SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Aesop select Scenes"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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Performances

Mainpiece Title: Demofoonte

Music: Between the 1st and 2nd Acts a sonata on the harpsichord by Clementi

Dance: End of Act II Friendship leads to Love, as17831206, but omitted: Lepicq; End of Opera he Reveil du Bonheur, as17840203

Song: Pacchierotti will conclude the 1st Act with an entire new scene by Sarti; In Act III a song, composed by Handel, by Pacchierotti

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Spanish Rivals

Dance: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss M. Stageldoir; End of Act III The Sportsmen's Return, as17840916

Song: In Masquerade, by Miss George

Performances

Mainpiece Title: The Music That Was Selected For The Commemoration Of Handel, In Westminster Abbey And The Pantheon, The 26th And 27th Of May, 1784

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: Some of the Pieces that were selected and performed for the Commemoration of Handel [&c

Music: As17850223

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Diversions of the Morning

Afterpiece Title: Lethe, -AEsop, Old Man, Mercury, Drunken Man, Charon, Bowman, Snip, Fine Gentleman, Frenchman, Lord Chalkstone to be performed, for that night only, by a Society of Gentleman; Mrs Riot-Mrs Dore

Monologue: 1785 04 25 Preceding the 1st piece an Address spoken by Brown

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Lying Valet

Dance: In Act I of mainpiece a Statute Scene with a Dance by the Characters; End of mainpiece Hornpipe by Wright

Performances

Mainpiece Title: The Sons Of Anacreon

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Genius of Nonsense

Song: In 1st piece capital Catches and Glees, selected from the most eminent Masters, with the celebrated Anacreontic Song by Bannister. imitations. End of 2nd piece, as17850726

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Song: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss Stageldoir, and Singing by Miss Field; End of Act III The Market-Day, as17851024

Performances

Mainpiece Title: Redemption (selected From The Great And Favourite Works Of Handel That Were Performed At His Commemorations In Westminster Abbey And At The Pantheon [on 26 And 27 May 1784])

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Romp

Song: In 2nd piece several capital Catches and Glees, selected from the most eminent Masters; The celebrated Anacreontic Song by Bannister; an Imitative Song by Bannister Jun

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Fool

Afterpiece Title: Hurly-Burly; or, Chiswick Fair

Dance: In Act IV of 1st piece a Masquerade Scene, with a Grotesque Dance by the Characters; Between the Acts Hornpipe by Wright

Song: Between the Acts of mainpiece, by Price and Miss Phillips

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Richard Coeur de Lion

Dance: In I: Masquerade Scene-(incident to the mainpiece)

Song: End IV: Juliet's Funeral Procession-; With the Solemn Dirge-; Vocal Parts-Johnstone, Cubitt, Brown, Darley, Pemberton, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Davenett, Miss Cranfield, Mrs Kennedy

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Dance: II: a Masquerade Scene-; with Dancing-Ferrere, Menage, Miss Stageldoir; End III: La Soiree Provencalle, as17870113

Song: II: Singing-Miss Romanzini [The Dancing was included, as here assigned, in all subsequent performances]

Performances

Mainpiece Title: Redemption 0 (selected From The Great And Favourite Works Of handel That Were Performed At His commemoration In Westminster Abbeyv And At The pantheon [on 26 And 27 May 1784])

Afterpiece Title: Redemption 1

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Winter's Tale

Afterpiece Title: The Cantabs

Song: II 2nd piece: Come come my good Shepherds-Mrs Martyr; In course Evening: Four@and@Twenty Fidlers-Edwin

Monologue: Vaudeville End 2nd Piece: A Scene in a Masque Ball , with an Illumination. Huntress-Mrs Martyr; Tantivy the welkin resounds-Mrs Martyr; Mad Tom-Darley; song-Johnstone; Highland Lad and Lass-Mrs Kennedy, Mrs Martyr; Say bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr; To conclude with a Grand Dance-

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Harvest Home

Dance: II: a Masquerade Scene-; with Dancing-

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Harlequin's Invasion

Dance: II: a Masquerade Scene with Dancing-Hamoir, Ferrere, Miss Stageldoir

Song: Hark! the Lark at Heaven's Gate sings-Dignum, Williames, Danby, Master Clarke

Performances

Mainpiece Title: Redemption 0 (selected From The Great And Favoprite Works Of handel That Were Performed At His commemoration In Westminster Abbeyv, And At The pantheon [on 26 And 27 May 1784])

Afterpiece Title: Redemption 1

Music: End II: a new concerto on the hautboy-Parke

Performances

Mainpiece Title: Rosina

Afterpiece Title: Barnaby Brittle

Afterpiece Title: The Irish Widow

Entertainment: End I, end 1st piece: those Dramatic Imitations-Mrs Wells [of which the Public have deigned to think so flatteringly; In the First Part: Traits of Tragic Comic and Vocal Characters-; The Second will conclude: a Scene from Two great Tragic Actresses of this Country-. [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Gnome

Song: Afterpiece: In the Covent-Garden Scene: (1st time) a Catch-Mathews, Chapman

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Aladin

Entertainment: Vaudeville In Irish Fair: [scene in afterpiece] [will be introduced (for the 1st time) a Sparring Match-Humphreys, another celebrated Pugilist [Death (London Chronicle 31 Dec.)]

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: Lethe; or, AEsop in the Shades

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Island of St

Dance: In II: Masquerade Scene, Minuet and Gavot-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Song: In II: Stevens's Glee, Sigh no more Ladies-Dignum, Sedgwick, Williames, Miss Hagley, Miss Romanzini

Performances

Mainpiece Title: Redemption, A Sacred Oratorio Selected From The Great And Favourite Works Of handel That Were Performed At His Commemoration, In westminster-abbey And At The pantheon On 26 And 27 May 1784 0; Messiah

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: As17900219

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3 Entirely selected from The Messiah

Music: As17900219