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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Two Anthems"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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927 results for: Title - Two Anthems

701
10 May 1779 @ Covent Garden

Performances

Mainpiece Title: Illumination

Afterpiece Title: Amphitryon; or, The Two Sosias

Afterpiece Title: The Touchstone

Monologue: In IV: Masque of Singing and Dancing. Plutus-Reinhold; Wit-Miss Valois

702
01 July 1779 @ Haymarket Theatre

Performances

Mainpiece Title: Summer Amusement; Or, An Adventure At Margate

Afterpiece Title: Piety in Pattens

Dance: Mainpiece: With Two New Dances-(see17790705

703
13 August 1779 @ Haymarket Theatre

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Flitch of Bacon

Dance: As17790610

704
18 October 1779 @ Haymarket Theatre

Performances

Mainpiece Title: The Touchstone Of Invention; Or, The Soldier's Fortune

Afterpiece Title: Henry And Emma

Afterpiece Title: The Busy Body

Dance: 2nd piece: With a Hornpipe-Lonsdale

Song: End I: two part song, Damon and Clora-Leach, Miss Mitchell (1st appearance); End III: My sweet pretty Mogg-Wright

705
17 December 1779 @ Covent Garden

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Two Misers

Dance: End I: The Dockyard, as17791204; V: a Dance of Foresters-Dagueville

706
12 April 1780 @ Covent Garden

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: The Spaniards Dismayed

Afterpiece Title: Poor Vulcan

Song: IV: Interlude between Plutus and Wit-Reinhold, Miss Morris

Dance: End 2nd piece: As17800401; IV: an Interlude between Plutus and Wit-Reinhold (Plutus), Miss Morris (Wit); with a masque of Singing and Dancing-

707
11 September 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Genius of Nonsense

708
21 June 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Dead Alive

709
29 October 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

710
12 November 1781 @ Haymarket Theatre

Performances

Mainpiece Title: The Spendthrift; Or, The Female Conspiracy

Afterpiece Title: The Romp

Song: End of Acts II and in of mainpiece two favourite airs by Mrs Cox (1st appearance.)

Monologue: 1781 11 12 End of Act IV of mainpiece Shuter's Post Haste Observations on his Journey to Paris by Dutton

711
01 March 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Coronation Anthems

Music: End of Part I concerto on the violoncello by Crosdill; End of Part 11 concerto on the bassoon by Schwartz (One of the Chamber Musicians to the Margrave of Anspach; 1st time of his performing in public in England)

712
18 April 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: As17820219 throughout

Song: In Act II two new songs by Sga Allegranti, one of which composed by Giardini

713
17 May 1782 @ Covent Garden

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: All the World's a Stage

Dance: End of mainpiece a new pantomimical Dance, Anticipation; or, Harlequin's Visit to Greenwich on Whit-Monday, in which will be introduced two favorite Scenes from Harlequin Skeleton. The Pantomime Parts by W. Bates, Baker, Jones, Stevens; Miss Matthews; the Dance by Aldridge, Langrish, Miss Matthews, Miss Besford

Song: End of Act IV of mainpiece, as17820423; End of Dance Rule Britannia by Darley

714
16 October 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, at all subsequent performances.]

715
19 November 1782 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Devil upon Two Sticks

716
21 November 1782 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Devil upon Two Sticks

717
22 November 1782 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Devil upon Two Sticks

718
11 January 1783 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Devil upon Two Sticks

Dance: As17821231

719
11 January 1783 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821130; End of Act II an entirely new Ballet (1st time; composed by Lepicq), he Tuteur Trompl; or, The Guardian Outwitted, by Lepicq, Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, with two Pas de Basque by Mlle Theodore

720
13 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Le Tuteur Trompe, as17830111, with two Pas de Deux, in a stile entirely new, called Pas de Lapons; or, Laplanders' Dance, by Slingsby and Mlle Theodore; End of Act II a new Pastoral Ballet by the principal Dancers, with a variety of Pas Seuls and a Pas de Deux by Slingsby and Mlle Theodore, and to conclude with a Grand Allemande by Lepicq, Mme Rossi, Slingsby, Mlle Theodore

721
15 February 1783 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Devil upon Two Sticks

722
14 March 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: The Coronation Anthems

Music: End of Part II of oratorio concerto on the organ by Stanley

723
22 March 1783 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: THE DEVIL UPON Two Sticks

724
28 March 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Coronation Anthems

Music: As17830319athi

725
01 May 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II an entirely new ballet, composed by Simonet, Le Dejeuner Espagnol, in Part I of which Sento ch' in Seno by Giordani, sung by Miss Theresa Simonet, only 8 years old, and who will dance a Minuet with her Father, and in Part II the Minuet de la Cour by Lepicq and Mme Simonet, a Gavotte by Henry and Mlle Theodore, a Chaconne, composed by Simonet, by Miss Theresa Simonet, a Fandango and two Pas Seuls, both as17830410; End of Opera Let Ruses de l'Amour, originally composed by Noverre, by Lepicq, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, in which Mme Simonet, in Man's Cloaths, will dance a Pas de Deux, incident to the Ballet, with Mlle Theodore, and another ballet, Les Caprices de Galatee, with Mlle Baccelli. The part of Cupid in the above Ballet by Miss De Camp, daughter to the celebrated Flute Player of that Name

Song: New set of Airs, as17830306athi