SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Lethe or Esop in the Shades"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Ephesian Matron or The Widows Tears

Song: I: The Sycamore Shade-Mrs Wrighten; IV: The Soldier Tir'd-Mrs Wrighten

Dance: End: A Minuet, Louvre-Noverre, Miss Rogers, his scholar

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Lethe

Monologue: Entertainment True Blue. As 14 Dec

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Lethe

Dance: III: The Amusements of Strasburgh-as17711118, but now By the scholars of Sg Daigville

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Lethe

Performances

Mainpiece Title: Zara

Afterpiece Title: Lethe

Performances

Mainpiece Title: Timon

Afterpiece Title: Lethe

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Lethe

Entertainment: End: New Interlude: Weston's Return from the Universities of Parnassus-Weston

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: A Peep into Elysium or Foote Weston and Shuter in the Shades

Afterpiece Title: The What dye Call It

Monologue: 1784 08 10 End of interlude Joe Haynes's Epilogue, riding on an Ass, by Wilson

Performances

Mainpiece Title: Douglas

Afterpiece Title: Foote Weston and Shuter in the Shades

Afterpiece Title: The Genius of Nonsense

Song: As17840730

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Foote Weston and Shuter in the Shades

Afterpiece Title: The Genius of Nonsense

Song: As17840730

Monologue: 1784 08 19 Preceding mainpiece A Looking Glass for the Times; or, The Charms of Money by Parsons in the Character of a distress'd Poet

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Beggars Opera

Afterpiece Title: Foote Weston and Shuter in the Shades

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrne

Monologue: 1784 08 26 As 10 Aug

Performances

Mainpiece Title: The Two Connoisseurs

Afterpiece Title: Foote Weston and Shuter in the Shades

Afterpiece Title: The Genius of Nonsense

Performances

Mainpiece Title: A Trip To Elysium Or Foote Weston And Shuter In The Shades as Performed For Wilsons Benefit Last Season At The Above Theatre on 10 Aug

Afterpiece Title: The Miser

Afterpiece Title: Twistings and Twinings or Teas the Twaddle

Afterpiece Title: The Quaker

Song: 3rd piece to conclude with Tippee against Twaddle by Wilson

Monologue: 1785 02 12 Following the Singing Joe Haynes's Epilogue, riding on an ass, by Wilson. imitations. End of Act I of 4th piece Imitations, Vocal and Rhetorical, by way of Dialogue. A Gentleman (1st appearance [unidentified]) will take off the Speakers, and Decastro will take off the Singers, with a Dying Scene. After which, Plank, the carpenter, will take them both off

Performances

Mainpiece Title: tis Well Its No Worse

Afterpiece Title: The Diversions of the Morning

Afterpiece Title: Lethe AEsop Old Man Mercury Drunken Man Charon Bowman Snip Fine Gentleman Frenchman Lord Chalkstone to be performed for that night only by a Society of Gentleman Mrs Riot Mrs Dore

Monologue: 1785 04 25 Preceding the 1st piece an Address spoken by Brown

Performances

Mainpiece Title: Alexander The Great Or The Rival Queens

Afterpiece Title: The Land of Enchantment

Afterpiece Title: Lethe

Song: Vocal Parts [in Entry] by Johnstone, Brett, Doyle, Darley; Mrs Kennedy, Mrs Martyr, Miss Stuart, Mrs Bannister; End of 1st piece Moderation and Alteration by Edwin

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: A Trip to Elysium or Foote Weston Shuter and Edwin in the Shades

Afterpiece Title: Peeping Tom