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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Aminta The Famous Pastoral"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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324 results for: Title - Aminta: The Famous Pastoral

301
21 February 1782 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: Vertumnus and Pomona

Dance: End of Epilogue a new Pastoral Dance, Palemon and Lavinia, by Aldridge, Langrish, Mrs Davenett, Miss Francis, Miss Rowson, Miss Besford

302
23 February 1782 @ King's Theatre

Performances

Mainpiece Title: I Vlaggiatori Felici

Dance: End of Act I Pastoral Dance, as17811128; End of Act II a new Pantomime Ballet (composed by Noverre), Rinaldo and Armida, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli, Simonet, Leger, Sga Crespi, &c

303
28 February 1782 @ King's Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I pastoral Dance, as17811117, but added: with a Pas Seul by Mlle Simonet; End of Act II New Divertisement Dance, as17820216; End of Act III Rinaldo and Armida, as17820223

304
07 March 1782 @ King's Theatre

Performances

Mainpiece Title: Quinto Fabio

Dance: End of Act I Pastoral Dance, as17820129; End of Act II New Divertisement Dance, as17820216; End of Act III Divertisement Dance, as17811117, but Raymond in place of Bournonville

305
20 April 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I Pastoral Dance, as17820129; End of Act II Divertisement Dance, as17820307End of Opera Adela of Pontbieu, as II Apr

306
04 May 1782 @ King's Theatre

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I Pastoral Dance, as17811128; End of Act II Apollon et les Muses, as17820502; End of Opera New Dance, as17820502

307
08 October 1782 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: Tom Thumb

Dance: End of mainpiece a new Dance (composed by Harris) Pastoral Sports by Harris, Second, Mrs Ratchford, Miss Matthews

308
13 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Le Tuteur Trompe, as17830111, with two Pas de Deux, in a stile entirely new, called Pas de Lapons; or, Laplanders' Dance, by Slingsby and Mlle Theodore; End of Act II a new Pastoral Ballet by the principal Dancers, with a variety of Pas Seuls and a Pas de Deux by Slingsby and Mlle Theodore, and to conclude with a Grand Allemande by Lepicq, Mme Rossi, Slingsby, Mlle Theodore

309
28 June 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act I II Riposo del Campo, as17830603 with a Pas Seul, as17830531; End of Act II Le Tuteur Trompe, as17830614 End of Act III The famous new ballet The Four Nations, performed but twice at the Pantheon [on 17 and 24 June, when it was announced as composed by Lepicq, "representing four different Nations: Mme Simonet the French, Slingsby and Mlle Theodore the English, Zuchelli and Sga Crespi the African, Lepicq and Mme Rossi the Cosaque-Polonois, with several Pas de Deux, each of them suited to the National Characters"]

310
18 September 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Lyar

Dance: End of Act I of mainpiece The Pastoral Lovers by Ferrere and Miss Stageldoir

311
19 November 1783 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Positive Man

Dance: End of mainpiece new Pastoral Ballet (composed by Harris), The Rival Nymphs, by Byrn, Ratchford, Harris, Miss Byrn, Miss Matthews

312
26 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

313
22 September 1784 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Positive Man

Dance: End of Act II of mainpiece Pastoral Sports by Harris, Miss Matthews, &c

314
01 October 1784 @ Covent Garden

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Musical Lady

Dance: End of mainpiece Pastoral Sports, as17840922

Song: In Act II of mainpiece a song by Brett

315
18 October 1784 @ Covent Garden

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: End of Act III of mainpiece Pastoral Sports, as17840922

Song: In Act II of mainpiece a song by Mrs Martyr

316
28 June 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The King and the Miller of Mansfield

Song: In the course of the mainpiece a plaintive Pastoral Song, unaccompanied by the orchestra, by the Young Lady; End of Monologue a duett from Robin Hood by Price and Miss Phillips

Monologue: 1786 06 28 End of mainpiece Parents and Children; or, The Chimney-Sweeper and Bricklayer by a Young Gentleman (1st appearance on any stage [Gibbons (see 5 and 19 July)])

317
22 March 1787 @ King's Theatre

Performances

Mainpiece Title: Virginia

Dance: End I: a new Divertissement in the Pastoral Style, La Jardiniere-; in which a new Pas de Trois-Goyon, Mlle Mozon, Mme Perignon; End Opera: an entirely new ballet, composed by Hus, Sylvie-Goyon, Gricourt, Laborie, Mlle Mozon, the two Miss Simonets, Mme Perignon

318
06 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Seeing is Believing

Dance: End: a new Pastoral Dance, the music by Handel,-Byrn, Mrs Goodwin, Miss E. Simonet

319
24 May 1792 @ Covent Garden

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Farmer

Dance: After Singing: A Pastoral Dance-Byrne, Mlle St.Amand

Song: End: Black Eyed Susan-Incledon

320
01 June 1793 @ King's Theatre

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: Les Epoux du Tempe, as17930205; End Opera: a new Pastoral Ballet (1st time; composed by D'Egville) Le Jaloux Puni-Mlle Millerd, D'Egville, Favre Gardel, Mlle Hilligsberg, Mlle Menage, Mlle Gardel, Mlle Hilligsberg Jun [1st appearance]

321
28 November 1797 @ King's Theatre

Performances

Mainpiece Title: Ipermestra

Dance: End I: Divertisement, composed by Gallet [with music by Bossi] L'Offrande a Terpsichore-Didelot, Mme Rose, Laborie (1st appearance in this country since 1790 [recte 1792]), Mme Hilligsberg, Mlle J. Hilligsberg, Mme Laborie

Ballet: End Opera: a new Grand, Heroic, Pastoral Ballet, composed by Gallet [with music by Bossi] Ariadne et Bacchus. Bacchus-Laborie; Ariadne-Mme Laborie; Silenus-Blake; Cupid-Master Menage; Followers of Bacchus-Mme Hilligsberg, Mlle J. Hilligsberg, Didelot, Mme Rose. [And see dl, 9 May 1798.

322
09 February 1798 @ Covent Garden

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: The Poor Sailor; or, Little Bob and Little Ben

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

323
10 May 1798 @ King's Theatre

Performances

Mainpiece Title: Elfrida

Dance: End I: Le Triomphe de Themis, as17971226; Pas Russe-Laborie, Mme Hilligsberg; End Opera: a new Pastoral Ballet in 4 acts, composed by S. Gallet, Elisa; ou, Le Triomphe de la Nature-Laborie, Mme Hilligsberg, Didelot, Mme Rose, Miss Hilligsberg, Mme Laborie, Gourlier, Master Laborie

324
18 July 1777 @ Haymarket Theatre

Performances

Mainpiece Title: The Sheep-shearing

Afterpiece Title: The Fairy Tale

Dance: With aPastoral Dance (incident to the [main]piece)-; End: As17770707