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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Better Late Than Never"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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362 results for: Title - Better Late Than Never

326
18 November 1775 @ Covent Garden

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Commissary

Dance: End Opera: A New Comic Dance (Never Performed)-Dagueville, Sga Vidini, Mas. Holland, Harris, Miss Mathews, Miss Ross, etc

327
27 April 1776 @ Covent Garden

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Irish Widow

Monologue: Interlude. Taken from The Register Office. End of Play, By Particular Desire and for that night only. The New Character-Mrs Gardener , her first appearance here these 2 years; Melpomene-Miss Francis

Entertainment: After Interlude: Epilogue-Lee Lewes in the character of Harlequin (Written by late Dr Goldsmith) which will conclude with an escape thro' the Tub, as in the Pantomime of Mother Shipton

Dance: End Epilogue: The Merry Sailors, as17760314

328
03 May 1776 @ Covent Garden

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: A Duke and no Duke

Dance: II: New Dance Call'd The Academy-; in which will be introduced the New Court Minuet, Rigadoon (never perform'd before)-Mas. Holland, Miss Armstrong; with a Minuet, Allemande-Mas. Dagueville, a Girl only 5 years old; to conclude with a new Cadrille-Sg and Sga Zuchelli, Dagueville, Sga Vidini; End: a New Dance call'd The Humours of the New@Market Races with all the usual performances,-Dagueville, Harris, Rudd, Mas. Holland, Miss Ross, Miss Armstrong, Sga Vidini; to conclude with the Pony Races-

329
04 May 1776 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Man of Quality

Dance: I: A Minuet-Holloway, Miss Cranfield; II: A Minuet-Dagueville, Mrs Masters (Daughter of the late Mr Lalauze)

330
07 April 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymon

Afterpiece Title: All the World's a Stage

Song: Several newairs (never performed) by Michael Arne-for the characters of Cymon and Sylvia, on this occasion

331
19 May 1778 @ King's Theatre

Performances

Mainpiece Title: L'amore Soldato

Dance: End I: Les Bohemiens, as17771216; End II: Serious Ballet, as17780120; End Opera: new Ballet Demi-caractere (never performed), L'Amour dans la Vendange-Mons and Mlle Banti, Sg and Sga Zuchelli

332
24 June 1778 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Irish Widow

Song: As17780529

Entertainment: Monologue End: The Cries of London (in Imitation of the late Mr Shuter)-Jackson

333
27 January 1779 @ Covent Garden

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Touchstone

Song: As17790122, but song-Mrs Kennedy (late Mrs Farrell)

334
26 February 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea; Judas Maccabaeus

Afterpiece Title: Songs, Chorusses selected from the Works of the late Henry Purcell; Judas Maccabaeus

Song: End Part I: a cantata-Mrs Kennedy

Music: End Part II: concerto on the violoncello-Cervetto

335
31 August 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Son-in-law

Dance: End: As17800615

Entertainment: After the dance: a Variety of Imitations , vocal and rhetorical, and (never attempted before) several in Dialogue-Messrs Bannister

336
22 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: the Feast Of Thalia; Or, A Dramatic Olio

Afterpiece Title: First Course, a substantial Dish from: Henry IV

Afterpiece Title: Second Courae, a Comic Dish, never serv'd up before: Kensington Gardens; or, The Walking Jockey

Afterpiece Title: Third Course, an Operatic Dish: The Son-in-Law

Afterpiece Title: Also by way of Entremet: Ripe Fruit; or, The Marriage Act

Afterpiece Title: Desert: Tom Thumb

Song: In Second Course: Auld Robin Gray-Miss Harper

337
21 March 1782 @ Haymarket Theatre

Performances

Mainpiece Title: Love At A Venture; Or, The Rake Reclaim'd

Afterpiece Title: The Tobacconist

Monologue: 1782 03 21 End of mainpiece (never performed here) Phelimoguffinocarilocarneymacframe's Description of a Man of War and a Sea Fight, with Explanations, by Mrs Kennedy

338
26 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

339
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

340
18 February 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's Ode

Music: End of Part I of oratorio concerto on the French harp by Cardon, late Musician to the Queen of France

341
29 March 1785 @ Covent Garden

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: Barataria; or, Sancho Turn'd Governor

Dance: As17841201

Monologue: 1785 03 29 Preceding the mainpiece Mother Shipton's Review of the Audience (Written by the late D. Garrick, Esq.) [speaker not listed, but probably Quick]

342
06 April 1785 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Musical Lady

Dance: In Act III of mainpiece Hornpipe by Miss Besford; After 2nd song, The Mountaineers, as17841201

Song: End of Act I of mainpiece The Sorrows of Charlotte at the Tomb of Werter (the music composed by Percy, and never before sung in public) sung in character by Miss Wheeler; End of mainpiece The Soldier tir'd of War's Alarms by Miss Wheeler

343
14 April 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Lyar

Song: Mainpiece: With the original Music, composed by the late Dr Arne; the Vocal Parts by Miss Phillips, Miss Field, Mrs Love, Mrs Booth, the Miss Stageldoirs, Miss Barnes, Mrs Burnett, Miss Simson, Miss Burnett, Miss Cranford, Mrs Smith, Miss George, Mrs Wrighten

344
05 December 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Catherine and Petruchio

Dance: II: a Dance of Spirits-Miss Stageldoir; III: a Dance of Fantastic Spirits-; IV: Dance-Hamoir, Miss Stageldoir

Song: The Music by Purcel and Dr Arne-; with the additional Airs and Chorusses by the late Linley Jun-; Vocal Parts-Williames, Danby, Fawcett, Alfred, Newbold, Mrs Love, Mrs Booth, Miss Barnes, Miss Cranford, Miss J. Stageldoir

345
07 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Transformation

Afterpiece Title: The Spanish Barber

Afterpiece Title: English Readings

Dance: End: a Pas de Deux Provencale-the two Miss Simonets

Entertainment: In the course of the Evening's Entertainments various Imitations-Bannister Jun

Ballet: End 3rd piece: a grand dance, never performed, Gli Schiavi per Amore. Bastiano Amazzagatta-young D'Egville; Mons. Perruque-young Giorgi; Don Berticco-George D'Egville; Mad. Neri-Miss Blanchet; Glinda-Miss DeCamp

346
13 March 1788 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: Les Fetes de Tempe-[see17880228]; End Opera: a new grand Tragic Ballet, never performed, Euthyme et Eucharis[, composed by Noverre. Principal Characters-Mlle Hilligsberg, Didelot, Mlle Coulon, Vestris, Sga Bedini, the two Miss Simonets, Mme Vedie, Henry, Jacolet, Saulnier, Sala, Coulon. [Partial cast from Lynham, 170: Eucharis-Mlle Hilligsberg; +Mars-Didelot; +Euthyme-Vestris; +L'Ombre-Henry; +Bellone-Coulon.

347
15 May 1788 @ King's Theatre

Performances

Mainpiece Title: La Frascatana

Dance: End I: New Ballet, as17880426; with a Pas de Deux-Miss Harvey, Henry

Song: In opera: the Grand Quintetto (never performed in this Country)-; several beautiful parts of music as performed in the original Opera-

Ballet: End Opera: L'Amour et Psiche. As17880129, but Hymen-Henry in place of Chevalier; Graces Furies and Fates-Mlle _Vedie, Miss Harvey, _Jacolet, _Saulnier, _Sala; Didelot_; Coulon_

348
31 January 1789 @ King's Theatre

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: End I: New Divertissement, as17890110; End Opera: an entire new ballet (never performed), Les Fetes Provencales (composed by Noverre)-Didelot, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand

349
12 July 1790 @ Haymarket Theatre

Performances

Mainpiece Title: [beaumarchais: Never [previously] Acted Together

Afterpiece Title: The Follies of a Day (Being the Sequel to The Spanish Barber)

Dance: As17900630

350
07 March 1791 @ Haymarket Theatre

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Advertisement; or, A New Way to Get a Husband

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes

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