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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Music"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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664 results for: Title - Music

501
24 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

502
02 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

Song: In mainpiece: The Original Music by Matthew Locke, with additional Accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Miss Phillips, Miss Field, Mrs Love, Mrs Booth, Miss Barnes, Mrs Burnett, Miss Simson, Miss Cranford, Miss Burnett, Mrs Smith, the Miss Stageldoirs, Miss George, Mrs Wrighten. [This was sung, as here assigned, in all subsequent performances, except on 4 Feb.]

503
05 February 1785 @ King's Theatre

Performances

Mainpiece Title: Demetrio

Dance: End of Act I an entirely new Divertissement (composed by Lepicq; the music by Barthelemon) Il Convito degli Dei by Lepicq, Mme Rossi, Henry, Zuchelli, Mme Bithmer, Nivelon, Mlle Dorival; End of Opera The Deserter, as17850122

504
11 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Music That Was Selected For The Commemoration Of Handel, In Westminster Abbey And The Pantheon, The 26th And 27th Of May, 1784

505
12 March 1785 @ King's Theatre

Performances

Mainpiece Title: Nitteti

Dance: End of Act I Divertissement, as17850224; End of Opera an entirely new Ballet (composed by Lepicq; the music by Gluck); Convitato di Pietra by Lepicq, Mme Rossi, Sg and Sga Angiolini, Frederic, Nivelon, Mlle Dorival, in which a Pas de Trots; the Orchestra accompanied on the harp by Cardon

506
06 April 1785 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Musical Lady

Dance: In Act III of mainpiece Hornpipe by Miss Besford; After 2nd song, The Mountaineers, as17841201

Song: End of Act I of mainpiece The Sorrows of Charlotte at the Tomb of Werter (the music composed by Percy, and never before sung in public) sung in character by Miss Wheeler; End of mainpiece The Soldier tir'd of War's Alarms by Miss Wheeler

507
14 April 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Lyar

Song: Mainpiece: With the original Music, composed by the late Dr Arne; the Vocal Parts by Miss Phillips, Miss Field, Mrs Love, Mrs Booth, the Miss Stageldoirs, Miss Barnes, Mrs Burnett, Miss Simson, Miss Burnett, Miss Cranford, Mrs Smith, Miss George, Mrs Wrighten

508
01 October 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Humourist

Song: Mainpiece: With the original Music, composed by Matthew Locke, with full Chorusses and additional accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Mrs Crouch, Miss Field, Miss George, Mrs Wrighten

509
27 April 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I L'Amour Jardinier, as17860406, but added: With an additional Pas Seul by Mlle Mozon; End of Opera an entirely new Ballet, composed by D'Egville, La Fife Marine, in which La Provencale by Mlle Mozon; also a Pas de Trois to the favourite tune of Bon Andre taken from the French Comic Opera L'Epreuve Villageoise, the music by Gretry, performed by Vestris, Duquesney Jun., Mlle Baccelli; and to conclude with the Pas de SLuatre, so much admired in Paris, in the Opera called Pamrge, and got up here under the direction of Vestris, and performed by Vestris, Mlle Baccelli, Fabiani, Mlle Mozon. [In a review Morning Herald, 1 May, adds: Sequedilla by Miss De Camp and Master D'Egville.]

510
28 April 1786 @ Covent Garden

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: The April Fool

Dance: End of mainpiece The Piping Pedlar [performers not listed, but sec 12 Nov. 1785]

Song: End of Act I of mainpiece The Highland laddie (the Music by Dr Hayes) by Johnstone

511
05 December 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Catherine and Petruchio

Dance: II: a Dance of Spirits-Miss Stageldoir; III: a Dance of Fantastic Spirits-; IV: Dance-Hamoir, Miss Stageldoir

Song: The Music by Purcel and Dr Arne-; with the additional Airs and Chorusses by the late Linley Jun-; Vocal Parts-Williames, Danby, Fawcett, Alfred, Newbold, Mrs Love, Mrs Booth, Miss Barnes, Miss Cranford, Miss J. Stageldoir

512
06 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Seeing is Believing

Dance: End: a new Pastoral Dance, the music by Handel,-Byrn, Mrs Goodwin, Miss E. Simonet

513
03 November 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Sultan

Dance: As17871101

Song: Mainpiece: With the original Music-; composed by Matthew Locke, with full Chorusses and additional Accompaniments-Suett, Barrymore, Dignum, Danby, Fawcett, Chaplin, Mrs Forster, Miss Collett, Miss Romanzini, Mrs Crouch

514
10 March 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Bon Ton

Dance: End: The Lucky Return-Mills, Miss J. Stageldoir

Song: original Music, as17871103; Chorusses and additional Accompaniments, as17871103, but _Chaplin

Entertainment: Monologue After the Dancing: an Epilogue-Smith on his Intention of retiring from the Stage

515
15 May 1788 @ King's Theatre

Performances

Mainpiece Title: La Frascatana

Dance: End I: New Ballet, as17880426; with a Pas de Deux-Miss Harvey, Henry

Song: In opera: the Grand Quintetto (never performed in this Country)-; several beautiful parts of music as performed in the original Opera-

Ballet: End Opera: L'Amour et Psiche. As17880129, but Hymen-Henry in place of Chevalier; Graces Furies and Fates-Mlle _Vedie, Miss Harvey, _Jacolet, _Saulnier, _Sala; Didelot_; Coulon_

516
16 October 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: High Life below Stairs

Song: In: Original Music by Matthew Locke-; with full Chorusses and additional Accompaniments-Suett, Sedgwick, Dignum, Danby, Fawcett, Mrs Forster, Miss Romanzini, Miss Collett, Mrs Crouch

517
31 January 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Doctor and the Apothecary

Song: Original Music-; Chorusses and Accompaniments, as17881016, but _Fawcett, Miss _Collett

518
06 March 1789 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 [of Sacred Music From The Works Of handel, Chiefly Performed At westminster-abbey At The handel Commemoration, 26 May 1784]; Messiah

Afterpiece Title: The Coronation Anthem, God save the King

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violin-Mme Gautherot

519
20 March 1789 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: As17890227; End Part I: Concerto by Handel on organ-Greatorex

520
27 March 1789 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17890306

521
03 April 1789 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17890306

522
28 April 1789 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Admete-as17890402; in the course of which the celebrated Minuet of Iphigenia (performed with universal applause in Paris)-Mlle Guimard (1st appearance), Didelot; a new Pas de Deux Anacreontique (composed by Noverre)-Mlle Guimard, Didelot; End Opera: a new Pantomine Ballet, composed by Noverre, the music by Federici, Annette et Lubin-Mlle Guimard, Nivelon, Didelot, Mlle Emilie Colombe, Beaupre, Mlle Saulnier and see17890609

523
24 February 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection [of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the Piano Forte-Clementi

524
26 February 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

525
03 March 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17900224