SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "He Country Lasses"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Lyar

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The First Floor

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Sultan

Dance: As17870215

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Country Wife

Dance: End: a new Dance, The Indian's Ransom-Byrn, others

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Sultan

Dance: End: a new Dance, The Village Archers-Ferrere, Miss Fuse

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Alchymist

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Double Disguise

Music: Afterpiece: Overture by Shield-; Duett on Two Flutes-Mr Forster

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Distress'd Baronet

Dance: End II: As17870113; I: a Country Dance (incident to the [main]piece)-

Song: [Kelly introduced a song, Love thou maddening power, and a duet, Each joy in thee possessing, neither one listed on playbill. Both were composed by Gluck, and both had English words by Elizabeth Sheridan (Kelly, I, 301-2)]

Performances

Mainpiece Title: The Country Attorney

Afterpiece Title: Harvest Home

Performances

Mainpiece Title: The Country Attorney

Afterpiece Title: The Siege of Curzola

Dance: As17870702

Performances

Mainpiece Title: The Country Attorney

Afterpiece Title: The Romp

Performances

Mainpiece Title: The Country Attorney

Afterpiece Title: The Son-in-Law

Performances

Mainpiece Title: The Country Attorney

Afterpiece Title: The Golden Pippin

Performances

Mainpiece Title: The Country Attorney

Afterpiece Title: English Readings

Afterpiece Title: The Son-in-Law

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: High Life below Stairs

Dance: In afterpiece: a Mock Minuet-R. Palmer, Miss Pope. [This was danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The First Floor

Dance: End II: As17870920; I: Country Dance incident to the Piece-

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Virgin Unmask'd

Dance: End: As17870920

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Richard Coeur de Lion

Dance: In III afterpiece: Dance-the two young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Englishman in Paris

Dance: I: a Country Dance, as17870927; End II: The Capricious Lovers, as17870920; In afterpiece: The Minuet de la Cour, as17871006

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The First Floor

Performances

Mainpiece Title: Rosina

Afterpiece Title: Barnaby Brittle

Afterpiece Title: The Irish Widow

Entertainment: End I, end 1st piece: those Dramatic Imitations-Mrs Wells [of which the Public have deigned to think so flatteringly; In the First Part: Traits of Tragic Comic and Vocal Characters-; The Second will conclude: a Scene from Two great Tragic Actresses of this Country-. [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: The Nunnery

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End I 1st piece: Oh say Bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr

Entertainment: Monologue. End II 1st piece: A Description of the Curiosities in the Tower-Edwin