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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Acis And Galatea With Drydens Ode"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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274 results for: Title - Acis And Galatea, With Dryden's Ode

251
24 March 1795 @ King's Theatre

Performances

Mainpiece Title: Aci E Galatea

Dance: End I: New Divertisement, as17950228; End II: L'Espiegle Soubrette, as17950124

252
28 March 1795 @ King's Theatre

Performances

Mainpiece Title: Aci E Galatea

Dance: king's As17950324

253
11 April 1795 @ King's Theatre

Performances

Mainpiece Title: Aci E Galatea

Dance: End I: New Divertisement, as17950228; End II: Paul et Virginie- [see17950326

254
21 April 1795 @ King's Theatre

Performances

Mainpiece Title: Aci E Galatea

Dance: As17950411

255
30 May 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Quaker

Entertainment: MonologueEnd I afterpiece: Collins's Ode on the Passions-Palmer

256
12 February 1796 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

257
19 May 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Harlequin's Treasure 0

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

Song: End: An Ode, selected from Ben Jonson, as17960516

258
16 September 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Mock Doctor

Dance: End 2nd piece: Pas Russe, as17960907

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer

259
15 March 1797 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast 0; Or, the Power Of Music Messiah 0

Afterpiece Title: Alexander's Feast 3

Music: Preceding II: concerto for two violins and violoncello obligato- , as originally composed for this Ode by Handel, and performed under his Direction in the year 1736; End II: concerto on the Grand Piano Forte-Dussek

260
15 June 1797 @ King's Theatre

Performances

Mainpiece Title: Merope

Dance: End I: Le Rendez@vous, as17970513; Minuet de la Cour, as17970406; End Opera: Acis et Galatie- [see17970617

261
17 June 1797 @ King's Theatre

Performances

Mainpiece Title: Merope

Dance: End I: Peggy's Love-, as17961220; End Opera: Acis et Galatie-Mme Rose, Didelot, Mme Hilligsberg, Mlle Parisot, Gentili

262
20 June 1797 @ King's Theatre

Performances

Mainpiece Title: Le Gelosie Villane

Dance: End I: Apollon Berger, as17961227; End Opera: Acis et Galatie, as17970615

263
27 June 1797 @ King's Theatre

Performances

Mainpiece Title: Merope

Dance: End I: Peggy's Love-, as17961220; End Opera: Acis et Galatie-, as17970615

264
04 July 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Dance: End I: Acis et Galatie, as17970615 End Opera: Pizarre, as17970211

265
15 July 1797 @ King's Theatre

Performances

Mainpiece Title: Merope

Dance: End I: Les Delassements Militaires-, as17970124; End Opera: Acis et Galatie, as17970617 but _Gentili

266
22 July 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Dance: End I: Les Delassements Militaires-, as17970124; End Opera: Acis et Galatie, as17970617

267
25 July 1797 @ King's Theatre

Performances

Mainpiece Title: Merope

Dance: End I: Peggy's Love, as17961220; End Opera: Acis et Galatie, as17970617

268
15 June 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Devil to Pay

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer

269
24 January 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Messiah

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

270
16 May 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Deserter

Entertainment: Monologues End: Collins's Ode on the Passions (1st time)-Miss Heard; Epilogue in the Character of Cupid-Master Chatterley

271
15 April 1800 @ King's Theatre

Performances

Mainpiece Title: Alessandro E Timoteo (alexander's Feast, From dryden)

Dance: End I: A New Bacchanalian Divertisement Ballet, connected with and incidental to the Opera (introduced by a prelude of Chorus), the Music by Sarti, the Action and Dance by D'Egville, and performed-Didelot, Deshayes, Mlle Parisot, Mme Laborie, Mme Hilligsberg; End Opera: La Fille Mal Gardee-Mlle Parisot (will perform part originally represented by Mme Rose Didelot)

272
19 April 1800 @ Covent Garden

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Saturday Night at Sea

Afterpiece Title: Lock and Key

Entertainment: Monologue End: Collins's Ode on the Passions-Mrs Pope

273
25 August 1772 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: La Serva Padrona

Song: Several songs-Mrs Forbes; Musical Imitations-Bannister; An Odecomposed by Arnold will be sung in the manner of an Oratorio-Reinhold, Bannister, Mrs Forbes, Mrs Cartwright, Mrs Thompson, with a number of the best Chorus Singers

274
07 September 1772 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: The Magnet

Entertainment: Odeby Arnold for Prince's Birthday,-Bannister, Culver, Mrs Forbes, Mrs Cartwright, Mrs Thompson