Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Country Wife"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
3016 results for: Title - The Country Wife

2926
11 March 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Harlequin and Oberon

2927
13 March 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Bantry Bay

Afterpiece Title: The Romp

2928
14 March 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Bantry Bay

Afterpiece Title: The Poor Sailor

2929
16 March 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

2930
18 March 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes

2931
21 March 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes

2932
23 March 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes

2933
25 March 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes

2934
28 March 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes

2935
30 March 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes

2936
01 April 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes

2937
04 April 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes

2938
06 April 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes

2939
18 April 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Harlequin and Oberon

2940
20 April 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Harlequin and Oberon

2941
22 April 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes

2942
08 May 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: The Guardian

2943
12 May 1797 @ Covent Garden

Performances

Mainpiece Title: British Fortitude

Afterpiece Title: Wives as they Were, and Maids as they Are

Afterpiece Title: The Honest Thieves

2944
18 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Prisoner

Song: End IV: Listen to the Voice of Love-Master Welsh

Music: End: A Lilliputian Performance-; consisting of a Quintetto for First Violin-Master Pinto, aged 11 years; Second Violin-Master Sharp, aged 11; Violoncello-Master Ware, aged 10; Piano Forte-Miss Hoffman, aged 9; Voice-Master Welsh. The Musick composed expressly for the Occasion by Dr Arnold

2945
18 May 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: The Village Fete

Afterpiece Title: Peeping Tom

Song: 2nd piece: Chorusses-Blurton, Abbot, Simmons, Hawtin, Curties, Lee, Little, Sawyer, Tett, J. Linton, Wilde, Thomas, Oddwell, Cranfield, Mrs Castelle, Mrs Masters, Mrs Watts, Miss Leserve, Mrs Norton, Mrs Lloyd, Mrs Follett, Miss Walcup, Mrs Henley, Miss Owen, Miss Gray

2946
22 May 1797 @ Covent Garden

Performances

Mainpiece Title: The Village Fete

Afterpiece Title: The School for Wives

Afterpiece Title: Oscar and Malvina

Song: In: Chorusses, as17970518; End II 2nd piece: The Sea Storm by G. A. Stevens (Cease rude Boreas blust'ring railer)-; End IV: Black Ey'd Susan-Incledon; In 3rd piece: Come every jovial Fellow-Gray, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

Entertainment: End 2nd piece: a variety of Imitations-Rees (1st appearance this season [i.e. as imitator])

2947
25 May 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: The Positive Man

2948
27 May 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Purse

Afterpiece Title: The Country Girl

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Minor

2949
08 June 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Purse

Afterpiece Title: The Wandering Jew

Song: End II: Sweet Lillies of the Valley-Dignum (composed by Hook); End III: The Sailor's Journal-Dignum (composed by Dibdin); End IV: The Town and Country-Dignum (written by Morris); End I 3rd piece: Sally in our Alley-Dignum

2950
10 June 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: No Song No Supper

Dance: End: A Country Dance and Scotch Reel-Thompson, Whitfield, Wells, Banks, Garman, Miss Bourk, Mrs Haskey, Mrs Brigg, Mrs Byrne, Mrs Barrett; The Minuet de la Cour and Gavot-Roffey, Mrs Wild; A Hornpipe-Sga Bossi DelCaro