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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "The Modern Fine Gentleman"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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296 results for: Title - The Modern Fine Gentleman

226
13 April 1784 @ Covent Garden

Performances

Mainpiece Title: The Two Gentlemen Of Verona

Afterpiece Title: The Rival Knights

Afterpiece Title: Tom Thumb

Song: In Act V of mainpiece A Frightened Song by Quick

Monologue: 1784 04 13 End of mainpiece a new Occasional Address spoken by Quick, riding on an Elephant

227
17 September 1784 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

228
24 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

229
28 June 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The King and the Miller of Mansfield

Song: In the course of the mainpiece a plaintive Pastoral Song, unaccompanied by the orchestra, by the Young Lady; End of Monologue a duett from Robin Hood by Price and Miss Phillips

Monologue: 1786 06 28 End of mainpiece Parents and Children; or, The Chimney-Sweeper and Bricklayer by a Young Gentleman (1st appearance on any stage [Gibbons (see 5 and 19 July)])

230
10 July 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Peeping Tom of Coventry

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Song: End of Act I of mainpiece Sweet Poll of Plymouth by Master Muffett of Hammersmith (1st appearance in public); In Act II an incidental song, accompanied by the pedal harp, by Miss Phillips; End of mainpiece Let Fame sound the Trumpet, as sung by Johnstone in Fontainbleau, by a Young Gentleman (1st appearance)

Monologue: 1786 07 10 End of last song Parents and Children, as 28 June

231
12 March 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Author

Song: End: This is the life of a frolicksome fellow-the Gentleman who performs Young Dudley; Four@and@twenty fidlers-Simpson

Entertainment: After Singing: Theatrical Imitations, vocal and rhetorical,-Weston (1st appearance on any stage)

232
29 April 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Miss in her Teens

Dance: End IV: Double Hornpipe-Mr and Miss Bourk

Song: End I: Crazy Kate-Chambers; End III: song-Arrowsmith

Entertainment: End II: Imitations-a Gentleman [unidentified]

Monologue: Vaudeville. End: Bunbury's Representation of the Prince's Bow. Teacher-Delpini; in which he will introduce a song, Woman turn us round about-Delpini

233
22 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Catch Club [i

Afterpiece Title: Gretna Green

Afterpiece Title: Look before You Leap

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer

234
15 January 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Two Gentlemen Of Verona

Afterpiece Title: The Island of St

Song: In IV: a Serenade-Dignum

235
20 January 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Two Gentlemen Of Verona

Afterpiece Title: The Island of St

Song: As17900115

236
30 April 1790 @ Covent Garden

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Poor Soldier

Song: End II: The Lamp Lighter (written and composed by Dibdin)-Reeve; End IV: The Doctrine of an Israelite (written by Collins, author of The Brush) sung in character-Reeve; End: a favorite song a Gentleman (1st appearance on any stage)

237
03 June 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Two Gentlemen Of Verona

Afterpiece Title: The Quaker

Dance: As17900308

Song: In IV: a Serenade-Dignum; End: Poor Jack-Dignum

238
11 August 1790 @ Haymarket Theatre

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Modern Breakfast; or, All Asleep at Noon

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: A Double Hornpipe-Platt, Mrs Goodwin

239
27 August 1790 @ Haymarket Theatre

Performances

Mainpiece Title: The Suicide

Afterpiece Title: Modern Breakfast

Afterpiece Title: The Village Lawyer

240
14 March 1791 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Modern Antiques; or, The Merry Mourners

241
15 March 1791 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Modern Antiques

242
17 March 1791 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Modern Antiques

243
19 March 1791 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Modern Antiques

244
21 March 1791 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Modern Antiques

245
22 March 1791 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Modern Antiques

246
24 March 1791 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Modern Antiques

247
26 March 1791 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Modern Antiques

248
28 March 1791 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Modern Antiques

249
29 March 1791 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Modern Antiques

250
31 March 1791 @ Covent Garden

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Modern Antiques