feast Of Thalia; Or, A Dramatic Olio

Afterpiece Title: First Course, an Operatic Dish: The Dead Alive

Afterpiece Title: Second Course, a Comic Dish: More Frighten'd than Hurt

Afterpiece Title: a Desert: The Honest Yorkshireman

Monologue: 1785 08 16 End of Second Course, by way of Entremet, Joe Haynes's Epilogue, riding on an Ass, by Wilson

1180
24 October 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Caldron

Dance: End of Act II of mainpiece a new Comic Dance, The Market [on 28 Oct., and thereafter, entitled The Market-Day], by Hamoir and Mrs Sutton; In afterpiece, as17851018

1181
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

1182
26 March 1788 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Apprentice

Song: II: a new comic song (1st time), Four@and@twenty Periwigs all on a Row-Edwin

Entertainment: Monologue. End: The Kensington Stage; or, The Fatigues of a Long Journey (a Comical, Poetical Description)-Edwin

1183
25 April 1788 @ Covent Garden

Performances

Mainpiece Title: Rosina

Afterpiece Title: Barnaby Brittle

Afterpiece Title: The Irish Widow

Entertainment: End I, end 1st piece: those Dramatic Imitations-Mrs Wells [of which the Public have deigned to think so flatteringly; In the First Part: Traits of Tragic Comic and Vocal Characters-; The Second will conclude: a Scene from Two great Tragic Actresses of this Country-. [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).

1184
27 June 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Son-in-law

Afterpiece Title: Peeping Tom

Dance: End 1st piece: a new Comic Dance, January and May-Byrn, Ratchford, Mrs Goodwin

1185
22 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Catch Club [i

Afterpiece Title: Gretna Green

Afterpiece Title: Look before You Leap

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer

1186
20 April 1789 @ Covent Garden

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Peeping Tom

Song: End: a new comic song, Four@and@Twenty Periwigs all on a Row-Edwin

1187
19 May 1789 @ Covent Garden

Performances

Mainpiece Title: More Ways Than One

Afterpiece Title: Tom Thumb

Dance: As17890113

Song: End: Comic Song-Edwin

1188
22 May 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Dance: In Afterpiece: a Fandango-Miss DeCamp; Dances-Hamoir, Bourk, Miss Blanchet, Miss Stageldoir; conclude with: Dance of Furies-; Shower of Fire-

Entertainment: Monologue Preceding: The Lecture on Heads (for this night only)-Palmer

1189
31 July 1789 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Portrait

Entertainment: Imitations End: Theatrical Imitations Serious, Comic, Vocal, and Rhetorical,-Rees; Duologue End afterpiece: Hobby@Horses Describing the Statesman's Hobby, the Ladies' Hobby, the Lawyer's Hobby, the Physician's Hobby, the Manager's Hobby, and R. Palmer's own Hobby,-R. Palmer, Iliff

1190
11 November 1789 @ White Horse Inn, Parsons Green, Fulham

Performances

Mainpiece Title: The Foundling; Or, Virtue Rewarded

Afterpiece Title: The Deuce is in Him

Afterpiece Title: The Shipwreck; or, Walking Statue

Dance: End: a comic dance, The Affrighted Dwarf; or, Whimsical Transformation into Mad Moll-Blandford

Entertainment: Monologues. End I: Epilogue-Somebody in the Character of Nobody; End II: British Loyalty; or, A Squeeze for St. Paul's, will be introduced the characters of a Fide Lady? a Beau, an Irishman, a Scotchman, a Welshman, a Jew, an Old Man, and a British Sailor-Randall

1191
08 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In Many Masks

Afterpiece Title: The Deaf Lover

Dance: End: a new Comic Dance, The Elopement; or, Marriage-a-la-Mode-the young D'Egvilles, Miss Blanchet, Miss DeCamp

1192
18 August 1790 @ Haymarket Theatre

Performances

Mainpiece Title: Gretna Green

Afterpiece Title: The Liar

Afterpiece Title: The Virgin Unmask'd

Entertainment: End I 2nd piece: Tragic Imitations-Mrs Wells; End II: Comic and Vocal Imitations-Mrs Wells; End play: Favourite Speech the "ring" speech in IV.ii from Isabella-Mrs Wells

1193
10 May 1791 @ Covent Garden

Performances

Mainpiece Title: National Prejudice

Afterpiece Title: The Poor Soldier

Entertainment: Imitations End II: (for that Night only some) Comic Imitations-Mrs Wells; End: instead of an Epilogue, some Tragic Imitations-Mrs Wells

1194
28 April 1792 @ Covent Garden

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Robin Hood

Entertainment: Monologues Preceding: [a New Address, She Couldn't Help It-[by Harley]; End: Collins's Ode on the Passions-Mrs Esten; [Imitations End II: Dramatic Imitations [Comic, Vocal and Tragic,-Mrs Wells

1195
18 May 1792 @ Covent Garden

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Comus

Dance: As17920410

Song: End II 1st piece: a new Comic Song, The Ups and Downs of Life-Munden; in 3rd piece: Give me Wine rosy Wine, Nor on beds of fading flowers-Incledon

1196
05 September 1792 @ Haymarket Theatre

Performances

Mainpiece Title: A Mogul Tale

Afterpiece Title: Peeping Tom

Afterpiece Title: The Agreeable Surprise

Entertainment: Monologue End 2nd piece: a Serio, Comic, Poetic Paraphrase on Shakespear's Seven Ages-King; End 3rd piece: Occasional Farewell Address-Mrs Bannister

1197
07 June 1793 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's The Beaux Stratagem

Afterpiece Title: The Cheats of Scapin

Dance: End IV: Le Pas Russe, as17930531; End: a New Comic Dance composed by D'Egville-the young D'Egvilles, Miss Phillips

1198
10 June 1793 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's The Foundling

Afterpiece Title: The Quaker

Dance: End: New Comic Dance, as17930607 but Miss _Phillips

1199
13 May 1794 @ Covent Garden

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: THE PACKET-BOAT; or, A Peep behind the Veil

Afterpiece Title: BRITISH FORTITUDE AND HIBERNIAN FRIENDSHIP

Monologue: 1794 05 13 End of Act I of 1st piece A Plague on both your Houses; or, A Peep into New Drury and Covent-Garden Theatres, to conclude with a Comic Song, in the Character of an Old Woman of Eighty, by Munden

1200
20 April 1798 @ Covent Garden

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Waterman

Afterpiece Title: Retaliation; or, The Citizen a Soldier

Song: In course: by permission of Dibdin, Old England's tree of Liberty-Taylor; a new Comic Song, Patents all the Rage-Munden